deposit_your_work

Closets and Walls: Practices of Heterodoxy among Gay Mormons and Stencilistas in Santigao, Chile

Files in this item

Files Size Format View
adair-kriz-diss-portfolio.pdf 135.4Mb application/pdf Thumbnail
Adair-KrizM.pdf 4.903Mb application/pdf Thumbnail
VTS_01_artist_tour.wmv 44.40Mb video/x-ms-wvx WMP Logo
VTS_02_contra_golpe.wmv 42.33Mb video/x-ms-wvx WMP Logo
VTS_03_50_fotos_and_a_poster.wmv 4.204Mb video/x-ms-wvx WMP Logo
VTS_04_may_day_stencilistas.wmv 21.92Mb video/x-ms-wvx WMP Logo
VTS_05_octopus_garden.wmv 5.463Mb video/x-ms-wvx WMP Logo

Show simple item record

Item Metadata

dc.contributor.advisor Faubion, James
dc.contributor.advisor Tyler, Stephen
dc.contributor.advisor Kripal, Jeffrey
dc.creator Adair-Kriz, Michael
dc.date.issued 2010
dc.identifier.uri http://hdl.handle.net/1911/35296
dc.description.abstract This dissertation compares the heterodoxic practices of gay Mormons and stencil street artists (Stencilistas) in Santiago, Chile, recorded during twenty-two months of fieldwork. The dissertation is divided in two distinct sections: one text-based and the other visual. The research explores a multi-sited ethnographic practice that is situated interstitially between a number of academic theories and methodologies including anthropology, sociology, art, and religious studies. The research illustrates further evidence that in religious, artistic, and anthropological practice heterodoxy generates orthodox discourse that over time initiates orthodoxic accommodations resulting in doxic changes. The latter sections of the dissertation explore visual methodologies of ethnographic evocation. One chapter is a photographic essay portraying a downtown street demonstration performed by university students calling for educational reform in Santiago. The protestors carried stenciled depictions of then president Michelle Bachelet illustrative of the permeability and fluidity of stencil art practice. The final chapter discusses Stenciling Power, the dissertator's solo art show at Rice University Media Center November 2009 that reproduced some of the street art created by Stencilistas as well as original stencil art creations and video installations by the dissertator that can be found at found on the back cover in the printed version.
dc.format PDF
dc.format.extent 247 p.
dc.format.mimetype application/pdf
dc.language
dc.language.iso eng
dc.title Closets and Walls: Practices of Heterodoxy among Gay Mormons and Stencilistas in Santigao, Chile
dc.type.genre Thesis
dc.type.material Text
dc.type.material Moving Images
thesis.degree.department Anthropology
thesis.degree.discipline Anthropology
thesis.degree.grantor Rice University
thesis.degree.level Doctoral
thesis.degree.name Doctor of Philosophy
dc.identifier.citation Adair-Kriz, Michael. "Closets and Walls: Practices of Heterodoxy among Gay Mormons and Stencilistas in Santigao, Chile." Doctoral Thesis, Rice University, ETD http://hdl.handle.net/1911/35296.

This item appears in the following Collection(s)