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(2015)Harun Farocki’s 2001–2003 installation Eye/Machine tackles issues of surveillance surrounding the “intelligent” weapon systems deployed in the 1990/91 Gulf War. Farocki is especially interested in the image processing ...
(2013)This essay discusses the nature of (old and new) national monuments in post-apartheid South Africa which even now, twenty years after the first free elections, remains a democracy in transition. The discourse of monumentalism in ...