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La litterature et le cinema le cas de Jean Cocteau
(2010)
A poet and a movie director, Jean Cocteau brilliantly manifested surrealist inspiration in his poetry, in the performative art of his theatrical representation, and in his cinematography. His work is the best example to ...
La litterature and le Livre (literature and the Book) (French text)
(1993)
What is "the Book?" Theology and philosophy have traditionally postulated the metaphysical precedence of orality and considered literacy as a subsequent, historical turning point: one day, an original logos "came down" and ...
The subversive China in twentieth-century French literature
(2005)
This dissertation examines an anti-West and anti-humane role played by China in the works of Claudel, Segalen, Malraux, Michaux and Sollers. I argue that the search for different values in China makes their works a homogenous ...
La crise contemporaine du sujet: Histoire et symbolisation
(2000)
Ce travail en sciences sociales presente la theorie generale du sujet proposee par le Professeur Goux. Il s'agit de la theorie de l'equivalent general des echanges, c'est-a-dire de la fonction symbolique universelle et ...
Divagation, prohibition of divagation and divagation of text
(2007)
"Divagation", which can be translated into English as wandering, rambling, ranting or even trespassing, is a literary "intergenre", closely tied to a norm and an interdiction. As an "intergenre", divagation appears in a ...
Les imaginaires de la loi. Le destin du legislateur dans la pensee politique et economique francaise apres Rousseau
(2009)
The subject of the investigation is the controversial figure of the legislator. The dissertation concerns two defining directions of political modernity: the project of autonomy and the emergence of economic freedom; and ...
Presence in the work: Baroque aesthetic and its 20th-century return in French thought, arts and letters
(1998)
Movement, change, inconstancy; sinuous line, saturated space, elliptical, open forms; elaborate metaphor, narrative dislocation, excessive affectivity--this familiar topology of the Baroque work all serves to disorient and ...
"La morale en peinture": Bourgeois and feminist discourses in the paintings of Jean-Baptiste Greuze
(2000)
By focusing on how bourgeois and feminist discourses intersect in the moralistic paintings of Jean-Baptiste Greuze (1725--1805), I argue that Greuze's images manifest a thrust toward liberation from the ideological constraints ...