Now showing items 1-1 of 1
“Cinematography of Devices”: Harun Farocki’s Eye/Machine Trilogy
(The Johns Hopkins University Press?, 2015)
Harun Farocki’s 2001–2003 installation Eye/Machine tackles issues of surveillance surrounding the “intelligent” weapon systems deployed in the 1990/91 Gulf War. Farocki is especially interested in the image processing systems behind these weapons, their operational images that are both generated by machines and read by machines—images that require ...