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The stylistic traits of Charles Griffes's piano music: "Roman Sketches", Op. 7 and Piano Sonata (1917--1918)

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dc.contributor.advisor Applebaum, Edward
dc.creator Fabbro, Renato Sergio
dc.date.accessioned 2009-06-04T06:45:23Z
dc.date.available 2009-06-04T06:45:23Z
dc.date.issued 2001
dc.identifier.uri http://hdl.handle.net/1911/17959
dc.description.abstract Like most composers, Charles Griffes's piano works display certain recurring stylistic traits. These traits transcend the three periods in which his music is categorized. A comparison of two of his best known piano works, Roman Sketches, Op. 7 and the Piano Sonata (1917--18), illustrates the significant compositional techniques that he continued to use as his style matured. Examples from other piano works are included in this document although the focus is primarily on these two. The comparisons also highlight the traits that Griffes added or abandoned in his later years.* *Originally published in DAI, Vol 62, No. 7. Reprinted here with corrected author name.
dc.format.extent 55 p.
dc.format.mimetype application/pdf
dc.language.iso eng
dc.subject Music
dc.title The stylistic traits of Charles Griffes's piano music: "Roman Sketches", Op. 7 and Piano Sonata (1917--1918)
dc.type.genre Thesis
dc.type.material Text
thesis.degree.department Music
thesis.degree.discipline Music
thesis.degree.grantor Rice University
thesis.degree.level Doctoral
thesis.degree.name Doctor of Musical Arts
dc.identifier.citation Fabbro, Renato Sergio. (2001) "The stylistic traits of Charles Griffes's piano music: "Roman Sketches", Op. 7 and Piano Sonata (1917--1918)." Doctoral Thesis, Rice University. http://hdl.handle.net/1911/17959.

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