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Sarpedon's feast: A Homeric key to Chaucer's "Troilus and Criseyde"
Chaucer's insistence on the name of Sarpedon signals the importance of the Iliad, with its treatment both of the hero and the theme of necessity, for the development of his Troilus. Chaucer's access to the Iliad was second ...
Gender nominalized: Unmanning men, disgendering women in Chaucer's "Legend of Good Women"
In the Legend, Chaucer manipulates the language of the narrator and the women, turning analytic attention toward the problem of gender categories, thereby undermining proscribed behavior and the language that represents ...
Translation as conversion, or making the Phoenix "male": Christianity and gender in the Old English "Phoenix" and its source
The Old English poem The Phoenix and its fourth century source, De Carmen de Ave Phoenice, have traditionally been read together as allegories on Christian resurrection. I read these poems against each other to show how ...
The feminine corpus in F. J. Child's collection of the English and Scottish popular ballads
The ballads examined here are from F. J. Child's The English and Scottish Popular Ballads, the authoritative collection of ballads. Though definitions of the ballad vary, most agree that the ballad is an orally transmitted ...
Hafa nu ond geheald husa selest: Jurisdiction and justice in "Beowulf"
Anglo-Saxon legal concepts, particularly the principles of feud and dispute resolution, have a demonstrable influence on the themes and narrative structure of Beowulf. Beowulf's three main monster fights, with Grendel, ...