Now showing items 31-40 of 123
Subjectivites feminines et reecriture des histoires antillaises dans l'oeuvre romanesque de Maryse Conde, Simone Schwarz-Bart et Myriam Warner-Vieyra
French Caribbean along with other Third World intellectuals have examined from different perspectives not only the oppositions, but also the interconnections between the colonial subject and the colonized other. In their ...
Analyse de la technique psychologique dans l'oeuvre romanesque de Jean Giraudoux
Puisque notre premier chapitre qui porte sur l'esthetique romanesque de Giraudoux sert de veritable introduction a l'investigation de sa technique psychologique, nous nous bornerons ici a signaler la raison d'etre et, dans ...
His mistress' voice: Language and desire in Benjamin Constant's "Adolphe"
Benjamin Constant's Adolphe chronicles the unhappy love affair between the title character and his mistress, Ell enore. The aspect of the liaison which receives most of the narrator's attention is the conversations and ...
Les visages du heros l'initiation dans les romans de Chretien de Troyes
In a atemporal space where the real and the fantastic intertwine, the heroes of Chretien de Troyes represent projections of an ideal personality. Their symbolic quest is but means of individuation, since, through voyage, ...
Presence in the work: Baroque aesthetic and its 20th-century return in French thought, arts and letters
Movement, change, inconstancy; sinuous line, saturated space, elliptical, open forms; elaborate metaphor, narrative dislocation, excessive affectivity--this familiar topology of the Baroque work all serves to disorient and ...
Les comedies-ballets de Moliere: genre de transition
The purpose of this thesis is to explore the influence of the ballet de cour on the comedies-ballets of Moliere and to show how the comedies-ballets not only perfected the dramatic elements of this previous form, but ...