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dc.contributor.advisor Isle, Walter W.
dc.creatorFrost, Laurie Anne Adams
dc.date.accessioned 2009-06-04T00:05:23Z
dc.date.available 2009-06-04T00:05:23Z
dc.date.issued 1988
dc.identifier.urihttps://hdl.handle.net/1911/16142
dc.description.abstract In The Music of Time, Anthony Powell examines the tension between the internal reality of memory and the external social world in which the self is defined. The twelve volumes are presented as the fictional memoirs of Nicholas Jenkins; Powell's interest is in depicting voluntary memory and the stories we tell to explain who we are. Since Nick is both character and narrator, two philosophies of time are developed. On the one hand, internalized time is depicted; the memories Nick the narrator records are present simultaneously in his mind, and thus Nick remembers the past in terms of the future. But Nick the character functions in external, sequential time. Representing both internal and external concepts of time demands stylistic innovations; the effort is that the work's style is distinguished by its maintenance of chronology and accommodation of interruptions. Furthermore, since he functions as both narrator and protagonist, Nick must be defined socially. The voices of other characters are heard, and a bridge is thus formed between Nick's internal world, his memories, and an external, objective world; and the pleasure of shared experience, the basic impulse for narration, is reaffirmed. Finally, what makes narrative possible is order, seeing patterns in experience, and it is through the agency of memory that we detect patterns in external reality. Patterns are found to be at once imposed by the mind to order information and revealed in experience. These patterns are found on three levels: in language, plot, and characterization. But that patterns are discernible in experience does not mean that Powell is depicting a deterministic world; his characters seem to act as free agents, and the final cause of any episode in a pattern is indeterminable. Those causes that are discerned are those which fit the future effect. There is thus throughout The Music of Time a dynamic quality to Nick's narration: a stress between the power of the past to determine the future and the power of the future to determine the past; and it is through the depiction of individual memory and the patterns of social life that this tension is realized.
dc.format.extent 205 p.
dc.format.mimetype application/pdf
dc.language.iso eng
dc.subjectEnglish literature
Modern literature
dc.title Reminiscent scrutinies: Individual memory and social life in Anthony Powell's "A Dance to the Music of Time"
dc.type.genre Thesis
dc.type.material Text
thesis.degree.department English
thesis.degree.discipline Humanities
thesis.degree.grantor Rice University
thesis.degree.level Doctoral
thesis.degree.name Doctor of Philosophy
dc.identifier.citation Frost, Laurie Anne Adams. "Reminiscent scrutinies: Individual memory and social life in Anthony Powell's "A Dance to the Music of Time"." (1988) Diss., Rice University. https://hdl.handle.net/1911/16142.


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