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                <title TEIform="title">Egypt [Electronic Edition]</title>
                <author TEIform="author"> Kelly, Robert Talbot, 1861-1934</author>
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                <publisher TEIform="publisher">Rice University</publisher>
                <pubPlace TEIform="pubPlace">Houston, Tx</pubPlace>
                <date TEIform="date">2007</date>
                <idno TEIform="idno">Rice, KelPeep</idno>
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                    <p TEIform="p">Publicly available via the Woodson Research Center and the Museum
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                        <title TEIform="title" level="m">Peeps at Many Lands Egypt</title>
                        <author TEIform="author">R. Talbot Kelly</author>
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                    <extent>vii, 86 p. 12 col. plates., map. 20 cm.</extent>
                    <publicationStmt TEIform="publicationStmt">
                        <publisher TEIform="publisher">A. &amp; C. Black</publisher>
                        <pubPlace TEIform="pubPlace">London</pubPlace>
                        <date TEIform="date">1910</date>
                        <idno>From the collection of Dr. Paula Sanders, Rice University.</idno>
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                        <title> (Peeps at many lands) </title>
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        <front TEIform="front">
            <div1 TEIform="div1" org="uniform" part="N" sample="complete" type="cover">
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            <div1 TEIform="div1" org="uniform" part="N" sample="complete" type="frontmatter">
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                <p TEIform="p">
                    <figure TEIform="figure" entity="KelPe_f001" id="illf001"> </figure>
                </p>
                <p TEIform="p">
                    <hi TEIform="hi" rend="bold">SALLY S. PALMER,<lb TEIform="lb"/> MILLER ROAD,<lb
                            TEIform="lb"/> MORRISTOWN, N. J.</hi>
                </p>
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                <p TEIform="p">
                    <figure TEIform="figure" entity="KelPe_f002" id="illf002"> </figure>
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            <div1 TEIform="div1" org="uniform" part="N" sample="complete" type="frontmatter">
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                <p TEIform="p">
                    <figure TEIform="figure" entity="KelPe_f003" id="illf003"> </figure>
                </p>
                <list TEIform="list" type="simple">
                    <head TEIform="head">LIST OF VOLUMES IN THE PEEPS AT MANY LANDS AND CITIES
                        SERIES EACH CONTAINING 12 FULL-PAGE ILLUSTRATIONS IN COLOUR</head>
                    <item TEIform="item">
                        <p TEIform="p">BELGIUM</p>
                    </item>
                    <item TEIform="item">
                        <p TEIform="p">BURMA</p>
                    </item>
                    <item TEIform="item">
                        <p TEIform="p">CANADA</p>
                    </item>
                    <item TEIform="item">
                        <p TEIform="p">CEYLON</p>
                    </item>
                    <item TEIform="item">
                        <p TEIform="p">CHINA</p>
                    </item>
                    <item TEIform="item">
                        <p TEIform="p">CORSICA</p>
                    </item>
                    <item TEIform="item">
                        <p TEIform="p">DENMARK</p>
                    </item>
                    <item TEIform="item">
                        <p TEIform="p">EDINBURGH</p>
                    </item>
                    <item TEIform="item">
                        <p TEIform="p">EGYPT</p>
                    </item>
                    <item TEIform="item">
                        <p TEIform="p">ENGLAND</p>
                    </item>
                    <item TEIform="item">
                        <p TEIform="p">FINLAND</p>
                    </item>
                    <item TEIform="item">
                        <p TEIform="p">FRANCE</p>
                    </item>
                    <item TEIform="item">
                        <p TEIform="p">GERMANY</p>
                    </item>
                    <item TEIform="item">
                        <p TEIform="p">GREECE</p>
                    </item>
                    <item TEIform="item">
                        <p TEIform="p">HOLLAND</p>
                    </item>
                    <item TEIform="item">
                        <p TEIform="p">HOLY LAND</p>
                    </item>
                    <item TEIform="item">
                        <p TEIform="p">ICELAND</p>
                    </item>
                    <item TEIform="item">
                        <p TEIform="p">INDIA</p>
                    </item>
                    <item TEIform="item">
                        <p TEIform="p">IRELAND</p>
                    </item>
                    <item TEIform="item">
                        <p TEIform="p">ITALY</p>
                    </item>
                    <item TEIform="item">
                        <p TEIform="p">JAMAICA</p>
                    </item>
                    <item TEIform="item">
                        <p TEIform="p">JAPAN</p>
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                    <item TEIform="item">
                        <p TEIform="p">KOREA</p>
                    </item>
                    <item TEIform="item">
                        <p TEIform="p">MOROCCO</p>
                    </item>
                    <item TEIform="item">
                        <p TEIform="p">NEW ZEALAND</p>
                    </item>
                    <item TEIform="item">
                        <p TEIform="p">NORWAY</p>
                    </item>
                    <item TEIform="item">
                        <p TEIform="p">PARIS</p>
                    </item>
                    <item TEIform="item">
                        <p TEIform="p">PORTUGAL</p>
                    </item>
                    <item TEIform="item">
                        <p TEIform="p">RUSSIA</p>
                    </item>
                    <item TEIform="item">
                        <p TEIform="p">SCOTLAND</p>
                    </item>
                    <item TEIform="item">
                        <p TEIform="p">SIAM</p>
                    </item>
                    <item TEIform="item">
                        <p TEIform="p">SOUTH AFRICA</p>
                    </item>
                    <item TEIform="item">
                        <p TEIform="p">SOUTH SEAS</p>
                    </item>
                    <item TEIform="item">
                        <p TEIform="p">SPAIN</p>
                    </item>
                    <item TEIform="item">
                        <p TEIform="p">SWITZERLAND</p>
                    </item>
                </list>
                <p TEIform="p">A LARGER VOLUME IN THE SAME STYLE<lb TEIform="lb"/> THE WORLD<lb
                        TEIform="lb"/> Containing 37 full-page illustrations in colour</p>
                <p TEIform="p">PUBLISHED BY ADAM AND CHARLES BLACK SOHO SQUARE, LONDON, W.</p>
                <p TEIform="p">AGENTS</p>
                <list TEIform="list" type="simple">
                    <item TEIform="item">
                        <p TEIform="p">AMERICA … THE MACMILLAN COMPANY<lb TEIform="lb"/> 64
                            &amp; 66 <hi TEIform="hi" rend="smallcaps">Fifth Avenue</hi>, NEW
                            YORK</p>
                    </item>
                    <item TEIform="item">
                        <p TEIform="p">AUSTRALASIA. OXFORD UNIVERSITY PRESS<lb TEIform="lb"/> 205
                                <hi TEIform="hi" rend="smallcaps">Flinders Lane</hi>, MELBOURNE</p>
                    </item>
                    <item TEIform="item">
                        <p TEIform="p"><hi TEIform="hi" rend="smallcaps">St. Martin's House, 70 Bond
                                Street</hi>, TORONTO</p>
                    </item>
                    <item TEIform="item">
                        <p TEIform="p">INDIA … MACMILLAN &amp; COMPANY, LTD.<lb TEIform="lb"/>
                            <hi TEIform="hi" rend="smallcaps">Macmillan Building</hi>, BOMBAY<lb
                                TEIform="lb"/> 309 <hi TEIform="hi" rend="smallcaps">Bow Bazaar
                                Street</hi>, CALCUTTA</p>
                    </item>
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                    <figure TEIform="figure" entity="KelPe_f004" id="illf004"> </figure>
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                    <figure TEIform="figure" entity="KelPe_f005" id="illf005">
                        <head TEIform="head">SEBIL OF THE MOSQUE OF THE SULTAN KELAŪN.</head>
                    </figure>
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                        <figDesc TEIform="figDesc">Illustration of title-page</figDesc>
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                <docTitle TEIform="docTitle">
                    <titlePart TEIform="titlePart" type="main">PEEPS AT MANY LANDS<lb TEIform="lb"/>
                        <hi TEIform="hi" rend="bold">EGYPT</hi></titlePart>
                </docTitle>
                <byline TEIform="byline">BY <docAuthor TEIform="docAuthor">R. TALBOT
                    KELLY</docAuthor> R. I., R.B.A., F.R.G.S.<lb TEIform="lb"/> C<hi TEIform="hi"
                        rend="smallcaps">OMMANDER OF THE</hi> M<hi TEIform="hi" rend="smallcaps"
                        >EDJIDIEH</hi></byline>
                <titlePart TEIform="titlePart" type="main">WITH TWELVE FULL-PAGE ILLUSTRATIONS IN
                        COLOUR<lb TEIform="lb"/> BY<lb TEIform="lb"/> THE AUTHOR</titlePart>
                <docImprint TEIform="docImprint">
                    <pubPlace TEIform="pubPlace">LONDON</pubPlace>
                    <publisher TEIform="publisher">ADAM AND CHARLES BLACK</publisher>
                    <docDate TEIform="docDate">1910</docDate>
                </docImprint>
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                    <figure TEIform="figure" entity="KelPe_f007" id="illf007"> </figure>
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                <p TEIform="p">
                    <hi TEIform="hi" rend="bold">Published September, 1908</hi>
                    <hi TEIform="hi" rend="bold">Reprinted March, 1999; October, 1910</hi>
                </p>
            </div1>
            <div1 TEIform="div1" org="uniform" part="N" sample="complete" type="contents">
                <pb TEIform="pb" id="pf008" n="iii"/>
                <head TEIform="head">CONTENTS</head>
                <p TEIform="p">
                    <figure TEIform="figure" entity="KelPe_f008" id="illf008"> </figure>
                </p>
                <p TEIform="p">
                    <table TEIform="table" cols="2" rows="11">
                        <row TEIform="row" role="label">
                            <cell TEIform="cell" cols="1" role="data" rows="1">CHAPTER</cell>
                            <cell TEIform="cell" cols="1" role="data" rows="1">PAGE</cell>
                        </row>
                        <row TEIform="row" role="data">
                            <cell TEIform="cell" cols="1" role="data" rows="1">I. ITS ANTIQUITY</cell>
                            <cell TEIform="cell" cols="1" role="data" rows="1">
                                <ref TEIform="ref" targOrder="U" target="p001">1</ref>
                            </cell>
                        </row>
                        <row TEIform="row" role="data">
                            <cell TEIform="cell" cols="1" role="data" rows="1">II. THE LAND</cell>
                            <cell TEIform="cell" cols="1" role="data" rows="1">
                                <ref TEIform="ref" targOrder="U" target="p007">7</ref>
                            </cell>
                        </row>
                        <row TEIform="row" role="data">
                            <cell TEIform="cell" cols="1" role="data" rows="1">III. <name
                                    key="147649" type="place">CAIRO</name>—I</cell>
                            <cell TEIform="cell" cols="1" role="data" rows="1">
                                <ref TEIform="ref" targOrder="U" target="p015">15</ref>
                            </cell>
                        </row>
                        <row TEIform="row" role="data">
                            <cell TEIform="cell" cols="1" role="data" rows="1">IV. <name
                                    key="147649" type="place">CAIRO</name>—II</cell>
                            <cell TEIform="cell" cols="1" role="data" rows="1">
                                <ref TEIform="ref" targOrder="U" target="p025">25</ref>
                            </cell>
                        </row>
                        <row TEIform="row" role="data">
                            <cell TEIform="cell" cols="1" role="data" rows="1">V. THE NILE—I</cell>
                            <cell TEIform="cell" cols="1" role="data" rows="1">
                                <ref TEIform="ref" targOrder="U" target="p034">34</ref>
                            </cell>
                        </row>
                        <row TEIform="row" role="data">
                            <cell TEIform="cell" cols="1" role="data" rows="1">VI. THE NILE—II</cell>
                            <cell TEIform="cell" cols="1" role="data" rows="1">
                                <ref TEIform="ref" targOrder="U" target="p044">44</ref>
                            </cell>
                        </row>
                        <row TEIform="row" role="data">
                            <cell TEIform="cell" cols="1" role="data" rows="1">VII. THE NILE—III</cell>
                            <cell TEIform="cell" cols="1" role="data" rows="1">
                                <ref TEIform="ref" targOrder="U" target="p053">53</ref>
                            </cell>
                        </row>
                        <row TEIform="row" role="data">
                            <cell TEIform="cell" cols="1" role="data" rows="1">VIII. THE MONUMENTS</cell>
                            <cell TEIform="cell" cols="1" role="data" rows="1">
                                <ref TEIform="ref" targOrder="U" target="p061">61</ref>
                            </cell>
                        </row>
                        <row TEIform="row" role="data">
                            <cell TEIform="cell" cols="1" role="data" rows="1">IX. THE PEOPLE</cell>
                            <cell TEIform="cell" cols="1" role="data" rows="1">
                                <ref TEIform="ref" targOrder="U" target="p071">71</ref>
                            </cell>
                        </row>
                        <row TEIform="row" role="data">
                            <cell TEIform="cell" cols="1" role="data" rows="1">X. THE DESERT</cell>
                            <cell TEIform="cell" cols="1" role="data" rows="1">
                                <ref TEIform="ref" targOrder="U" target="p079">79</ref>
                            </cell>
                        </row>
                    </table>
                </p>
                <pb TEIform="pb" id="pf009"/>
                <p TEIform="p">
                    <figure TEIform="figure" entity="KelPe_f009" id="illf009"> </figure>
                </p>
            </div1>
            <div1 TEIform="div1" org="uniform" part="N" sample="complete" type="list of
                illustrations">
                <pb TEIform="pb" id="pf010" n="v"/>
                <head TEIform="head">LIST OF ILLUSTRATIONS</head>
                <byline TEIform="byline"><hi TEIform="hi" rend="smallcaps">By</hi> R. TALBOT KELLY,
                    R.I., R.B.A., F.R.G.S.</byline>
                <p TEIform="p">
                    <figure TEIform="figure" entity="KelPe_f010" id="illf010"> </figure>
                </p>
                <p TEIform="p">
                    <table TEIform="table" cols="2" rows="14">
                        <row TEIform="row" role="data">
                            <cell TEIform="cell" cols="1" role="data" rows="1">SEBIL OF THE MOSQUE
                                OF THE SULTAN KELAŪN</cell>
                            <cell TEIform="cell" cols="1" role="data" rows="1">
                                <hi TEIform="hi" rend="italic">frontispiece</hi>
                            </cell>
                        </row>
                        <row TEIform="row" role="data">
                            <cell TEIform="cell" cols="1" role="data" rows="1"/>
                            <cell TEIform="cell" cols="1" role="data" rows="1">FACING PAGE</cell>
                        </row>
                        <row TEIform="row" role="data">
                            <cell TEIform="cell" cols="1" role="data" rows="1">AN IRRIGATED FIELD</cell>
                            <cell TEIform="cell" cols="1" role="data" rows="1">viii</cell>
                        </row>
                        <row TEIform="row" role="data">
                            <cell TEIform="cell" cols="1" role="data" rows="1">IN THE LAND OF
                                GOSCHEN—EVENING</cell>
                            <cell TEIform="cell" cols="1" role="data" rows="1">
                                <ref TEIform="ref" targOrder="U" target="p009">9</ref>
                            </cell>
                        </row>
                        <row TEIform="row" role="data">
                            <cell TEIform="cell" cols="1" role="data" rows="1">AN ARAB CAFÉ, <name
                                    key="147649" type="place">CAIRO</name></cell>
                            <cell TEIform="cell" cols="1" role="data" rows="1">
                                <ref TEIform="ref" targOrder="U" target="p016">16</ref>
                            </cell>
                        </row>
                        <row TEIform="row" role="data">
                            <cell TEIform="cell" cols="1" role="data" rows="1">A MOSQUE INTERIOR</cell>
                            <cell TEIform="cell" cols="1" role="data" rows="1">
                                <ref TEIform="ref" targOrder="U" target="p025">25</ref>
                            </cell>
                        </row>
                        <row TEIform="row" role="data">
                            <cell TEIform="cell" cols="1" role="data" rows="1">A STREET IN <name
                                    key="147649" type="place">CAIRO</name></cell>
                            <cell TEIform="cell" cols="1" role="data" rows="1">
                                <ref TEIform="ref" targOrder="U" target="p032">32</ref>
                            </cell>
                        </row>
                        <row TEIform="row" role="data">
                            <cell TEIform="cell" cols="1" role="data" rows="1">A WATERING-PLACE</cell>
                            <cell TEIform="cell" cols="1" role="data" rows="1">
                                <ref TEIform="ref" targOrder="U" target="p041">41</ref>
                            </cell>
                        </row>
                        <row TEIform="row" role="data">
                            <cell TEIform="cell" cols="1" role="data" rows="1">THE <name
                                    key="156499" type="place">FIRST CATARACT</name> FROM <name
                                    key="150786" type="place">ELEPHANTINE ISLAND</name></cell>
                            <cell TEIform="cell" cols="1" role="data" rows="1">
                                <ref TEIform="ref" targOrder="U" target="p048">48</ref>
                            </cell>
                        </row>
                        <row TEIform="row" role="data">
                            <cell TEIform="cell" cols="1" role="data" rows="1">THE PYRAMIDS OF <name
                                    key="157888" type="place">GHIZEH</name> FROM THE DESERT</cell>
                            <cell TEIform="cell" cols="1" role="data" rows="1">
                                <ref TEIform="ref" targOrder="U" target="p057">57</ref>
                            </cell>
                        </row>
                        <row TEIform="row" role="data">
                            <cell TEIform="cell" cols="1" role="data" rows="1">THE COLOSSI OF <name
                                    key="195430" type="place">THEBES</name>—MOONRISE</cell>
                            <cell TEIform="cell" cols="1" role="data" rows="1">
                                <ref TEIform="ref" targOrder="U" target="p064">64</ref>
                            </cell>
                        </row>
                        <row TEIform="row" role="data">
                            <cell TEIform="cell" cols="1" role="data" rows="1">A NILE VILLAGE</cell>
                            <cell TEIform="cell" cols="1" role="data" rows="1">
                                <ref TEIform="ref" targOrder="U" target="p073">73</ref>
                            </cell>
                        </row>
                        <row TEIform="row" role="data">
                            <cell TEIform="cell" cols="1" role="data" rows="1">DESERT ARABS</cell>
                            <cell TEIform="cell" cols="1" role="data" rows="1">
                                <ref TEIform="ref" targOrder="U" target="p080">80</ref>
                            </cell>
                        </row>
                        <row TEIform="row" role="data">
                            <cell TEIform="cell" cols="1" role="data" rows="1">A SHEPHERD</cell>
                            <cell TEIform="cell" cols="1" role="data" rows="1">
                                <hi TEIform="hi" rend="italic">on the cover</hi>
                            </cell>
                        </row>
                    </table>
                </p>
            </div1>
            <div1 TEIform="div1" org="uniform" part="N" sample="complete" type="frontmatter">
                <pb TEIform="pb" id="pf011"/>
                <p TEIform="p">
                    <figure TEIform="figure" entity="KelPe_f011" id="illf011"> </figure>
                </p>
                <pb TEIform="pb" id="pf012" n="vii"/>
                <p TEIform="p">
                    <figure TEIform="figure" entity="KelPe_f012" id="illf012">
                        <head TEIform="head">SKETCH-MAP OF EGYPT.</head>
                    </figure>
                </p>
                <pb TEIform="pb" id="pf013"/>
                <p TEIform="p">
                    <figure TEIform="figure" entity="KelPe_f013" id="illf013"> </figure>
                </p>
                <pb TEIform="pb" id="pf014"/>
                <p TEIform="p">
                    <figure TEIform="figure" entity="KelPe_f014" id="illf014">
                        <head TEIform="head">AN IRRIGATED FIELD.</head>
                    </figure>
                </p>
                <pb TEIform="pb" id="pf015"/>
                <p TEIform="p">
                    <figure TEIform="figure" entity="KelPe_f015" id="illf015"> </figure>
                </p>
            </div1>
        </front>
        <body TEIform="body">
            <div1 TEIform="div1" n="1" org="uniform" part="N" sample="complete" type="chapter">
                <pb TEIform="pb" id="p001" n="1"/>
                <head TEIform="head">EGYPT</head>
                <head TEIform="head" type="main">CHAPTER I</head>
                <head TEIform="head" type="sub">ITS ANTIQUITY</head>
                <p TEIform="p">
                    <figure TEIform="figure" entity="KelPe_001" id="ill001"> </figure>
                </p>
                <p TEIform="p">E<hi TEIform="hi" rend="smallcaps">VERY</hi> boy or girl who has read
                    the history of Joseph<lb TEIform="lb"/> must often have wondered what kind of a
                        country<lb TEIform="lb"/> Egypt might be, and tried to picture to themselves
                        the<lb TEIform="lb"/> scenes so vividly suggested in the Bible story.</p>
                <p TEIform="p">It must have been a startling experience for the little<lb
                        TEIform="lb"/> shepherd boy, who, stolen from his home among the<lb
                        TEIform="lb"/> quiet hills of Canaan, so suddenly found himself an<lb
                        TEIform="lb"/> inmate of a palace, and, in his small way, a participator<lb
                        TEIform="lb"/> in the busy whirl of life of a royal city.</p>
                <p TEIform="p">No contrast could possibly have been greater than<lb TEIform="lb"/>
                    between his simple pastoral life spent in tending the<lb TEIform="lb"/> flocks
                    upon the hillsides and the magnificence of the<lb TEIform="lb"/> city of
                    Pharaoh, and how strange a romance it is to<lb TEIform="lb"/> think of the
                    little slave boy eventually becoming the<lb TEIform="lb"/> virtual ruler of the
                    most wealthy and most highly cultured<lb TEIform="lb"/> country in the world!</p>
                <p TEIform="p">And then in course of time the very brothers who<lb TEIform="lb"/>
                    had so cruelly sold him into bondage were forced by<lb TEIform="lb"/> famine to
                    come to Joseph as suppliants for food, and,<lb TEIform="lb"/>
                    <pb TEIform="pb" id="p002" n="2"/>
                    <figure TEIform="figure" entity="KelPe_002" id="ill002"> </figure> in their
                    descendants, presently to become the meanest<lb TEIform="lb"/> slaves in the
                    land, persecuted and oppressed until their<lb TEIform="lb"/> final deliverance
                    by Moses.</p>
                <p TEIform="p">How long ago it all seems when we read these old<lb TEIform="lb"/>
                    Bible stories! Yet, when 4,000 years ago necessity<lb TEIform="lb"/> compelled
                    Abraham, with Sarah his wife, to stay awhile<lb TEIform="lb"/> in Egypt, they
                    were lodged at <name key="194666" type="place">Tanis</name>, a royal city<lb
                        TEIform="lb"/> founded by one of a succession of kings which for<lb
                        TEIform="lb"/> 3,000 years before Abraham's day had governed the land,<lb
                        TEIform="lb"/> and modern discoveries have proved that even before<lb
                        TEIform="lb"/>
                    <hi TEIform="hi" rend="italic">that</hi> time there were other kings and an
                    earlier civilization.</p>
                <p TEIform="p">How interesting it is to know that to-day we may<lb TEIform="lb"/>
                    still find records of these early Bible times in the<lb TEIform="lb"/>
                    sculptured monuments which are scattered all over the<lb TEIform="lb"/> land,
                    and to know that in the hieroglyphic writings<lb TEIform="lb"/> which adorn the
                    walls of tombs or temples many of the<lb TEIform="lb"/> events we there read
                    about are narrated.</p>
                <p TEIform="p">Many of the temples were built by the labour of the<lb TEIform="lb"/>
                    oppressed Israelites, others were standing long before<lb TEIform="lb"/> Moses
                    confounded their priests or besought Pharaoh to<lb TEIform="lb"/> liberate his
                    people. We may ourselves stand in courts<lb TEIform="lb"/> where, perhaps,
                    Joseph took part in some temple rite,<lb TEIform="lb"/> while the huge canal
                    called the “<name key="199434" type="place">Bahr Yusef</name>” (or river<lb
                        TEIform="lb"/> of Joseph), which he built 6,300 years ago, still supplies<lb
                        TEIform="lb"/> the province <name key="156347" type="place">Fayoum</name>
                    with water.</p>
                <p TEIform="p">Ancient <name key="194666" type="place">Tanis</name> also, from whose
                    tower Abraham <name key="187941" type="place">saw</name><lb TEIform="lb"/>
                    “wonders in the field of Zoan,” still exists in a heap of<lb TEIform="lb"/>
                    ruins, extensive enough to show how great a city it had<lb TEIform="lb"/> been,
                    and from its mounds the writer has often witnessed<lb TEIform="lb"/> the strange
                    mirage which excited the wonder of<lb TEIform="lb"/> the patriarch.</p>
                <pb TEIform="pb" id="p003" n="3"/>
                <p TEIform="p">
                    <figure TEIform="figure" entity="KelPe_003" id="ill003"> </figure>
                </p>
                <p TEIform="p">Everywhere throughout the land are traces of the<lb TEIform="lb"/>
                    children of Israel, many of whose descendants still<lb TEIform="lb"/> remain in
                    the land of Goshen, and in every instance<lb TEIform="lb"/> where fresh
                    discovery has thrown light upon the subject<lb TEIform="lb"/> the independent
                    record of history found in hieroglyph<lb TEIform="lb"/> or papyrus confirms the
                    Bible narrative, so that<lb TEIform="lb"/> we may be quite sure when we read
                    these old stories<lb TEIform="lb"/> that they are not merely legends, open to
                    doubt, but<lb TEIform="lb"/> are the true histories of people who actually
                    lived.</p>
                <p TEIform="p">As you will see from what I have told you, Egypt<lb TEIform="lb"/> is
                    perhaps the oldest country in the world—the oldest,<lb TEIform="lb"/> that is,
                    in civilization. No one quite knows how old it<lb TEIform="lb"/> is, and no
                    record has been discovered to tell us.</p>
                <p TEIform="p">All through the many thousands of years of its<lb TEIform="lb"/>
                    history Egypt has had a great influence upon other<lb TEIform="lb"/> nations,
                    and although the ancient Persians, Greeks, and<lb TEIform="lb"/> Romans
                    successively dominated it, these conquering<lb TEIform="lb"/> races have each in
                    turn disappeared, while Egypt goes<lb TEIform="lb"/> on as ever, and its people
                    remain.</p>
                <p TEIform="p">Egypt has been described as the centre of the world,<lb TEIform="lb"
                    /> and if we look at the map we will see how true this is.<lb TEIform="lb"/>
                    Situated midway between Europe, Africa, and Asia in<lb TEIform="lb"/> the old
                    days of land caravans, most of the trade between<lb TEIform="lb"/> these
                    continents passed through her hands, while her<lb TEIform="lb"/> ports on the
                    Mediterranean controlled the sea trade of<lb TEIform="lb"/> the <name
                        key="172767" type="place">Levant</name>.</p>
                <p TEIform="p">All this helped to make Egypt wealthy, and gave it<lb TEIform="lb"/>
                    great political importance, so that very early in the<lb TEIform="lb"/> world's
                    history it enjoyed a greater prosperity and a<lb TEIform="lb"/> higher
                    civilization than any of its neighbours. Learned<lb TEIform="lb"/> men from all
                    countries were drawn to it in search of<lb TEIform="lb"/>
                    <pb TEIform="pb" id="p004" n="4"/>
                    <figure TEIform="figure" entity="KelPe_004" id="ill004"> </figure> fresh
                    knowledge, for nowhere else were there such seats<lb TEIform="lb"/> of learning
                    as in the Nile cities, and it is acknowledged<lb TEIform="lb"/> that the highly
                    trained priesthood of the Pharaohs practised<lb TEIform="lb"/> arts and sciences
                    of which we in these days are<lb TEIform="lb"/> ignorant, and have failed to
                    discover.</p>
                <p TEIform="p">In 30 <hi TEIform="hi" rend="smallcaps">B.C.</hi> the last of the
                    Pharaohs disappeared, and<lb TEIform="lb"/> for 400 years the Romans ruled in
                    Egypt, many of<lb TEIform="lb"/> their emperors restoring the ancient temples as
                    well as<lb TEIform="lb"/> building new ones; but all the Roman remains in<lb
                        TEIform="lb"/> Egypt are poor in comparison with the real Egyptian<lb
                        TEIform="lb"/> art, and, excepting for a few small temples, little now<lb
                        TEIform="lb"/> remains of their buildings but the heaps of rubbish<lb
                        TEIform="lb"/> which surround the magnificent monuments of Egypt's<lb
                        TEIform="lb"/> great period.</p>
                <p TEIform="p">During the Roman occupation Christianity became<lb TEIform="lb"/> the
                    recognized religion of the country, and to-day the<lb TEIform="lb"/> Copts (who
                    are the real descendants of the ancient<lb TEIform="lb"/> Egyptians) still
                    preserve the primitive faith of those<lb TEIform="lb"/> early times, and, with
                    the Abyssinians, are perhaps the<lb TEIform="lb"/> oldest Christian church now
                    existing.</p>
                <p TEIform="p">The greatest change in the history of Egypt, however,<lb TEIform="lb"
                    /> and the one that has left the most permanent<lb TEIform="lb"/> effect upon
                    it, was the Mohammedan invasion in<lb TEIform="lb"/>
                    <hi TEIform="hi" rend="smallcaps">A.D.</hi> 640, and I must tell you something
                    about this,<lb TEIform="lb"/> because to the great majority of people who
                        visit<lb TEIform="lb"/> Egypt the two great points of interest are its
                        historical<lb TEIform="lb"/> remains and the beautiful art of the
                        Mohammedans.<lb TEIform="lb"/> The times of the Pharaohs are in the past,
                    and have<lb TEIform="lb"/> the added interest of association with the Bible;
                        this<lb TEIform="lb"/> period of antiquity is a special study for the
                        historian<lb TEIform="lb"/> and the few who are able to decipher
                    hieroglyphic writing,<lb TEIform="lb"/>
                    <pb TEIform="pb" id="p005" n="5"/>
                    <figure TEIform="figure" entity="KelPe_005" id="ill005"> </figure> but the
                    Mohammedan era, though commencing nearly<lb TEIform="lb"/> 200 years before
                    Egbert was crowned first King of<lb TEIform="lb"/> England, continues to the
                    present day, and the beautiful<lb TEIform="lb"/> mosques, as their churches are
                    called (many of which<lb TEIform="lb"/> were built long before there were any
                    churches in our<lb TEIform="lb"/> own country), are still used by the Moslems.</p>
                <p TEIform="p">Nothing in history is so remarkable as the sudden<lb TEIform="lb"/>
                    rise to power of the followers of Mohammed. An ill-taught,<lb TEIform="lb"/>
                    half-savage people, coming from an unknown<lb TEIform="lb"/> part of Arabia, in
                    a very few years they had become<lb TEIform="lb"/> masters of <name key="193963"
                        type="place">Syria</name>, Asia Minor, Persia, and Egypt, and<lb
                        TEIform="lb"/> presently extended their religion all through North<lb
                        TEIform="lb"/> Africa, and even conquered the southern half of Spain,<lb
                        TEIform="lb"/> and to-day the Faith of Islam, as their religion is
                        called,<lb TEIform="lb"/> is the third largest in the world.</p>
                <p TEIform="p">Equally surprising as their accession to power is the<lb TEIform="lb"
                    /> very beautiful art they created, first in Egypt and then<lb TEIform="lb"/>
                    throughout <name key="196021" type="place">Tunis</name>, Algeria, Morocco, and
                    Spain. The<lb TEIform="lb"/> Moslem churches in <name key="147649" type="place"
                        >Cairo</name> are extremely beautiful, and<lb TEIform="lb"/> of a style
                    quite unlike anything that the world had<lb TEIform="lb"/> known before. Some of
                    my readers, perhaps, may have<lb TEIform="lb"/> seen pictures of them and of the
                    Alhambra in Spain,<lb TEIform="lb"/> probably the most elegant and ornate palace
                        ever<lb TEIform="lb"/> built.</p>
                <p TEIform="p">No country in the world gives one so great a sense<lb TEIform="lb"/>
                    of age as Egypt, and although it has many beauties,<lb TEIform="lb"/> and the
                    life of the people to-day is most picturesque, as<lb TEIform="lb"/> we will
                    presently see, it is its extreme antiquity which<lb TEIform="lb"/> most excites
                    the imagination, for, while the whole<lb TEIform="lb"/> Bible history from
                    Abraham to the Apostles covers<lb TEIform="lb"/> a period of only 2,000 years,
                    the known history of<lb TEIform="lb"/>
                    <pb TEIform="pb" id="p006" n="6"/>
                    <figure TEIform="figure" entity="KelPe_006" id="ill006"> </figure> Egypt
                    commenced as far back as 6,000 years ago!<lb TEIform="lb"/> From the <name
                        key="193503" type="place">sphinx</name> at <name key="157888" type="place"
                        >Ghizeh</name>, which is so ancient that<lb TEIform="lb"/> no one knows its
                    origin, to the great dam at <name key="142958" type="place">Assuan</name>,<lb
                        TEIform="lb"/> monument of its present day, each period of its<lb
                        TEIform="lb"/> history has left <hi TEIform="hi" rend="italic">some</hi>
                    record, some tomb or temple,<lb TEIform="lb"/> which we may study, and it is
                    this more than anything<lb TEIform="lb"/> else which makes Egypt so attractive
                    to thoughtful<lb TEIform="lb"/> people.</p>
            </div1>
            <div1 TEIform="div1" n="2" org="uniform" part="N" sample="complete" type="chapter">
                <pb TEIform="pb" id="p007" n="7"/>
                <head TEIform="head">CHAPTER II</head>
                <head TEIform="head" type="sub">THE LAND</head>
                <p TEIform="p">
                    <figure TEIform="figure" entity="KelPe_007" id="ill007"> </figure>
                </p>
                <p TEIform="p">I<hi TEIform="hi" rend="smallcaps">T</hi> would naturally be supposed
                    that a country which<lb TEIform="lb"/> for so long a time exercised such
                    influence upon the<lb TEIform="lb"/> world at large would be extensive and
                        densely<lb TEIform="lb"/> populated.</p>
                <p TEIform="p">Neither is the case, however, for though upon the<lb TEIform="lb"/>
                    map Egypt appears to be a large country, the greater<lb TEIform="lb"/> part
                    consists of rock and burning sand, and is practically<lb TEIform="lb"/>
                    uninhabited.</p>
                <p TEIform="p">The <hi TEIform="hi" rend="italic">real</hi> land of Egypt is the
                    narrow strip of alluvial<lb TEIform="lb"/> soil which forms the Nile banks, and
                    the fertile delta<lb TEIform="lb"/> which spreads fan-like from <name
                        key="147649" type="place">Cairo</name> to the sea. These<lb TEIform="lb"/>
                    two divisions of the land practically constitute Upper<lb TEIform="lb"/> and
                        <name key="172871" type="place">Lower Egypt</name>. In area each is less
                    than Wales,<lb TEIform="lb"/> while the total population of the country is not
                        twice<lb TEIform="lb"/> that of London.</p>
                <p TEIform="p">It is its extreme fertility which has made Egypt<lb TEIform="lb"/>
                    prosperous, and throughout the world's history it has<lb TEIform="lb"/> been a
                    granary for the nations, for while drought and<lb TEIform="lb"/> famine might
                    affect other lands, Egypt has always been<lb TEIform="lb"/> able to supply food
                    to its neighbours.</p>
                <p TEIform="p">How does this come about? Let me try and explain.</p>
                <p TEIform="p">Thousands of years ago, when the world was very<lb TEIform="lb"/>
                    young, the whole land was covered by the sea, which<lb TEIform="lb"/>
                    <pb TEIform="pb" id="p008" n="8"/>
                    <figure TEIform="figure" entity="KelPe_008" id="ill008"> </figure> is plainly
                    shown by the fossils embedded in the rocks,<lb TEIform="lb"/> and which lie
                    scattered over its highest deserts.</p>
                <p TEIform="p">As the sea receded, the Nile, then a mighty river,<lb TEIform="lb"/>
                    began to cut its channel through the rock, and poured<lb TEIform="lb"/> into the
                    sea somewhere about where <name key="147649" type="place">Cairo</name> now
                    stands.</p>
                <p TEIform="p">As the ages passed the river cut deeper and deeper<lb TEIform="lb"/>
                    into its rocky bed, leaving on either side the mountains<lb TEIform="lb"/> which
                    hem in its narrow valley, and at the same time<lb TEIform="lb"/> depositing
                    along its banks and in the delta forming at<lb TEIform="lb"/> its mouth the rich
                    alluvial mud which it had carried<lb TEIform="lb"/> with it from the heart of
                    Africa.</p>
                <p TEIform="p">In this way the Egypt of history has been formed,<lb TEIform="lb"/>
                    but, surrounded as it is by sandy wastes, and often<lb TEIform="lb"/> swept by
                    hot desert winds, no rain falls to bring life to<lb TEIform="lb"/> the fields,
                    or enable the rich soil to produce the crops<lb TEIform="lb"/> which are its
                    source of wealth.</p>
                <p TEIform="p">Nature provides a remedy, however, and the river<lb TEIform="lb"/>
                    which first formed the land is also its life-giver, for<lb TEIform="lb"/> every
                    year the Nile overflows its banks, refertilizing<lb TEIform="lb"/> the soil, and
                    filling the canals and reservoirs with water<lb TEIform="lb"/> sufficient for
                    the year's needs, without which Egypt<lb TEIform="lb"/> would remain a barren,
                    sun-baked land, instead of the<lb TEIform="lb"/> fertile country it is.</p>
                <p TEIform="p">The first view of Egypt as it is approached from<lb TEIform="lb"/>
                    the sea is disappointing, for the low-lying delta is<lb TEIform="lb"/> hardly
                    raised at all above sea-level, and its monotony<lb TEIform="lb"/> is only broken
                    by an occasional hillock or the lofty<lb TEIform="lb"/> minarets of the coast
                    towns.</p>
                <p TEIform="p">Formerly the Nile had several mouths, and from<lb TEIform="lb"/> many
                    seaports Egypt carried on its trade with the<lb TEIform="lb"/> outside world.
                    To-day only <name key="185856" type="place">Rosetta</name> and <name
                        key="148172" type="place">Damietta</name><lb TEIform="lb"/>
                    <pb TEIform="pb" id="p008b"/>
                    <figure TEIform="figure" entity="KelPe_008b" id="ill008b">
                        <head TEIform="head">THE LAND OF GOSHEN—EVENING <hi TEIform="hi"
                                rend="italic">Page II</hi>.</head>
                    </figure>
                    <pb TEIform="pb" id="p009" n="9"/>
                    <figure TEIform="figure" entity="KelPe_009" id="ill009"> </figure> remain to
                    give their names to the two branches by which<lb TEIform="lb"/> alone the Nile
                    now seeks the sea. These interesting<lb TEIform="lb"/> seaports, mediæval and
                    richly picturesque, are no longer<lb TEIform="lb"/> the prosperous cities they
                    once were, for railways have<lb TEIform="lb"/> diverted traffic from the Nile,
                    and nearly all the seaborne<lb TEIform="lb"/> trade of Egypt is now carried from
                        <name key="139167" type="place">Alexandria</name><lb TEIform="lb"/> or <name
                        key="182561" type="place">Port Said</name>, the northern entrance to the
                        <name key="193612" type="place">Suez 
                        Canal</name>,<lb TEIform="lb"/> and it is by either of these two ports that
                        modern<lb TEIform="lb"/> visitors make their entry into Egypt.</p>
                <p TEIform="p"><name key="139167" type="place">Alexandria</name> is interesting as
                    the city founded by<lb TEIform="lb"/> Alexander the Great, but with the
                    exception of Pompey's<lb TEIform="lb"/> pillar and its ancient catacombs has
                    little attraction for<lb TEIform="lb"/> visitors. The town is almost entirely
                    Italian in<lb TEIform="lb"/> character, and is peopled by so many different
                        races<lb TEIform="lb"/> that it hardly seems Egypt at all; boys, however,<lb
                        TEIform="lb"/> would enjoy a visit to the Ras-el-Tīn Fort, which<lb
                        TEIform="lb"/> figured so largely in the bombardment of <name key="139167"
                        type="place">Alexandria</name>,<lb TEIform="lb"/> and away to the east, near
                        <name key="185856" type="place">Rosetta</name>, is Aboukīr Bay, the<lb
                        TEIform="lb"/> scene of a more stirring fight, for it was here that, in<lb
                        TEIform="lb"/>
                    <hi TEIform="hi" rend="smallcaps">A.D.</hi> 1798, Nelson destroyed the French
                        fleet,<ref TEIform="ref" id="ref2.1" rend="superscript" targOrder="U"
                        target="n2.1">*</ref>
                    <note TEIform="note" anchored="yes" id="n2.1" place="foot" target="ref2.1"><hi
                            TEIform="hi" rend="superscript">*</hi>In the “Battle of the
                    Nile.”</note> and<lb TEIform="lb"/> secured for Britain the command of the
                    Mediterranean.</p>
                <p TEIform="p">After the monotony of a sea voyage, landing at Port<lb TEIform="lb"/>
                    Said is amusing. The steamer anchors in mid-stream,<lb TEIform="lb"/> and is
                    quickly surrounded by gaily painted shore boats,<lb TEIform="lb"/> whose swarthy
                    occupants—half native, half Levantine—clamber<lb TEIform="lb"/> on board, and
                    clamour and wrangle for the<lb TEIform="lb"/> possession of your baggage. They
                    are noisy fellows,<lb TEIform="lb"/> but once your boatman is selected, landing
                    at the little<lb TEIform="lb"/> stages which lie in the harbour is quickly
                    effected, and<lb TEIform="lb"/>
                    <pb TEIform="pb" id="p010" n="10"/>
                    <figure TEIform="figure" entity="KelPe_010" id="ill010"> </figure> you and your
                    belongings are safely deposited at the<lb TEIform="lb"/> station, and your
                    journey to <name key="147649" type="place">Cairo</name> begun.</p>
                <p TEIform="p"><name key="182561" type="place">Port Said</name> is a rambling town,
                    whose half brick, half<lb TEIform="lb"/> timber buildings have a general air of
                    dilapidation and<lb TEIform="lb"/> unfinish which is depressing. The somewhat
                        picturesque<lb TEIform="lb"/> principal bazaar street is soon exhausted, and
                        excepting<lb TEIform="lb"/> for the imposing offices of the <name
                        key="193612" type="place">Suez 
                    Canal</name> Company,<lb TEIform="lb"/> and the fine statue to De Lesseps,
                    recently erected on<lb TEIform="lb"/> the breakwater, <name key="182561"
                        type="place">Port Said</name> has little else to excite the<lb TEIform="lb"
                    /> curiosity of the visitors; built upon a mud-bank<lb TEIform="lb"/> formed of
                        <name key="193612" type="place">Suez 
                        Canal</name> dredgings, its existence is its<lb TEIform="lb"/> most
                    interesting feature, and the white breakers of the<lb TEIform="lb"/>
                    Mediterranean, above which it is so little raised, seem<lb TEIform="lb"/> ever
                    ready to engulf it as they toss and tumble upon<lb TEIform="lb"/> its narrow
                    beach.</p>
                <p TEIform="p">Leaving <name key="182561" type="place">Port Said</name> behind, the
                    train travels slowly<lb TEIform="lb"/> along the canal bank, and we begin to
                    enter Egypt.</p>
                <p TEIform="p">On the right the quiet waters of Lake Menzala,<lb TEIform="lb"/>
                    fringed with tall reeds and eucalyptus trees, stretches<lb TEIform="lb"/> to the
                    far horizon, where quaintly shaped fishing-boats<lb TEIform="lb"/> disappear
                    with their cargoes towards distant <name key="148172" type="place"
                        >Damietta</name>.<lb TEIform="lb"/> Thousands of wild birds, duck of all
                    kinds, ibis and<lb TEIform="lb"/> pelican, fish in the shallows, or with the
                    sea-gulls wheel<lb TEIform="lb"/> in dense masses in the air, for this is a
                        reservation<lb TEIform="lb"/> as a breeding-green for wild-fowl, where they
                        are<lb TEIform="lb"/> seldom, if ever, disturbed.</p>
                <p TEIform="p">On the left is the <name key="193612" type="place">Suez Canal</name>, the world's highway<lb
                        TEIform="lb"/> to the Far East, and ships of all nations pass within a<lb
                        TEIform="lb"/> stone's throw of your train. Between, and in strange<lb
                        TEIform="lb"/> contrast with the blueness of the canal, runs a little<lb
                        TEIform="lb"/> watercourse, reed fringed, and turbid in its rapid flow.<lb
                        TEIform="lb"/>
                    <pb TEIform="pb" id="p011" n="11"/>
                    <figure TEIform="figure" entity="KelPe_011" id="ill011"> </figure> This is the
                    “sweet-water” canal, and gives its name to one<lb TEIform="lb"/> of our
                    engagements with Arabi's army, and which, from<lb TEIform="lb"/> the far-distant
                    Nile, brings fresh water to supply Port<lb TEIform="lb"/> Said and the many
                    stations on its route.</p>
                <p TEIform="p">To the south and east stretches the mournful desert<lb TEIform="lb"/>
                    in which the Israelites began their forty years of<lb TEIform="lb"/> wandering,
                    and which thousands of Moslems annually<lb TEIform="lb"/> traverse on their
                    weary pilgrimage to Mecca; while in<lb TEIform="lb"/> all directions is mirage,
                    so perfect in its deception as to<lb TEIform="lb"/> mislead the most experienced
                    of travellers at times.</p>
                <p TEIform="p">Roaming over the desert which hems in the delta,<lb TEIform="lb"/>
                    solitary shepherds, strangely clad and wild-looking,<lb TEIform="lb"/> herd
                    their flocks of sheep and goats which browse upon<lb TEIform="lb"/> the scrub.
                    These are the descendants of those same<lb TEIform="lb"/> Ishmaelites who sold
                    Joseph into Egypt, and the occasional<lb TEIform="lb"/> encampment of some
                    Bedouin tribe shows us<lb TEIform="lb"/> something of the life which the
                    patriarchs might have<lb TEIform="lb"/> led.</p>
                <p TEIform="p">In contrast with the desert, the delta appears very<lb TEIform="lb"/>
                    green and fertile, for we are quickly in the land of<lb TEIform="lb"/> Goshen,
                    most beautiful, perhaps, of all the delta<lb TEIform="lb"/> provinces.</p>
                <p TEIform="p">The country is very flat and highly cultivated. In<lb TEIform="lb"/>
                    all directions, as far as the eye can see, broad stretches<lb TEIform="lb"/> of
                    corn wave in the gentle breeze, while brilliant patches<lb TEIform="lb"/> of
                    clover or the quieter-coloured onion crops vary the<lb TEIform="lb"/> green of
                    the landscape. The scent of flowering bean-fields<lb TEIform="lb"/> fills the
                    air, and the hum of wild bees is heard<lb TEIform="lb"/> above the other sounds
                    of the fields. Palm groves lift<lb TEIform="lb"/> their feathery plumes towards
                    the sky, and mulberry-trees<lb TEIform="lb"/> and dark-toned tamarisks shade the
                        water-wheels,<lb TEIform="lb"/>
                    <pb TEIform="pb" id="p012" n="12"/>
                    <figure TEIform="figure" entity="KelPe_012" id="ill012"> </figure> which, with
                    incessant groanings, are continually turned<lb TEIform="lb"/> by blindfolded
                    bullocks. Villages and little farmsteads<lb TEIform="lb"/> are frequent, and
                    everywhere are the people, men,<lb TEIform="lb"/> women, and children, working
                    on the land which so<lb TEIform="lb"/> richly rewards their labour.</p>
                <p TEIform="p">The soil is very rich, and, given an ample water-supply,<lb
                        TEIform="lb"/> produces two or three crops a year, while the<lb TEIform="lb"
                    /> whole surface is so completely under cultivation that<lb TEIform="lb"/> there
                    is no room left for grass or wild flowers to grow.<lb TEIform="lb"/> Many crops
                    are raised besides those I have already<lb TEIform="lb"/> mentioned, such as
                    maize, barley, rice, and flax, and<lb TEIform="lb"/> in the neighbourhood of
                    towns and villages radishes,<lb TEIform="lb"/> cucumbers, melons, and tomatoes
                    are plentifully grown.<lb TEIform="lb"/> Formerly wheat was Egypt's principal
                    crop, but since<lb TEIform="lb"/> its introduction by Mohammed Ali in <hi
                        TEIform="hi" rend="smallcaps">A.D.</hi> 1820, <hi TEIform="hi" rend="italic"
                        >cotton</hi><lb TEIform="lb"/> has taken first place amongst its products,
                    and is of so<lb TEIform="lb"/> fine a quality that it is the dearest in the
                    world, and<lb TEIform="lb"/> is used almost entirely for mixing with silk or
                        the<lb TEIform="lb"/> manufacture of sateen. Cotton, however, is very
                        exhausting<lb TEIform="lb"/> to the soil, and where it is grown the land<lb
                        TEIform="lb"/> must have its intervals of rest.</p>
                <p TEIform="p">No sooner is one crop gathered than yokes of oxen,<lb TEIform="lb"/>
                    drawing strangely shaped wooden ploughs, prepare the<lb TEIform="lb"/> land for
                    another; and the newly turned soil looks<lb TEIform="lb"/> black against the
                    vivid clover fields, in which tethered<lb TEIform="lb"/> cattle graze; while
                    large flocks of sheep of many<lb TEIform="lb"/> colours, in which brown
                    predominates, follow the<lb TEIform="lb"/> ploughs and feed upon the stubble,
                    for the native is as<lb TEIform="lb"/> economical as he is industrious.</p>
                <p TEIform="p">Peopled by a race of born farmers, and in soil and<lb TEIform="lb"/>
                    climate provided by Nature with all that could be<lb TEIform="lb"/>
                    <pb TEIform="pb" id="p013" n="13"/>
                    <figure TEIform="figure" entity="KelPe_013" id="ill013"> </figure> desired for
                    crop-raising, only rain is lacking to bring<lb TEIform="lb"/> the fields to
                    fruition, and from the earliest times a<lb TEIform="lb"/> great system of
                    irrigation has existed in Egypt. It is<lb TEIform="lb"/> curious to see in many
                    directions the white lateen sails<lb TEIform="lb"/> of boats which appear to be
                    sailing over the fields. In<lb TEIform="lb"/> reality they are sailing on the
                    canals which intersect the<lb TEIform="lb"/> country in all directions, and by
                    means of thousands of<lb TEIform="lb"/> water-wheels and pumps supply the land
                    with water.<lb TEIform="lb"/> Though the Nile overflows its banks, its
                        inundation<lb TEIform="lb"/> does not cover the whole land; so great
                        arterial<lb TEIform="lb"/> canals which are filled at high Nile have been
                        constructed<lb TEIform="lb"/> throughout the country. From these, smaller<lb
                        TEIform="lb"/> canals branch right and left, carrying the water to the<lb
                        TEIform="lb"/> furthest corners of the land, while such boundary<lb
                        TEIform="lb"/> marks as exist to separate different estates or farms<lb
                        TEIform="lb"/> usually take the form of a watercourse.</p>
                <p TEIform="p">These canal banks form the highways of the country,<lb TEIform="lb"/>
                    and are thronged by travellers and laden camels, while<lb TEIform="lb"/> large
                    flocks of sheep and goats are herded along their<lb TEIform="lb"/> sloping
                    sides. Every here and there are little enclosures,<lb TEIform="lb"/> spread with
                    clean straw or mats, and surrounded<lb TEIform="lb"/> by a fence of cornstalks
                    or low walls of mud.<lb TEIform="lb"/> These are the holy places where in the
                    intervals of work<lb TEIform="lb"/> the devout Moslem may say his prayers; and,
                        often<lb TEIform="lb"/> bowered by shady trees, a whitewashed dome marks<lb
                        TEIform="lb"/> the burial-place of some saint or village notable.</p>
                <p TEIform="p">The scenery of the delta, though flat, is luxuriant;<lb TEIform="lb"
                    /> for Mohammed Ali not only introduced cotton into<lb TEIform="lb"/> Egypt, but
                    compelled the people to plant trees, so that<lb TEIform="lb"/> the landscape is
                    varied by large groves of date-palms,<lb TEIform="lb"/> and the sycamores and
                    other trees which surround the<lb TEIform="lb"/>
                    <pb TEIform="pb" id="p014" n="14"/>
                    <figure TEIform="figure" entity="KelPe_014" id="ill014"> </figure> villages and
                    give shade to the paths and canal banks.<lb TEIform="lb"/> It is a pastoral
                    land, luxuriantly green; and how<lb TEIform="lb"/> beautiful it is as the night
                    falls, and the last of the sunset<lb TEIform="lb"/> lingers in the dew-laden
                    air, wreathed with the<lb TEIform="lb"/> smoke of many fires; and, as the stars
                    one by one<lb TEIform="lb"/> appear in the darkening sky, and the labour of
                        the<lb TEIform="lb"/> field ceases, the lowing cattle wend their slow
                        ways<lb TEIform="lb"/> toward the villages and the bull-frogs in their
                        thousands<lb TEIform="lb"/> raise their evensong. No scenery in the world
                    has, to<lb TEIform="lb"/> my mind, such mellow and serene beauty as these
                        farm-lands<lb TEIform="lb"/> of <name key="172871" type="place">Lower
                    Egypt</name>, and in a later chapter I will tell<lb TEIform="lb"/> you more
                    about them, and of the simple people whose<lb TEIform="lb"/> life is spent in
                    the fields.</p>
            </div1>
            <div1 TEIform="div1" n="3" org="uniform" part="N" sample="complete" type="chapter">
                <pb TEIform="pb" id="p015" n="15"/>
                <head TEIform="head">CHAPTER III</head>
                <head TEIform="head" type="sub">CAIRO—I</head>
                <p TEIform="p">
                    <figure TEIform="figure" entity="KelPe_015" id="ill015"> </figure>
                </p>
                <p TEIform="p">U<hi TEIform="hi" rend="smallcaps">SUALLY</hi> its capital may be
                    taken as typical of its<lb TEIform="lb"/> country; but in Egypt this is not so.
                        <name key="147649" type="place">Cairo</name> is<lb TEIform="lb"/>
                    essentially different from anything else in Egypt, not<lb TEIform="lb"/> only in
                    its buildings and architecture, but in the type<lb TEIform="lb"/> and mode of
                    life of its inhabitants.</p>
                <p TEIform="p">How shall I give you any real idea of a city which<lb TEIform="lb"/>
                    is often considered to be the most beautiful Oriental<lb TEIform="lb"/> capital
                    in the world, as it is certainly one of the most<lb TEIform="lb"/> interesting?
                    From a distance, looking across the fields<lb TEIform="lb"/> of <name
                        key="189984" type="place">Shoubra</name>,<ref TEIform="ref" id="ref3.1"
                        rend="superscript" targOrder="U" target="n3.1">*</ref>
                    <note TEIform="note" anchored="yes" id="n3.1" place="foot" target="ref3.1"><hi
                            TEIform="hi" rend="superscript">*</hi>A distant suburb of <name
                            key="147649" type="place">Cairo</name>.</note> it is very beautiful,
                    especially at sunset,<lb TEIform="lb"/> when beyond the dark green foliage of
                    the sycamore and<lb TEIform="lb"/> cypress trees which rise above the orange
                    groves, the<lb TEIform="lb"/> domes and minarets of the native quarter gleam
                        golden<lb TEIform="lb"/> in the sunlight. Behind is the citadel, crowned
                        by<lb TEIform="lb"/> Mohammed Ali's tomb-mosque of white marble, whose<lb
                        TEIform="lb"/> tall twin minarets seem to tower above the rosy-tinted<lb
                        TEIform="lb"/> heights of the <name key="177812" type="place">Mokattam
                    Hills</name>. Even here the noise<lb TEIform="lb"/> of the city reaches you in a
                    subdued hum, for <name key="147649" type="place">Cairo</name> is<lb TEIform="lb"
                    /> not only a large city, but it is densely populated, and<lb TEIform="lb"/>
                    contains nearly a twelfth part of the whole population of<lb TEIform="lb"/>
                    Egypt. Away towards the sunset the pyramids stand<lb TEIform="lb"/> out clearly
                    against the glowing sky, and the tall masts<lb TEIform="lb"/>
                    <pb TEIform="pb" id="p016" n="16"/>
                    <figure TEIform="figure" entity="KelPe_016" id="ill016"> </figure> and sails of
                    the Nile boats reach high above the palm<lb TEIform="lb"/> groves and buildings
                    which screen the river from view.</p>
                <p TEIform="p"><name key="147649" type="place">Cairo</name> consists of two distinct
                    and widely different<lb TEIform="lb"/> parts, the Esbikiyeh and <name
                        key="162692" type="place">Ismailieh</name> quarters of the<lb TEIform="lb"/>
                    west end, built for and almost entirely occupied by<lb TEIform="lb"/> Europeans,
                    and the purely native town, whose streets<lb TEIform="lb"/> and bazaars, mosques
                    and palaces, have remained<lb TEIform="lb"/> practically unchanged for
                    centuries.</p>
                <p TEIform="p">At one time the European quarters were in many<lb TEIform="lb"/> ways
                    charming, though too much like some fashionable<lb TEIform="lb"/> continental
                    town to be altogether picturesque; but of<lb TEIform="lb"/> late years the shady
                    avenues and gardens of the west<lb TEIform="lb"/> end have entirely disappeared
                    to make way for streets<lb TEIform="lb"/> of commercial buildings, while the new
                    districts of<lb TEIform="lb"/> Kasr-el-Dubara and Ghezireh have arisen to house
                        the<lb TEIform="lb"/> well-to-do. Our interest in <name key="147649"
                        type="place">Cairo</name>, therefore, is centred<lb TEIform="lb"/> in the
                    native quarters, where miles of streets and alleys,<lb TEIform="lb"/> rich in
                    Arabesque buildings, are untouched except by<lb TEIform="lb"/> the mellowing
                    hand of Time.</p>
                <p TEIform="p">It is difficult at first to form any true idea of native<lb
                        TEIform="lb"/>
                    <name key="147649" type="place">Cairo</name>; its life is so varied and its
                    interests so diverse<lb TEIform="lb"/> that the new-comer is bewildered.</p>
                <p TEIform="p">Types of many races, clad in strange Eastern<lb TEIform="lb"/>
                    costumes, crowd the narrow streets, which are over-looked<lb TEIform="lb"/> by
                    many beautiful buildings whose dark<lb TEIform="lb"/> shadows lend additional
                    glory to the sunlight. Richly<lb TEIform="lb"/> carved doorways give glimpses of
                    cool courts and<lb TEIform="lb"/> gardens within the houses, while awnings of
                        many<lb TEIform="lb"/> colours shade the bazaars and shopping streets.</p>
                <p TEIform="p">Heavily laden camels and quaint native carts with<lb TEIform="lb"/>
                    difficulty thread their way through the crowd, amongst<lb TEIform="lb"/>
                    <pb TEIform="pb" id="p016a"/>
                    <figure TEIform="figure" entity="KelPe_016a" id="ill016a">
                        <head TEIform="head">AN ARAB CAFÉ, <name key="147649" type="place"
                            >CAIRO</name>.</head>
                    </figure>
                    <pb TEIform="pb" id="p016b"/>
                    <figure TEIform="figure" entity="KelPe_016b" id="ill016b"> </figure>
                    <pb TEIform="pb" id="p017" n="17"/>
                    <figure TEIform="figure" entity="KelPe_017" id="ill017"> </figure> which little
                    children, clad in the gayest of dresses, play<lb TEIform="lb"/> their games.
                    Goats and sheep pick up a living in the<lb TEIform="lb"/> streets, clearing it
                    of garbage, and often feeding more<lb TEIform="lb"/> generously, though
                    surreptitiously, from a fruit or<lb TEIform="lb"/> vegetable shop. Hawks and
                    pigeons wheel and circle<lb TEIform="lb"/> in the air, which is filled with the
                    scent of incense and<lb TEIform="lb"/> the sound of the street cries. Everywhere
                    is movement<lb TEIform="lb"/> and bustle, and the glowing colour of the
                    buildings and<lb TEIform="lb"/> costumes of every tint and texture.</p>
                <p TEIform="p">Let us study a little more closely the individual<lb TEIform="lb"/>
                    types and occupations that make up the life of the<lb TEIform="lb"/> streets,
                    and a pleasant way in which to do so is to seat<lb TEIform="lb"/> oneself on the
                    high bench of some native café, where,<lb TEIform="lb"/> undisturbed by the
                    traffic, we may watch the passers-by.</p>
                <p TEIform="p">The cafés themselves play an important part in the<lb TEIform="lb"/>
                    life of the people, being a rendezvous not only for the<lb TEIform="lb"/>
                    refreshment provided, but for gossip and the interchange<lb TEIform="lb"/> of
                    news. They are very numerous all over the city,<lb TEIform="lb"/> and are
                    generally fronted by three or more wooden<lb TEIform="lb"/> archways painted in
                    some bright colour and open to the<lb TEIform="lb"/> street. Outside are the
                    “dekkas,” or high benches, on<lb TEIform="lb"/> which, sitting cross-legged, the
                    customer enjoys his<lb TEIform="lb"/> coffee or his pipe. Indoors are a few
                    chairs, and the<lb TEIform="lb"/> square tiled platform on which are placed the
                        cooking-pots<lb TEIform="lb"/> and little charcoal fire of the café-keeper.
                        Generally<lb TEIform="lb"/> an awning of canvas covered with patches of<lb
                        TEIform="lb"/> coloured cloth screens you from the sun, or gives shelter<lb
                        TEIform="lb"/> from the occasional winter showers which clear the<lb
                        TEIform="lb"/> streets of passengers and render them a sea of mud, for<lb
                        TEIform="lb"/> the streets are unpaved and no drainage exists to carry<lb
                        TEIform="lb"/> off the surface water.</p>
                <pb TEIform="pb" id="p018" n="18"/>
                <p TEIform="p">
                    <figure TEIform="figure" entity="KelPe_018" id="ill018"> </figure>
                </p>
                <p TEIform="p">The café-owner is always polite, and glad to see you,<lb TEIform="lb"
                    /> and the coffee he makes is nearly always excellent,<lb TEIform="lb"/> though
                    few of his European guests would care to regale<lb TEIform="lb"/> themselves
                    with the curiously shaped water-pipes with<lb TEIform="lb"/> which the native
                    intoxicates himself with opium or<lb TEIform="lb"/> “hashīsh,” and which are
                    used indiscriminately by all<lb TEIform="lb"/> the customers.</p>
                <p TEIform="p">Like most of the small tradesmen, our host is clad in<lb TEIform="lb"
                    /> a “gelabieh,” or long gown of white or blue cotton,<lb TEIform="lb"/>
                    gathered round the waist by a girdle of coloured cloth.<lb TEIform="lb"/> Stuck
                    jauntily on the back of his head is the red “tarbūsh,”<lb TEIform="lb"/> or fez,
                    universal in the towns, or, if married, he<lb TEIform="lb"/> wears a turban of
                    fine white cotton; his shoes are of<lb TEIform="lb"/> red or yellow leather, but
                    are generally carried in his<lb TEIform="lb"/> hand if the streets are muddy.</p>
                <p TEIform="p">And now, having noticed our café and our host, let<lb TEIform="lb"/>
                    us sit comfortably and try and distinguish the various<lb TEIform="lb"/> types
                    which go to form the crowd which from dawn to<lb TEIform="lb"/> dark throngs the
                    thoroughfares.</p>
                <p TEIform="p">First of all it will be noticed how many different<lb TEIform="lb"/>
                    trades are carried on in the streets, most prominent of<lb TEIform="lb"/> all
                    being that of the water-sellers, for <name key="147649" type="place"
                    >Cairo</name> is hot and<lb TEIform="lb"/> dusty, and water is in constant
                    demand.</p>
                <p TEIform="p">There are several grades of water-carriers. First,<lb TEIform="lb"/>
                    the “sakka,” who carries on his back a goat-skin filled<lb TEIform="lb"/> with
                    water; one of the fore-legs forms the spout,<lb TEIform="lb"/> which is simply
                    held tight in the hand to prevent the<lb TEIform="lb"/> water from escaping. He
                    is the poorest of them all,<lb TEIform="lb"/> barefooted and wearing an often
                    ragged blue gelabieh,<lb TEIform="lb"/> while a leather apron protects his back
                    from the dripping<lb TEIform="lb"/> goat-skin. He it is who waters the streets
                    and fills<lb TEIform="lb"/>
                    <pb TEIform="pb" id="p019" n="19"/>
                    <figure TEIform="figure" entity="KelPe_019" id="ill019"> </figure> the “zīrs,”
                    or filters, in the shops, a number of shop-keepers<lb TEIform="lb"/> combining
                    to employ him to render this service<lb TEIform="lb"/> to their section of a
                    street.</p>
                <p TEIform="p">A superior grade is the “khamali,” who carries upon<lb TEIform="lb"/>
                    his back a large earthen pot of filtered water. When<lb TEIform="lb"/> he wishes
                    to fill the brass drinking-cups, which he<lb TEIform="lb"/> cleverly tinkles as
                    he walks, he has simply to bend<lb TEIform="lb"/> forward until the water runs
                    out of the spout above<lb TEIform="lb"/> his shoulder and is caught in one of
                    the cups, and<lb TEIform="lb"/> it is interesting to notice that he seldom
                    spills a<lb TEIform="lb"/> drop.</p>
                <p TEIform="p">Then there is that swaggering and often handsome<lb TEIform="lb"/>
                    fellow clad in red, and with a coloured scarf around his<lb TEIform="lb"/> head,
                    who, with shoulders well set back, carries, slung<lb TEIform="lb"/> in a broad
                    leather belt, a terra-cotta jar. This is the<lb TEIform="lb"/> “sussi,” who
                    sells liquorice water, or a beverage made<lb TEIform="lb"/> from prunes, and
                    which he hands to his customers in a<lb TEIform="lb"/> dainty blue and white
                    china bowl.</p>
                <p TEIform="p">The highest grade of all is the “sherbutli,” also gaily<lb
                        TEIform="lb"/> dressed, who from an enormous green glass bottle,<lb
                        TEIform="lb"/> brass mounted, and cooled by a large lump of ice held<lb
                        TEIform="lb"/> in a cradle at the neck, dispenses sherbet, lemonade,<lb
                        TEIform="lb"/> or other cooling drink. Each of these classes of
                        water-seller<lb TEIform="lb"/> is well patronized, for Egypt is a thirsty
                    land.</p>
                <p TEIform="p">Here comes a bread-seller, whose fancy loaves and<lb TEIform="lb"/>
                    cakes are made in rings and strung upon wands which<lb TEIform="lb"/> project
                    from the rim of a basket; or on a tray of wicker-work<lb TEIform="lb"/> or queer
                    little donkey-cart are piled the flat unleavened<lb TEIform="lb"/> loaves of the
                    people.</p>
                <p TEIform="p">To remind us of the chief baker's dream, the pastry-cook<lb
                        TEIform="lb"/> still cries his wares, which, carried in baskets on<lb
                        TEIform="lb"/>
                    <pb TEIform="pb" id="p020" n="20"/>
                    <figure TEIform="figure" entity="KelPe_020" id="ill020"> </figure> his head, are
                    often raided by the thieving hawk or<lb TEIform="lb"/> crow, while delicious
                    fruits and fresh vegetables are<lb TEIform="lb"/> vended from barrows, much like
                    the coster trade in<lb TEIform="lb"/> London.</p>
                <p TEIform="p">Many of the passers-by are well to do, shopkeepers<lb TEIform="lb"/>
                    and merchants, clothed in flowing “khaftan” of coloured<lb TEIform="lb"/> cloth
                    or silk, over which, hanging loosely from their<lb TEIform="lb"/> shoulders, is
                    the black goat's wool “arbiyeh,” or<lb TEIform="lb"/> cloak.</p>
                <p TEIform="p">The shops also make a gay addition to the general<lb TEIform="lb"/>
                    colour scheme. Of these the fruit shop is perhaps the<lb TEIform="lb"/>
                    prettiest; here rosy apples and juicy oranges, or pink-fleshed<lb TEIform="lb"/>
                    water-melons, are tastefully arranged in baskets<lb TEIform="lb"/> or on shelves
                    covered with papers of different tints.<lb TEIform="lb"/> Even the
                    tallow-chandler renders his shop attractive by<lb TEIform="lb"/> means of
                    festoons of candles, some of enormous size,<lb TEIform="lb"/> and all tinted in
                    patterns, while the more important<lb TEIform="lb"/> shopping streets are one
                    continuous display of many<lb TEIform="lb"/> coloured silks and cotton goods,
                    the glittering wares of<lb TEIform="lb"/> the jeweller or coppersmith, and the
                    gay trappings of<lb TEIform="lb"/> the saddler.</p>
                <p TEIform="p">In between the shops may often be noticed small<lb TEIform="lb"/>
                    doorways, whose white plaster is decorated by some<lb TEIform="lb"/> bright
                    though crude design in many colours; this is<lb TEIform="lb"/> the “hammam,” or
                    public bath, while the shop of the<lb TEIform="lb"/> barber, chief gossip and
                    story-teller of his quarter, is<lb TEIform="lb"/> easily distinguished by the
                    fine-meshed net hung across<lb TEIform="lb"/> the entrance as a protection
                    against flies, for flies<lb TEIform="lb"/> abound in <name key="147649"
                        type="place">Cairo</name>, which, however disagreeable they<lb TEIform="lb"
                    /> may be, is perhaps fortunate in a country where the<lb TEIform="lb"/> laws of
                    sanitation are so lightly regarded.</p>
                <pb TEIform="pb" id="p021" n="21"/>
                <p TEIform="p">
                    <figure TEIform="figure" entity="KelPe_021" id="ill021"> </figure>
                </p>
                <p TEIform="p">Noise enters largely into street life, and the native<lb TEIform="lb"
                    /> is invariably loud voiced. No bargain is concluded<lb TEIform="lb"/> without
                    an apparent squabble, and every tradesman in<lb TEIform="lb"/> the street calls
                    his wares, while drivers of vehicles are<lb TEIform="lb"/> incessant in their
                    cries of warning to foot-passengers.<lb TEIform="lb"/> All the sounds are not
                    unmusical, however, for from<lb TEIform="lb"/> the minarets comes the
                    “muezzin's” sweet call to<lb TEIform="lb"/> prayer, to mingle with the jingling
                    bells and the<lb TEIform="lb"/> tinkling of the cups of the water-sellers.</p>
                <p TEIform="p">Then the donkey-boys, everywhere to be found in<lb TEIform="lb"/>
                    <name key="147649" type="place">Cairo</name>, add much to the liveliness of the
                    streets. Their<lb TEIform="lb"/> donkeys are fine animals, usually grey and very
                        large,<lb TEIform="lb"/> and their bodies are shaved in such a manner as
                        to<lb TEIform="lb"/> leave patterns on the legs and snout, which are
                        often<lb TEIform="lb"/> coloured. The saddles are of red leather and
                        cloth,<lb TEIform="lb"/> and from them hang long tassels which swing as
                        they<lb TEIform="lb"/> canter through the streets, while the musical rattle
                        of<lb TEIform="lb"/> coloured beads and the chains of copper and brass<lb
                        TEIform="lb"/> which all donkeys wear around their necks, add their<lb
                        TEIform="lb"/> quota to the many noises of the streets, through<lb
                        TEIform="lb"/> which in a low murmur one may distinguish the drone<lb
                        TEIform="lb"/> of flies.</p>
                <p TEIform="p">Among all the bustle and confusion, shimmering<lb TEIform="lb"/>
                    lights, and varied colour which constitute a <name key="147649" type="place"
                        >Cairo</name> street<lb TEIform="lb"/> scene, the native woman passes with
                    graceful dignity.<lb TEIform="lb"/> Her features are hidden by the “bourka,” or
                        veil,<lb TEIform="lb"/> which is generally worn, but her beautiful eyes
                        fascinate;<lb TEIform="lb"/> nor does the voluminous cloak she wears
                        entirely<lb TEIform="lb"/> conceal the dainty, if brilliant, clothing
                    beneath, nor<lb TEIform="lb"/> the extreme beauty of her well-shaped hands
                        and<lb TEIform="lb"/> feet.</p>
                <pb TEIform="pb" id="p022" n="22"/>
                <p TEIform="p">
                    <figure TEIform="figure" entity="KelPe_022" id="ill022"> </figure>
                </p>
                <p TEIform="p">Quite as picturesque as the life of the streets are the<lb
                        TEIform="lb"/> building's which enclose them, and the great glory of<lb
                        TEIform="lb"/>
                    <name key="147649" type="place">Cairo</name> consists of its bazaars and mosques
                    and old-time<lb TEIform="lb"/> palaces.</p>
                <p TEIform="p">The streets are usually irregular in width and often<lb TEIform="lb"
                    /> winding, and are sometimes so narrow as to render<lb TEIform="lb"/> driving
                    impossible, for when <name key="147649" type="place">Cairo</name> was built
                        wheeled<lb TEIform="lb"/> vehicles were not in use, and space within its
                    walls was<lb TEIform="lb"/> limited. The houses are very lofty, and are built
                        of<lb TEIform="lb"/> limestone or rubble covered with white plaster, and<lb
                        TEIform="lb"/> the lower courses are often coloured in stripes of<lb
                        TEIform="lb"/> yellow, white, and red. Handsome carved doorways<lb
                        TEIform="lb"/> open from the street, and the doors are panelled in<lb
                        TEIform="lb"/> bold arabesque design, or enriched by metal studs and<lb
                        TEIform="lb"/> knockers of bronze. The windows on the ground-floor,<lb
                        TEIform="lb"/> which are usually small, are closed by a wooden<lb
                        TEIform="lb"/> or iron grating, and are placed too high in the wall for<lb
                        TEIform="lb"/> passengers to look through them, and frequently, even<lb
                        TEIform="lb"/> in the best houses, small recesses in the walls serve as<lb
                        TEIform="lb"/> shops.</p>
                <p TEIform="p">The upper storeys usually project beyond the ground-floor,<lb
                        TEIform="lb"/> and are supported on corbels or brackets of stone,<lb
                        TEIform="lb"/> which also are frequently carved. This method of<lb
                        TEIform="lb"/> building has two advantages, for the projecting upper<lb
                        TEIform="lb"/> storeys afford a little shade in the streets, and at the<lb
                        TEIform="lb"/> same time give greater space to the houses without<lb
                        TEIform="lb"/> encroaching upon the already narrow thoroughfares.</p>
                <p TEIform="p">These upper storeys are very picturesque, for all the<lb TEIform="lb"
                    /> windows are filled with lattice-work, and large window<lb TEIform="lb"/>
                    balconies supported on carved wooden beams project<lb TEIform="lb"/>
                    <pb TEIform="pb" id="p023" n="23"/>
                    <figure TEIform="figure" entity="KelPe_023" id="ill023"> </figure> far over the
                    street. These are called “mushrabiyehs,”<lb TEIform="lb"/> a name which is
                    derived from an Arabic word which<lb TEIform="lb"/> means “the place for drink.”
                    Originally they were<lb TEIform="lb"/> simply small cages of plain lattice-work
                    in which the<lb TEIform="lb"/> water jars were placed to cool, but as prosperity
                        increased<lb TEIform="lb"/> and the homes of the people became more ornate,
                        first<lb TEIform="lb"/> the edges of the lattice-work were cut so as to form
                        a<lb TEIform="lb"/> pattern, and the little cages presently developed
                        into<lb TEIform="lb"/> these large balconies, which in place of simple
                        lattice-work<lb TEIform="lb"/> were enclosed by screens formed of
                        innumerable<lb TEIform="lb"/> small pieces of turned wood built up so as to
                        form<lb TEIform="lb"/> designs of great beauty, and behind which the
                        ladies<lb TEIform="lb"/> of the harīm might sit and enjoy the air and the<lb
                        TEIform="lb"/> animation of the streets unseen.</p>
                <p TEIform="p">Unfortunately this beautiful work is fast disappearing;<lb
                        TEIform="lb"/> visitors have discovered how adaptable it is to<lb
                        TEIform="lb"/> home decoration, and the dealers in <name key="147649"
                        type="place">Cairo</name> eagerly buy<lb TEIform="lb"/> up all that can be
                    obtained to be converted into those<lb TEIform="lb"/> many articles of Arab
                    furniture with which we are now<lb TEIform="lb"/> so familiar in England.</p>
                <p TEIform="p">Picturesque as all the streets of <name key="147649" type="place"
                        >Cairo</name> are, they are<lb TEIform="lb"/> not all so animated as those I
                    have described, and in<lb TEIform="lb"/> many quarters one may ride for miles
                    through streets<lb TEIform="lb"/> so narrow that no vehicle could pass, and so
                    silent as to<lb TEIform="lb"/> appear deserted. Very often their projecting
                        upper<lb TEIform="lb"/> storeys almost touch across the street, and make it
                        so<lb TEIform="lb"/> dark as to be almost like a tunnel. The handsome<lb
                        TEIform="lb"/> doorways also are often half buried in the débris which<lb
                        TEIform="lb"/> for three hundred years or more has been accumulating<lb
                        TEIform="lb"/> in the narrow lanes, so much so that in many cases the<lb
                        TEIform="lb"/> doors cannot be opened at all. There is an air of decay<lb
                        TEIform="lb"/>
                    <pb TEIform="pb" id="p024" n="24"/>
                    <figure TEIform="figure" entity="KelPe_024" id="ill024"> </figure> and sadness
                    in many of these quarters, for these half<lb TEIform="lb"/> ruinous houses, once
                    the palaces of the Memlūks, are<lb TEIform="lb"/> now the habitations of the
                    lowest of the people, and<lb TEIform="lb"/> poverty and squalor reign where once
                    had been gaiety<lb TEIform="lb"/> and the fashionable life of <name key="147649"
                        type="place">Cairo</name>.</p>
                <pb TEIform="pb" id="p024b"/>
                <p TEIform="p">
                    <figure TEIform="figure" entity="KelPe_024b" id="ill024b">
                        <head TEIform="head">A MOSQUE INTERIOR.</head>
                    </figure>
                </p>
            </div1>
            <div1 TEIform="div1" n="4" org="uniform" part="N" sample="complete" type="chapter">
                <pb TEIform="pb" id="p025" n="25"/>
                <head TEIform="head">CHAPTER IV</head>
                <head TEIform="head" type="sub">CAIRO—II</head>
                <p TEIform="p">
                    <figure TEIform="figure" entity="KelPe_025" id="ill025"> </figure>
                </p>
                <p TEIform="p">F<hi TEIform="hi" rend="smallcaps">ASCINATING</hi> though the streets
                    of <name key="147649" type="place">Cairo</name> are, continuous<lb TEIform="lb"
                    /> sight-seeing in the heat and glare is tiring,<lb TEIform="lb"/> and it is
                    always a pleasant change to escape from the<lb TEIform="lb"/> movement and
                    bustle outside, and enjoy the quietude<lb TEIform="lb"/> of some cool mosque or
                    palace courtyard.</p>
                <p TEIform="p">Having described the exterior of the native house, it<lb TEIform="lb"
                    /> will interest you to know what it is like inside.<lb TEIform="lb"/> Entering
                    from the street, one usually has to descend<lb TEIform="lb"/> one or more steps
                    to the entrance hall or passage,<lb TEIform="lb"/> which, in the case of the
                    older houses, is invariably<lb TEIform="lb"/> built with at least one turning,
                    so that no one from the<lb TEIform="lb"/> street could see into the interior
                    court or garden should<lb TEIform="lb"/> the door be open, for privacy was
                    always jealously<lb TEIform="lb"/> guarded by the Mohammedans. On one side is
                        a<lb TEIform="lb"/> raised stone platform, seat for the “boab” or
                        door-keeper,<lb TEIform="lb"/> and other servants of the house. Passing<lb
                        TEIform="lb"/> through this passage, we reach the courtyard, which is<lb
                        TEIform="lb"/> often very large and open to the sky, and into which<lb
                        TEIform="lb"/> most of the windows of the house open. On one side<lb
                        TEIform="lb"/> is a large recess or bay raised slightly above the
                        pavement<lb TEIform="lb"/> of the court, and furnished with benches of
                        carved<lb TEIform="lb"/> wood. The beams of the ceiling and handsome
                        cornice<lb TEIform="lb"/> are richly ornamented with carving and
                        illumination,<lb TEIform="lb"/>
                    <pb TEIform="pb" id="p026" n="26"/>
                    <figure TEIform="figure" entity="KelPe_026" id="ill026"> </figure> and the heavy
                    beam which spans the entrance is supported<lb TEIform="lb"/> by a pillar of
                    elegant shape and proportion.<lb TEIform="lb"/> Here, or in the “mandara”<ref
                        TEIform="ref" id="ref4.1" rend="superscript" targOrder="U" target="n4.1">*</ref>
                    <note TEIform="note" anchored="yes" id="n4.1" place="foot" target="ref4.1"><hi
                            TEIform="hi" rend="superscript">*</hi>Guest chamber.</note> inside the
                    house, the<lb TEIform="lb"/> Arab host receives his male guests. On the most<lb
                        TEIform="lb"/> shady side of the court are placed the “zīrs,” while<lb
                        TEIform="lb"/> several doors lead to the harīm, as the ladies' quarters<lb
                        TEIform="lb"/> are called, and the various offices and reception-rooms<lb
                        TEIform="lb"/> of the house. These doors are always panelled in<lb
                        TEIform="lb"/> elaborate geometrical designs, and the principal one,<lb
                        TEIform="lb"/> which is reached by a short flight of stone steps, is set<lb
                        TEIform="lb"/> in a lofty recess, the trefoil head of which is richly<lb
                        TEIform="lb"/> carved. This gives access to the reception-room on the<lb
                        TEIform="lb"/> first floor. One side is entirely open to the air, and<lb
                        TEIform="lb"/> through three archways connected by a low balustrade<lb
                        TEIform="lb"/> of perforated stonework overlooks the court. The<lb
                        TEIform="lb"/> floor is paved in tiles or marble of various colours,<lb
                        TEIform="lb"/> usually in some large design, in the centre of which is<lb
                        TEIform="lb"/> a shallow basin in which a fountain plays. Round the<lb
                        TEIform="lb"/> three walls is a raised daïs called “lewan,” covered with<lb
                        TEIform="lb"/> rugs or mattresses, on which the guests recline. Little<lb
                        TEIform="lb"/> recesses in the walls, which in the homes of the wealthy<lb
                        TEIform="lb"/> are elaborately decorated with mosaic or tile work,<lb
                        TEIform="lb"/> contain the water jars, and the “tisht wa abrīk,” or<lb
                        TEIform="lb"/> water-jug and basin, used for the ceremonial washing of<lb
                        TEIform="lb"/> hands before meat. The walls are usually plain, and<lb
                        TEIform="lb"/> are only broken by the “dulab,” or wall cupboard, in<lb
                        TEIform="lb"/> which pipes and other articles are kept. The ceiling is<lb
                        TEIform="lb"/> heavily beamed and illuminated, or covered with<lb
                        TEIform="lb"/> appliqué work in some rich design, the spaces variously<lb
                        TEIform="lb"/> coloured or picked out in gold.</p>
                <pb TEIform="pb" id="p027" n="27"/>
                <p TEIform="p">
                    <figure TEIform="figure" entity="KelPe_027" id="ill027"> </figure>
                </p>
                <p TEIform="p">For cold weather another similar room is provided in<lb TEIform="lb"
                    /> the interior of the house much as the one I have<lb TEIform="lb"/> described,
                    but with the addition of a cupola or dome<lb TEIform="lb"/> over the fountain,
                    while the large windows, in the<lb TEIform="lb"/> recesses of which couches are
                    placed, are filled with the<lb TEIform="lb"/> beautiful “mushrabiyeh” work we
                    have noticed from<lb TEIform="lb"/> the streets, or by stained glass set in
                    perforated plaster<lb TEIform="lb"/> work. These rooms contain practically no
                        furniture,<lb TEIform="lb"/> excepting the low “sahniyeh,” or tray, upon
                        which<lb TEIform="lb"/> refreshments are served, and the copper brazier
                        which<lb TEIform="lb"/> contains the charcoal fire, but from the ceiling
                        hang<lb TEIform="lb"/> numbers of beautifully-wrought lamps of metal and<lb
                        TEIform="lb"/> coloured glass. We can imagine how rich a scene such<lb
                        TEIform="lb"/> a room would form when illuminated for the reception<lb
                        TEIform="lb"/> of guests whose gorgeous Oriental costumes accord so<lb
                        TEIform="lb"/> well with its handsome interior, while the finishing<lb
                        TEIform="lb"/> touch is given by the performance of the musicians and<lb
                        TEIform="lb"/> singing girls with which the guests are entertained,<lb
                        TEIform="lb"/> leading one instinctively to call to mind many similar<lb
                        TEIform="lb"/> scenes so wonderfully described in the “Arabian<lb
                        TEIform="lb"/> Nights.” Many of the adventures of its heroes and<lb
                        TEIform="lb"/> heroines are suggested by the secret passages which the<lb
                        TEIform="lb"/> wall cupboards often hide, and may well have occurred<lb
                        TEIform="lb"/> in houses we may visit to-day in <name key="147649"
                        type="place">Cairo</name>, for, more than<lb TEIform="lb"/> any other, <name
                        key="147649" type="place">Cairo</name> is the city of the “Arabian
                        Nights,”<lb TEIform="lb"/> and in our walks one may at any moment meet
                        the<lb TEIform="lb"/> hunchback or the pastry-cook, or the one-eyed
                        calender,<lb TEIform="lb"/> whose adventures fills so many pages of that
                        fascinating<lb TEIform="lb"/> book; while the summary justice and drastic<lb
                        TEIform="lb"/> measures of the old khalifs are recalled by the many<lb
                        TEIform="lb"/> instruments of torture or of death which may still<lb
                        TEIform="lb"/>
                    <pb TEIform="pb" id="p028" n="28"/>
                    <figure TEIform="figure" entity="KelPe_028" id="ill028"> </figure> be seen
                    hanging in the bazaars or from the city<lb TEIform="lb"/> gates.</p>
                <p TEIform="p">Everyone who goes to <name key="147649" type="place">Cairo</name> is
                    astonished at the<lb TEIform="lb"/> great number and beauty of its mosques,
                    nearly every<lb TEIform="lb"/> street having one or more. Altogether there are
                        some<lb TEIform="lb"/> 500 or more in <name key="147649" type="place"
                    >Cairo</name>, as well as a great number of<lb TEIform="lb"/> lesser shrines
                    where the people worship. I will tell<lb TEIform="lb"/> you how this comes
                    about. We have often read in the<lb TEIform="lb"/> “Arabian Nights” in what a
                    high-handed and frequently<lb TEIform="lb"/> unjust manner the property of some
                    poor unfortunate<lb TEIform="lb"/> would be seized and given to another. This
                    was very<lb TEIform="lb"/> much the case in <name key="147649" type="place"
                        >Cairo</name> in the olden days, and khalifs<lb TEIform="lb"/> and cadis,
                    muftis and pashas, were not very scrupulous<lb TEIform="lb"/> about whose money
                    or possessions they administered,<lb TEIform="lb"/> and even to-day in some
                    Mohammedan countries it is<lb TEIform="lb"/> not always wise for a man to grow
                    rich.</p>
                <p TEIform="p">And so it was that in order to escape robbery in the<lb TEIform="lb"
                    /> name of law many wealthy merchants preferred to build<lb TEIform="lb"/>
                    during their lifetime a mosque or other public building,<lb TEIform="lb"/> while
                    money left for this purpose was regarded as<lb TEIform="lb"/> sacred, and so the
                    many beautiful sebiīls and mosques of<lb TEIform="lb"/>
                    <name key="147649" type="place">Cairo</name> came into existence.</p>
                <p TEIform="p">Egypt is so old that even the Roman times appear<lb TEIform="lb"/>
                    new, and one is tempted to regard these glorious buildings<lb TEIform="lb"/> of
                    the Mohammedan era as only of yesterday.<lb TEIform="lb"/> Yet many of the
                    mosques which people visit and admire<lb TEIform="lb"/> are older than any
                    church or cathedral in England.<lb TEIform="lb"/> We all think of Lincoln
                    Cathedral or Westminster<lb TEIform="lb"/> Abbey as being very venerable
                    buildings, and so they<lb TEIform="lb"/> are; but long before they were built
                    the architecture<lb TEIform="lb"/> of the Mohammedans in Egypt had developed
                    into a<lb TEIform="lb"/>
                    <pb TEIform="pb" id="p029" n="29"/>
                    <figure TEIform="figure" entity="KelPe_029" id="ill029"> </figure> perfect
                    style, and produced many of the beautiful<lb TEIform="lb"/> mosques in which the
                    Cairene prays to-day.</p>
                <p TEIform="p">As a rule the mosque was also the tomb of its founder,<lb
                        TEIform="lb"/> and the dome was designed as a canopy over his
                        burial-place,<lb TEIform="lb"/> so that when a mosque is <hi TEIform="hi"
                        rend="italic">domed</hi> we know it to<lb TEIform="lb"/> be the mausoleum of
                    some great man, while the beautiful<lb TEIform="lb"/> minaret or tower is common
                    to all mosques, whether<lb TEIform="lb"/> tomb-mosque or not.</p>
                <p TEIform="p">One of the most striking features of a mosque is the<lb TEIform="lb"
                    /> doorway, which is placed in a deep arched recess, very<lb TEIform="lb"/>
                    lofty and highly ornamented. A flight of stone steps<lb TEIform="lb"/> lead from
                    the street to the door, which is often of hammered<lb TEIform="lb"/> bronze and
                    green with age, and from a beam<lb TEIform="lb"/> which spans the recess hang
                    curious little lamps, which<lb TEIform="lb"/> are lit on fête days.</p>
                <p TEIform="p">At the top of the steps is a low railing or barrier<lb TEIform="lb"/>
                    which no one may cross <hi TEIform="hi" rend="italic">shod</hi>, for beyond this
                    is holy<lb TEIform="lb"/> ground, where, as in the old days of Scripture,
                        every<lb TEIform="lb"/> one must “put off his shoes from off his feet.”</p>
                <p TEIform="p">The interior of the mosque is often very rich and<lb TEIform="lb"/>
                    solemn. It is usually built in the form of a square<lb TEIform="lb"/> courtyard,
                    open to the sky, in which is the “hanafieh,”<lb TEIform="lb"/> or tank, where
                    “the faithful” wash before prayers.<lb TEIform="lb"/> The court is surrounded by
                    cloisters supported by<lb TEIform="lb"/> innumerable pillars, or else lofty
                    horseshoe arches<lb TEIform="lb"/> lead into deep bays or recesses, the eastern
                    one of<lb TEIform="lb"/> which, called the “kibleh,” is the holiest, and
                        corresponds<lb TEIform="lb"/> to our chancel, and in the centre of the
                        wall<lb TEIform="lb"/> is the “mirhab,” or niche, which is in the direction
                        of<lb TEIform="lb"/> Mecca, and the point towards which the Moslem prays.</p>
                <p TEIform="p">Marble pavements, beautiful inlay of ivory and<lb TEIform="lb"/>
                    <pb TEIform="pb" id="p030" n="30"/>
                    <figure TEIform="figure" entity="KelPe_030" id="ill030"> </figure> wood,
                    stained-glass windows, and elaborately decorated<lb TEIform="lb"/> ceilings and
                    domes, beautify the interior, and go to form<lb TEIform="lb"/> a rich but
                    subdued coloured scheme, solemn and restful,<lb TEIform="lb"/> and of which
                    perhaps my picture will give you some<lb TEIform="lb"/> idea.</p>
                <p TEIform="p">Attached to most mosques is a sebīl, also beautiful<lb TEIform="lb"/>
                    in design. The lower story has a fountain for the use<lb TEIform="lb"/> of
                    wayfarers; above, in a bright room open to the air,<lb TEIform="lb"/> is a
                    little school, where the boys and girls of the quarter<lb TEIform="lb"/> learn
                    to recite sundry passages from the Koran, and<lb TEIform="lb"/> which until
                    recently was practically all the education<lb TEIform="lb"/> they received.</p>
                <p TEIform="p">And now I must tell you something about the<lb TEIform="lb"/>
                    bazaars, which, after the mosques, are the most interesting<lb TEIform="lb"/>
                    relics in <name key="147649" type="place">Cairo</name>, and in many cases quite
                    as old.<lb TEIform="lb"/> First, I may say that the word “bazaar” means
                        “bargain,”<lb TEIform="lb"/> and as in the East a fixed price is unusual,
                        and<lb TEIform="lb"/> anything is worth just what can be got for it, making
                        a<lb TEIform="lb"/> purchase is generally a matter of patience, and one
                        may<lb TEIform="lb"/> often spend days in acquiring some simple article of
                        no<lb TEIform="lb"/> particular value. An exception is the trade in
                        copper<lb TEIform="lb"/> ware, which is sold by weight, and it is a
                        common<lb TEIform="lb"/> practice among the poorer classes to invest their
                        small<lb TEIform="lb"/> savings in copper vessels of which they have the
                        benefit,<lb TEIform="lb"/> and which can readily be sold again should money
                        be<lb TEIform="lb"/> wanted. This trade is carried on in a very
                        picturesque<lb TEIform="lb"/> street, called the “Sûk-en-Nahassīn,” or
                    street of the<lb TEIform="lb"/> coppersmiths, where in tiny little shops 4 or 5
                        feet<lb TEIform="lb"/> square, most of the copper and brass industry of
                        <name key="147649" type="place">Cairo</name><lb TEIform="lb"/> is carried
                    on. Opening out of this street are other<lb TEIform="lb"/> bazaars, many very
                    ancient, and each built for some<lb TEIform="lb"/>
                    <pb TEIform="pb" id="p031" n="31"/>
                    <figure TEIform="figure" entity="KelPe_031" id="ill031"> </figure> special
                    trade. So we have the shoemaker's bazaar,<lb TEIform="lb"/> the oil, spice,
                    Persian and goldsmith's bazaars, and many<lb TEIform="lb"/> others, each
                    different in character, and generally interesting<lb TEIform="lb"/> as
                    architecture. The Persian bazaar is now nearly<lb TEIform="lb"/> demolished, and
                    the “Khan Khalili,” once the centre<lb TEIform="lb"/> of the carpet trade, and
                    the most beautiful of all, is<lb TEIform="lb"/> now split up into a number of
                    small curio shops, for<lb TEIform="lb"/> the people are becoming Europeanized,
                    and the Government,<lb TEIform="lb"/> alas! appear to have no interest in the
                        preservation<lb TEIform="lb"/> of buildings of great historic interest and
                    beauty.</p>
                <p TEIform="p">One other feature of <name key="182421" type="place">old Cairo</name> I must notice before<lb
                        TEIform="lb"/> leaving the subject. In the old days of long caravan<lb
                        TEIform="lb"/> journeys, when merchants from Persia, India, and<lb
                        TEIform="lb"/> China brought their wares to <name key="147649" type="place"
                        >Cairo</name> overland, it was<lb TEIform="lb"/> their custom to travel in
                    strong companies capable of<lb TEIform="lb"/> resisting possible attacks by the
                    wild desert tribes, and<lb TEIform="lb"/> in <name key="147649" type="place"
                        >Cairo</name> special “khans,” or inns, were built to accommodate<lb
                        TEIform="lb"/> the different nationalities or trades. In the<lb TEIform="lb"
                    /> central court the horses and camels of the different<lb TEIform="lb"/>
                    caravans were tethered; surrounding it, and raised<lb TEIform="lb"/> several
                    feet above the ground, were numerous bays in<lb TEIform="lb"/> which the goods
                    were exposed for sale. Above, several<lb TEIform="lb"/> storeys provided
                    sleeping accommodation for the travellers.<lb TEIform="lb"/> Like the bazaars,
                    many of these khans are<lb TEIform="lb"/> very ancient, and are most interesting
                    architecturally as<lb TEIform="lb"/> well as being fast disappearing relics of
                    days which,<lb TEIform="lb"/> until the introduction of railways and steamers,
                        perpetuated<lb TEIform="lb"/> in our own time conditions of life and
                        trade<lb TEIform="lb"/> which had continued uninterruptedly since that time
                        so<lb TEIform="lb"/> long ago when Joseph first built his store cities
                        and<lb TEIform="lb"/> granaries in Egypt.</p>
                <pb TEIform="pb" id="p032" n="32"/>
                <p TEIform="p">
                    <figure TEIform="figure" entity="KelPe_032" id="ill032"> </figure>
                </p>
                <p TEIform="p">It is impossible in a few pages to convey any real<lb TEIform="lb"/>
                    impression of <name key="147649" type="place">Cairo</name>, and I have only
                    attempted to describe<lb TEIform="lb"/> a few of its most characteristic
                    features. There<lb TEIform="lb"/> is, however, a great deal more to see—the
                    citadel, built<lb TEIform="lb"/> by that same Saladīn against whom our crusaders
                    fought in<lb TEIform="lb"/> Palestine, and which contains many ancient mosques
                        and<lb TEIform="lb"/> other buildings of historic interest, and the curious
                        well<lb TEIform="lb"/> called Joseph's Well, where, by means of many
                        hundreds<lb TEIform="lb"/> of stone steps, the visitor descends into the
                    heart of the<lb TEIform="lb"/> rock upon which the citadel is built, and which
                        until<lb TEIform="lb"/> recently supplied it with water. Close by is the<lb
                        TEIform="lb"/> parapet from which the last of the Memlūks made his<lb
                        TEIform="lb"/> desperate leap for freedom, and became sole survivor<lb
                        TEIform="lb"/> of his class so treacherously murdered by Mohammed<lb
                        TEIform="lb"/> Ali; behind, crowning the Mokhattam Hills, is the<lb
                        TEIform="lb"/> little fort built by Napoleon the Great to command the<lb
                        TEIform="lb"/> city, while in every direction are views almost impossible<lb
                        TEIform="lb"/> of description. To the east is that glorious<lb TEIform="lb"
                    /> cemetery known as the “tombs of the khalifs,” which<lb TEIform="lb"/>
                    contains many of the finest architectural gems of<lb TEIform="lb"/> mediæval
                    Egypt; to the west is Fostat, the original<lb TEIform="lb"/> “city of the tent,”
                    from which <name key="147649" type="place">Cairo</name> sprang, while over<lb
                        TEIform="lb"/> the rubbish heaps of old Babylon, the Roman aqueduct<lb
                        TEIform="lb"/> stretches towards Rhoda, that beautiful garden island<lb
                        TEIform="lb"/> on whose banks tradition has it that the infant Moses<lb
                        TEIform="lb"/> was found, while still further across the river,
                        sail-dotted<lb TEIform="lb"/> and gleaming in the sun, the great Pyramids<lb
                        TEIform="lb"/> mark the limit of the Nile Valley and the commencement<lb
                        TEIform="lb"/> of that enormous desert which stretches to the<lb
                        TEIform="lb"/> Atlantic Ocean. Looking south, past <name key="175896"
                        type="place">Memphis</name> and<lb TEIform="lb"/> the Pyramids of Sakkara
                    and Darshūr, the Nile loses<lb TEIform="lb"/>
                    <pb TEIform="pb" id="p032a"/>
                    <figure TEIform="figure" entity="KelPe_032a" id="ill032a">
                        <head TEIform="head">A STREET IN <name key="147649" type="place"
                            >CAIRO</name>.</head>
                    </figure>
                    <pb TEIform="pb" id="p032b"/>
                    <figure TEIform="figure" entity="KelPe_032b" id="ill032b"> </figure>
                    <pb TEIform="pb" id="p033" n="33"/>
                    <figure TEIform="figure" entity="KelPe_033" id="ill033"> </figure> itself in the
                    distant heat haze, while to the north is<lb TEIform="lb"/> stretched before us
                    the fertile plains of the Delta.</p>
                <p TEIform="p">At our feet lies the wonderful Arab town, whose<lb TEIform="lb"/>
                    domes and minarets rise high above the dwellings<lb TEIform="lb"/> which screen
                    the streets from view, but whose seething<lb TEIform="lb"/> life is evidenced by
                    the dull roar which reaches you<lb TEIform="lb"/> even at this distance. It is a
                    city of sunlight, rich in<lb TEIform="lb"/> buildings of absorbing interest and
                    ablaze with colour.<lb TEIform="lb"/> As for the people, ignorant and noisy
                    though they are,<lb TEIform="lb"/> they have much good-humour and simple
                    kindness in<lb TEIform="lb"/> their natures, and it is worth notice that a
                        stranger<lb TEIform="lb"/> may walk about in safety in the most squalid
                        quarters<lb TEIform="lb"/> of the city, and of what European capital could
                        this<lb TEIform="lb"/> be said?</p>
            </div1>
            <div1 TEIform="div1" n="5" org="uniform" part="N" sample="complete" type="chapter">
                <pb TEIform="pb" id="p034" n="34"/>
                <head TEIform="head">CHAPTER V</head>
                <head TEIform="head" type="sub">THE NILE—1</head>
                <p TEIform="p">
                    <figure TEIform="figure" entity="KelPe_034" id="ill034"> </figure>
                </p>
                <p TEIform="p">I <hi TEIform="hi" rend="smallcaps">HAVE</hi> already told you how
                    the land of Egypt was<lb TEIform="lb"/> first formed by the river which is still
                    its source of life;<lb TEIform="lb"/> but before saying anything about the many
                        monuments<lb TEIform="lb"/> on its banks or the floating life it carries, I
                    want you<lb TEIform="lb"/> to look at the map with me for a moment, and see<lb
                        TEIform="lb"/> what we can learn of the character of the river itself.</p>
                <p TEIform="p">The Nile is one of the world's <hi TEIform="hi" rend="italic"
                    >great</hi> rivers, and<lb TEIform="lb"/> is about 3,400 miles long. As you will
                    see, it has its<lb TEIform="lb"/> source in the overflow from Lake Victoria
                        Nyanza,<lb TEIform="lb"/> when it flows in a generally northern direction
                        for<lb TEIform="lb"/> many hundreds of miles, receiving several
                        tributaries,<lb TEIform="lb"/> such as the River Sobat and the Bahr-el-<name
                        key="157723" type="place">Ghazal</name>, whose<lb TEIform="lb"/> waters,
                    combining with the Bahr-el-Abiad, or White<lb TEIform="lb"/> Nile, as it is
                    called, maintain the steady constant flow<lb TEIform="lb"/> of the river.</p>
                <p TEIform="p">Eventually it is joined by the Bahr-el-Azrak, or Blue<lb TEIform="lb"
                    /> Nile, which rises among the mountains of Abyssinia<lb TEIform="lb"/> and
                    enters the White Nile at Khartūm.</p>
                <p TEIform="p">During a great part of the year this branch is dry,<lb TEIform="lb"/>
                    but filled by the melting snow and torrential rains of<lb TEIform="lb"/> early
                    spring, the Blue Nile becomes a surging torrent,<lb TEIform="lb"/> and pours its
                    muddy water, laden with alluvial soil and<lb TEIform="lb"/> forest débris, into
                    the main river, causing it to rise<lb TEIform="lb"/>
                    <pb TEIform="pb" id="p035" n="35"/>
                    <figure TEIform="figure" entity="KelPe_035" id="ill035"> </figure> far above its
                    ordinary level, and so bringing about that<lb TEIform="lb"/> annual overflow
                    which in Egypt takes the place of rain.</p>
                <p TEIform="p">It is certain that the ancient Egyptians knew nothing<lb TEIform="lb"
                    /> as to the source of their great water-supply,<ref TEIform="ref" id="ref5.1"
                        rend="superscript" targOrder="U" target="n5.1">*</ref>
                    <note TEIform="note" anchored="yes" id="n5.1" place="foot" target="ref5.1"><hi
                            TEIform="hi" rend="superscript">*</hi>Many of the ancients believed the
                            <name key="156499" type="place">First Cataract</name> to be its
                    source.</note> their<lb TEIform="lb"/> knowledge being limited to the combined
                    river which<lb TEIform="lb"/> begins at Khartūm, and for 1,750 miles flows
                        uninterruptedly,<lb TEIform="lb"/> and, with the exception of the River
                        Atbara,<lb TEIform="lb"/> without further tributaries until it reaches the
                    sea; and<lb TEIform="lb"/> it is curious to think that for every one of these<lb
                        TEIform="lb"/> 1,750 miles the Nile is a <hi TEIform="hi" rend="italic"
                        >slowly diminishing</hi> stream,<lb TEIform="lb"/> water-wheels,
                    steam-pumps, and huge arterial canals<lb TEIform="lb"/> distributing its water
                    in all directions over the land.<lb TEIform="lb"/> The large number of dams and
                    regulators constructed<lb TEIform="lb"/> within recent years still further aid
                    this distribution of<lb TEIform="lb"/> the Nile water, and it is a remarkable
                    and almost incredible<lb TEIform="lb"/> fact that with the closing of the latest
                        <name key="14357" type="place">barrage</name><lb TEIform="lb"/> at <name
                        key="148172" type="place">Damietta</name>, the Nile will be so completely
                        controlled<lb TEIform="lb"/> that of all the flow of water which pours so
                        magnificently<lb TEIform="lb"/> through the cataracts not a drop will reach
                        the<lb TEIform="lb"/> sea!</p>
                <p TEIform="p">One can easily understand the reverence with which<lb TEIform="lb"/>
                    the ancients regarded their mysterious river, which,<lb TEIform="lb"/> rising no
                    one knew where, year by year continued its<lb TEIform="lb"/> majestic flow, and
                    by its regular inundations brought<lb TEIform="lb"/> wealth to the country, and
                    it is no wonder that the<lb TEIform="lb"/> rising of its waters should have been
                    the signal for a<lb TEIform="lb"/> series of religious and festal ceremonies,
                    and led the<lb TEIform="lb"/> earlier inhabitants of Egypt to worship the river
                    as a<lb TEIform="lb"/> god. Some of these festivals still continue, and it is<lb
                        TEIform="lb"/>
                    <pb TEIform="pb" id="p036" n="36"/>
                    <figure TEIform="figure" entity="KelPe_036" id="ill036"> </figure> only a very
                    few years since the annual sacrifice of a<lb TEIform="lb"/> young girl to the
                    Nile in flood was prohibited by the<lb TEIform="lb"/> Khedive.</p>
                <p TEIform="p">Though regular in its period of inundation, which<lb TEIform="lb"/>
                    begins in June, its height varies from year to year;<lb TEIform="lb"/> 4.0 to
                    4.5 feet constitutes a good Nile—anything less<lb TEIform="lb"/> than this
                    implies a shortage of water and more or less<lb TEIform="lb"/> scanty crops;
                    while should the Nile rise <hi TEIform="hi" rend="italic">higher</hi> than<lb
                        TEIform="lb"/> 45 feet the result is often disastrous, embankments<lb
                        TEIform="lb"/> being swept away, gardens devastated, while numbers of<lb
                        TEIform="lb"/> houses and little hamlets built on the river-banks are<lb
                        TEIform="lb"/> undermined and destroyed.</p>
                <p TEIform="p">The whole river as known to the ancients was<lb TEIform="lb"/>
                    navigable, and formed the great trade route by which<lb TEIform="lb"/> gold from
                    Sheba, ivory, gum, ebony, and many other<lb TEIform="lb"/> commodities were
                    brought into the country. The<lb TEIform="lb"/> armies of Pharaoh were carried
                    by it on many warlike<lb TEIform="lb"/> expeditions, and by its means the Roman
                    legions penetrated<lb TEIform="lb"/> to the limits of the then known world.</p>
                <p TEIform="p">Hippopotamus and crocodile were numerous, and<lb TEIform="lb"/>
                    afforded sport for the nobles, and though steamboats<lb TEIform="lb"/> and
                    increased traffic have driven these away, on many a<lb TEIform="lb"/> temple
                    wall are pictured incidents of the chase, as well<lb TEIform="lb"/> as records
                    of their wars.</p>
                <p TEIform="p">It is natural, therefore, that on the banks of their<lb TEIform="lb"
                    /> mighty waterway the Egyptians should have erected<lb TEIform="lb"/> their
                    greatest monuments, and the progress of the<lb TEIform="lb"/> Roman armies may
                    still be traced by the ruins of their<lb TEIform="lb"/> fortified towns and
                    castles, which, from many a rocky<lb TEIform="lb"/> islet or crag, command the
                    river.</p>
                <p TEIform="p">In another chapter I will tell you more about the<lb TEIform="lb"/>
                    <pb TEIform="pb" id="p037" n="37"/>
                    <figure TEIform="figure" entity="KelPe_037" id="ill037"> </figure> monuments; at
                    present I wish to describe the Nile as it<lb TEIform="lb"/> appears to-day.</p>
                <p TEIform="p">Our first view of the river is obtained as we cross<lb TEIform="lb"/>
                    the Kasr-en-<name key="181797" type="place">Nil</name> bridge at <name
                        key="147649" type="place">Cairo</name> to join one of the many<lb
                        TEIform="lb"/> steamers by which visitors make the Nile trip, and<lb
                        TEIform="lb"/> one's first impression is one of great beauty, especially<lb
                        TEIform="lb"/> in the early morning. On the East Bank the old<lb
                        TEIform="lb"/> houses of Būlak rise from the water's edge, and continue<lb
                        TEIform="lb"/> in a series of old houses and places to the southern<lb
                        TEIform="lb"/> end of Rhoda Island, whose tall palms and cypress-trees<lb
                        TEIform="lb"/> rise above the silvery mist which still hangs upon the<lb
                        TEIform="lb"/> water. On the west the high mud-banks are crowned<lb
                        TEIform="lb"/> with palms and lebbek-trees as far as one can see.<lb
                        TEIform="lb"/> Below the bridge, their white sails gleaming in the<lb
                        TEIform="lb"/> early sun, hundreds of Nile boats are waiting in readiness<lb
                        TEIform="lb"/> for the time appointed for its opening. On both<lb
                        TEIform="lb"/> banks steady streams of people pass to and fro to fill<lb
                        TEIform="lb"/> their water-skins or jars, while children paddle in the<lb
                        TEIform="lb"/> stream or make mud-pies upon the bank as they will<lb
                        TEIform="lb"/> do all the world over.</p>
                <p TEIform="p">The water is very muddy and very smooth, and<lb TEIform="lb"/>
                    reflects every object to perfection; for these early<lb TEIform="lb"/> mornings
                    are almost invariably still, and the water is<lb TEIform="lb"/> unruffled by the
                    north wind, which, with curious<lb TEIform="lb"/> regularity, springs up before
                    midday.</p>
                <p TEIform="p">I have already spoken of the high lateen sail of the Nile<lb
                        TEIform="lb"/> boats, a form of sail which, though beautiful, has not<lb
                        TEIform="lb"/> been devised for <hi TEIform="hi" rend="italic"
                    >pictorial</hi> purposes. In every country<lb TEIform="lb"/> and in every sea
                    peculiarities of build and rig are displayed<lb TEIform="lb"/> in native
                    vessels. This is not the result of<lb TEIform="lb"/> whim or chance, but has
                    been evolved as the result<lb TEIform="lb"/>
                    <pb TEIform="pb" id="p038" n="38"/>
                    <figure TEIform="figure" entity="KelPe_038" id="ill038"> </figure> of long
                    experience of local requirements and conditions,<lb TEIform="lb"/> and in every
                    case I think it may be taken that the<lb TEIform="lb"/> native boat is the one
                    most suited to the conditions<lb TEIform="lb"/> under which it is employed. So
                    on the Nile these lofty<lb TEIform="lb"/> sails are designed to overtop the high
                    banks and buildings,<lb TEIform="lb"/> and so catch the breeze which would
                    otherwise be<lb TEIform="lb"/> intercepted. The build of the boats also is
                        peculiar;<lb TEIform="lb"/> they are very wide and flat bottomed, and the
                        rudders<lb TEIform="lb"/> are unusually large, so as to enable them to
                        turn<lb TEIform="lb"/> quickly in the narrow channels, which are often
                        tortuous.<lb TEIform="lb"/> The bow rises in a splendid curve high out of
                        the<lb TEIform="lb"/> water, and throws the spray clear of its low body,
                        for<lb TEIform="lb"/> the Egyptian loads his boat very heavily, and I
                        have<lb TEIform="lb"/> often seen them so deep in the water that a little
                    wall of<lb TEIform="lb"/> mud has been added to the gunwale so as to keep out<lb
                        TEIform="lb"/> the waves.</p>
                <p TEIform="p">These native boats are of several kinds, from the<lb TEIform="lb"/>
                    small “felucca,” or open boat used for ferry or pleasure<lb TEIform="lb"/>
                    purposes, to the large “giassa,” or cargo boat of the<lb TEIform="lb"/> river.
                    Some of these are very large, carrying two or<lb TEIform="lb"/> three enormous
                    sails, while their cargoes of coal or<lb TEIform="lb"/> goods of various kinds
                    are often as much as 150 tons;<lb TEIform="lb"/> yet they sail fast, and with a
                    good breeze there are few<lb TEIform="lb"/> steamers on the river which could
                    beat them.</p>
                <p TEIform="p">The navigation of the Nile is often difficult, especially<lb
                        TEIform="lb"/> when the river is falling, for each year it alters its<lb
                        TEIform="lb"/> course and new sand-banks are formed, and it is not<lb
                        TEIform="lb"/> always easy to decide which is the right channel to steer<lb
                        TEIform="lb"/> for. The watermen, however, are very expert, and<lb
                        TEIform="lb"/> can usually determine their course by the nature of the<lb
                        TEIform="lb"/> ripple on the water, which varies according to its depth.<lb
                        TEIform="lb"/>
                    <pb TEIform="pb" id="p039" n="39"/>
                    <figure TEIform="figure" entity="KelPe_039" id="ill039"> </figure> Frequently,
                    however, from accidents of light or other<lb TEIform="lb"/> causes, it is not
                    possible to gauge the river in this way,<lb TEIform="lb"/> so every boat is
                    provided with long sounding-poles<lb TEIform="lb"/> called “midra,” by means of
                    which men stationed at<lb TEIform="lb"/> either side of the bow feel their way
                    through the<lb TEIform="lb"/> difficult channels, calling out the depths of
                    water as they<lb TEIform="lb"/> go. In spite of these precautions, however,
                        steamers<lb TEIform="lb"/> and sailing boats alike often stick fast upon
                    some bank<lb TEIform="lb"/> which has, perhaps, been formed in a few hours by<lb
                        TEIform="lb"/> a sudden shift of the wind or slight diversion of the<lb
                        TEIform="lb"/> current, caused by the tumbling in of a portion of the<lb
                        TEIform="lb"/> bank a little higher up-stream. Many of these boats<lb
                        TEIform="lb"/> travel long distances, bringing cargoes of coal, cement,<lb
                        TEIform="lb"/> machinery, cotton goods, and hardware from the coast<lb
                        TEIform="lb"/> for distribution in the provinces of <name key="198457"
                        type="place">Upper Egypt</name>, and on<lb TEIform="lb"/> their return
                    voyage are laden with sugar-cane or corn,<lb TEIform="lb"/> and many other
                    articles of produce and native manufacture.<lb TEIform="lb"/> As night falls,
                    they usually moor alongside<lb TEIform="lb"/> the bank, when fires are lit, and
                    the crews prepare their<lb TEIform="lb"/> simple evening meal. The supply of
                    food, it may be<lb TEIform="lb"/> noticed, is usually kept in a bag, which is
                    slung from<lb TEIform="lb"/> the rigging, or a short post where all can see it
                    and no<lb TEIform="lb"/> one be able to take advantage of another by feeding<lb
                        TEIform="lb"/> surreptitiously.</p>
                <p TEIform="p">It is often a pretty sight when several of these boats<lb
                        TEIform="lb"/> are moored together, when, their day's work over, their<lb
                        TEIform="lb"/> crews will gather round the fires, and to the
                        accompaniment<lb TEIform="lb"/> of tambourine or drum sing songs or
                        recite<lb TEIform="lb"/> stories until it is time to sleep. No sleeping
                        accommodation<lb TEIform="lb"/> is provided, and all the hardy boatman
                        does<lb TEIform="lb"/> is to wrap his cloak about his head and lie among
                        what-ever<lb TEIform="lb"/>
                    <pb TEIform="pb" id="p040" n="40"/>
                    <figure TEIform="figure" entity="KelPe_040" id="ill040"> </figure> portion of
                    the cargo is least hard and offers most<lb TEIform="lb"/> protection from the
                    wind.</p>
                <p TEIform="p">The Nile banks themselves are interesting. In<lb TEIform="lb"/>
                    colour and texture rather like chocolate, they are cut<lb TEIform="lb"/> into
                    terraces by the different levels of the water, while<lb TEIform="lb"/> the
                    lapping of the waves is perpetually undermining<lb TEIform="lb"/> them, so that
                    huge slabs of the rich alluvial mud are<lb TEIform="lb"/> continually falling
                    away into the river. Each of these<lb TEIform="lb"/> terraces, as it emerges
                    from the receding water, is planted<lb TEIform="lb"/> with beans or melons by
                    the thrifty farmer, while the<lb TEIform="lb"/> sand-banks forming in the river
                    will presently also be<lb TEIform="lb"/> under cultivation, the natives claiming
                    them while still<lb TEIform="lb"/> covered with water, their claims being staked
                    by Indian-corn<lb TEIform="lb"/> stalks or palm-branches.</p>
                <p TEIform="p">Like the canal banks in the Delta, the Nile banks<lb TEIform="lb"/>
                    form the great highway for <name key="198457" type="place">Upper Egypt</name>,
                    and at all<lb TEIform="lb"/> times of the day one may see the people and
                        their<lb TEIform="lb"/> animals silhouetted against the sky as they pass to
                        and<lb TEIform="lb"/> fro between their villages. In the neighbourhood of<lb
                        TEIform="lb"/> large towns, or such villages as hold a weekly market,<lb
                        TEIform="lb"/> the banks are very animated, and for many miles are<lb
                        TEIform="lb"/> thronged with people from the surrounding district,<lb
                        TEIform="lb"/> some walking, others riding on camels, donkeys, or<lb
                        TEIform="lb"/> buffaloes, pressing towards the market to enjoy the<lb
                        TEIform="lb"/> show, or sell the many articles of produce with which<lb
                        TEIform="lb"/> they are laden.</p>
                <p TEIform="p">At the water's edge herds of buffaloes wallow in the<lb TEIform="lb"
                    /> river, tended by a little boy who stares stolidly at your<lb TEIform="lb"/>
                    steamer as it passes or, in great excitement, chases your<lb TEIform="lb"/>
                    vessel and vainly cries for “backshish.”<ref TEIform="ref" id="ref5.2"
                        rend="superscript" targOrder="U" target="n5.2">*</ref>
                    <note TEIform="note" anchored="yes" id="n5.2" place="foot" target="ref5.2"><hi
                            TEIform="hi" rend="superscript">*</hi>“A gift.”</note> At frequent<lb
                        TEIform="lb"/>
                    <pb TEIform="pb" id="p040a"/>
                    <figure TEIform="figure" entity="KelPe_040a" id="ill040a"> </figure>
                    <pb TEIform="pb" id="p040b"/>
                    <figure TEIform="figure" entity="KelPe_040b" id="ill040b">
                        <head TEIform="head">A WATERING PLACE. <hi TEIform="hi" rend="italic">Page
                                43</hi>.</head>
                    </figure>
                    <pb TEIform="pb" id="p041" n="41"/>
                    <figure TEIform="figure" entity="KelPe_041" id="ill041"> </figure> intervals are
                    the water-wheels and “shadūfs,” which<lb TEIform="lb"/> raise the water to the
                    level of the fields, and these are<lb TEIform="lb"/> such important adjuncts of
                    the farm that I must<lb TEIform="lb"/> describe them. The “shadūf” is one of the
                        oldest<lb TEIform="lb"/> and one of the simplest methods of raising water
                        in<lb TEIform="lb"/> existence. A long pole is balanced on a short beam<lb
                        TEIform="lb"/> supported by two columns of mud, about 4 or 5 feet<lb
                        TEIform="lb"/> high, erected at the end of the water channel to be
                        supplied;<lb TEIform="lb"/> 6 feet or more below it is the pool or basin
                        cut<lb TEIform="lb"/> in the river-bank, and which is kept supplied with
                        water<lb TEIform="lb"/> by a little channel from the river. One end of the
                        pole<lb TEIform="lb"/> is weighted by a big lump of mud; from the other<lb
                        TEIform="lb"/> a leather bucket is suspended by means of a rope of<lb
                        TEIform="lb"/> straw, or a second and lighter pole. In order to raise<lb
                        TEIform="lb"/> the water, the shadūf worker, bending his weight upon<lb
                        TEIform="lb"/> the rope, lowers the bucket into the basin below, which,<lb
                        TEIform="lb"/> when filled, is easily raised by the balancing weight,<lb
                        TEIform="lb"/> and is emptied into the channel above. As the river<lb
                        TEIform="lb"/> falls the basin can no longer be fed by the river, so a<lb
                        TEIform="lb"/> second “shadūf” is erected in order to keep the first<lb
                        TEIform="lb"/> supplied, and in low Nile it is quite a common sight to<lb
                        TEIform="lb"/> see four of these “shadūfs,” one above the other, employed<lb
                        TEIform="lb"/> in raising the water from the river-level to the<lb
                        TEIform="lb"/> high bank above. This work is, perhaps, the most<lb
                        TEIform="lb"/> arduous of any farm labour, and the workers are almost<lb
                        TEIform="lb"/> entirely naked as they toil in the sun, while a screen of<lb
                        TEIform="lb"/> cornstalks is often placed to protect them from the<lb
                        TEIform="lb"/> cold north wind. The water-wheels, or “sakia,” as<lb
                        TEIform="lb"/> they are called, are of two kinds, and both ingenious.<lb
                        TEIform="lb"/> Each consists of a large wheel placed horizontally, which<lb
                        TEIform="lb"/> is turned by one or more bullocks; the spokes of this<lb
                        TEIform="lb"/>
                    <pb TEIform="pb" id="p042" n="42"/>
                    <figure TEIform="figure" entity="KelPe_042" id="ill042"> </figure> wheel project
                    as cogs, so as to turn another wheel placed<lb TEIform="lb"/> below it at right
                    angles. When used in the fields, the<lb TEIform="lb"/> rim of this second wheel
                    is hollow and divided into<lb TEIform="lb"/> segments, each with a mouth or
                    opening. As the<lb TEIform="lb"/> wheel revolves its lower rim is submerged in
                    the well,<lb TEIform="lb"/> filling its segments with water, which, as they
                    reach the<lb TEIform="lb"/> top, empty their contents sideways into a trough,
                        which<lb TEIform="lb"/> carries the water to the little “genena,” or
                        watercourse,<lb TEIform="lb"/> which supplies the fields. Those used on the
                        river-bank,<lb TEIform="lb"/> however, are too far from the water for such
                        a<lb TEIform="lb"/> wheel to be of use, so in place of the hollow rim the<lb
                        TEIform="lb"/> second wheel also has cogs, on which revolves an endless<lb
                        TEIform="lb"/> chain of rope to which earthen pots are attached,<lb
                        TEIform="lb"/> and whose length may be altered to suit the varying<lb
                        TEIform="lb"/> levels of the river. Some of these “sakias” are very<lb
                        TEIform="lb"/> pretty, as they are nearly always shaded by trees of<lb
                        TEIform="lb"/> some kind as a protection to the oxen who work them.</p>
                <p TEIform="p">One of the prettiest incidents of all, however, is the<lb
                        TEIform="lb"/> village watering-place, where morning and evening the<lb
                        TEIform="lb"/> women and children of the town congregate to fill their<lb
                        TEIform="lb"/> water-pots, wash their clothing or utensils, and enjoy a<lb
                        TEIform="lb"/> chat. It is pretty to watch them as they come and go;<lb
                        TEIform="lb"/> often desperately poor, they wear their ragged,
                        dust-soiled<lb TEIform="lb"/> clothing with a queenly grace, for their
                        lifelong<lb TEIform="lb"/> habit of carrying burdens upon their heads, and
                        their<lb TEIform="lb"/> freedom from confining garments, have given them
                        a<lb TEIform="lb"/> carriage which women in this country might well envy.<lb
                        TEIform="lb"/> Though generally dark-skinned and toil-worn, many<lb
                        TEIform="lb"/> of the younger women are beautiful, while all have<lb
                        TEIform="lb"/> shapely and delicately-formed limbs, and eyes and teeth<lb
                        TEIform="lb"/> of great beauty. At the water's edge the children<lb
                        TEIform="lb"/>
                    <pb TEIform="pb" id="p043" n="43"/>
                    <figure TEIform="figure" entity="KelPe_043" id="ill043"> </figure> are engaged
                    in scrubbing cooking-pots and other<lb TEIform="lb"/> utensils, while their
                    elders are employed in washing<lb TEIform="lb"/> their clothing or domestic
                    linen, when, after perhaps<lb TEIform="lb"/> enjoying a bathe themselves, their
                    water-pots are filled,<lb TEIform="lb"/> and, struggling up the steep bank, they
                    disappear towards<lb TEIform="lb"/> the village. These water-pots, by the way,
                    are two-handled,<lb TEIform="lb"/> and pretty in shape, and are always
                        slightly<lb TEIform="lb"/> conical at the base, so that they are able to
                    stand on the<lb TEIform="lb"/> shelving river-banks without falling, and for the
                        same<lb TEIform="lb"/> reason are nearly always carried slightly sideways on
                        the<lb TEIform="lb"/> head. It is pretty to see the wonderful sense of
                        balance<lb TEIform="lb"/> these girls display in carrying their water-pots,
                        which<lb TEIform="lb"/> they seldom touch with their hand, and it is
                        surprising<lb TEIform="lb"/> also what great weights even young girls are
                    able to<lb TEIform="lb"/> support, for a “balass” filled with water is often a
                        load<lb TEIform="lb"/> too heavy for her to raise to her head without the<lb
                        TEIform="lb"/> assistance of another. Like all the poor, they are<lb
                        TEIform="lb"/> always obliging to each other, and I recently witnessed<lb
                        TEIform="lb"/> a pathetic sight at one of these village watering-places,<lb
                        TEIform="lb"/> when an old woman, too infirm to carry her “balass”<lb
                        TEIform="lb"/> herself, was with difficulty struggling down the bank<lb
                        TEIform="lb"/> and leading a blind man, who bore her burden for her.</p>
            </div1>
            <div1 TEIform="div1" n="6" org="uniform" part="N" sample="complete" type="chapter">
                <pb TEIform="pb" id="p044" n="44"/>
                <head TEIform="head">CHAPTER VI</head>
                <head TEIform="head" type="sub">THE NILE—II</head>
                <p TEIform="p">
                    <figure TEIform="figure" entity="KelPe_044" id="ill044"> </figure>
                </p>
                <p TEIform="p">T<hi TEIform="hi" rend="smallcaps">HE</hi> Nile varies considerably
                    in width, from a quarter<lb TEIform="lb"/> of a mile, as in the deep channel
                    before <name key="147649" type="place">Cairo</name>, to two<lb TEIform="lb"/>
                    miles or more higher up, where the wide space between<lb TEIform="lb"/> its high
                    banks, filled to the brim during high Nile, has<lb TEIform="lb"/> almost the
                    appearance of a sea; but as the river falls<lb TEIform="lb"/> it is studded with
                    islands, many of them of considerable<lb TEIform="lb"/> extent, and often under
                    permanent cultivation. The<lb TEIform="lb"/> navigable channel is close under
                    one bank or other,<lb TEIform="lb"/> though the shallow water which covers the
                        shoals<lb TEIform="lb"/> gives the river the appearance of being
                        considerably<lb TEIform="lb"/> larger than it really is. In character the
                        scenery<lb TEIform="lb"/> is generally placid, and the smooth water,
                        shimmering<lb TEIform="lb"/> under the warm sun which edges the
                        sand-banks<lb TEIform="lb"/> with a gleaming line of silver, is hardly
                        broken<lb TEIform="lb"/> by a ripple. I always think the river prettiest<lb
                        TEIform="lb"/> when the Nile is low and the sand-banks appear.<lb
                        TEIform="lb"/> In the shallows pelicans, ibis, heron, and stork are<lb
                        TEIform="lb"/> fishing together without interfering with each other,<lb
                        TEIform="lb"/> while large flights of wild-duck rise splashing from the<lb
                        TEIform="lb"/> stream. Eagles soar aloft, or, with the vultures, alight<lb
                        TEIform="lb"/> upon a sand-bank to dispute the possession of some<lb
                        TEIform="lb"/> carcass with the jackals and the foxes. Water wagtails<lb
                        TEIform="lb"/> flit along the shore, or in the most friendly manner<lb
                        TEIform="lb"/>
                    <pb TEIform="pb" id="p045" n="45"/>
                    <figure TEIform="figure" entity="KelPe_045" id="ill045"> </figure> board your
                    steamer to feed on the crumbs from your<lb TEIform="lb"/> tea-table, while large
                    numbers of gay-plumaged king-fishers<lb TEIform="lb"/> dart in and out from
                    their nests tunnelled far<lb TEIform="lb"/> into the precipitous face of the
                    river-bank.</p>
                <p TEIform="p">On either side are the eternal hills, beautiful under<lb TEIform="lb"
                    /> any effect of light.</p>
                <p TEIform="p">It is astonishing how infinitely varied the Nile<lb TEIform="lb"/>
                    scenery is according to the time of day. In the early<lb TEIform="lb"/> morning,
                    mists often hang upon the water, and the air<lb TEIform="lb"/> is bitterly cold,
                    for these sandy wastes which abut upon<lb TEIform="lb"/> the Nile retain little
                    heat by night. Above the cool<lb TEIform="lb"/> green of the banks the high
                    hills rise mysteriously<lb TEIform="lb"/> purple against the sunrise, or catch
                    the first gleam or<lb TEIform="lb"/> gold on their rugged bluffs.</p>
                <p TEIform="p">As the sun mounts higher a delicate pink tinge<lb TEIform="lb"/>
                    suffuses all, and the hanging mists are dispersed by the<lb TEIform="lb"/>
                    growing heat to form little flecks of white which float<lb TEIform="lb"/> in the
                    deep blue of the sky above you. Meanwhile<lb TEIform="lb"/> the life of the
                    river and the fields has recommenced,<lb TEIform="lb"/> and the banks again
                    become animated, and innumerable<lb TEIform="lb"/> Nile boats dot the surface of
                    the stream.</p>
                <p TEIform="p">At midday the landscape is enveloped in a white<lb TEIform="lb"/>
                    heat, while the bluffs and buttresses of the rocks cast<lb TEIform="lb"/> deep
                    purple shadows on the sweeping sand-drifts which<lb TEIform="lb"/> lie against
                    their base. It is a drowsy effect of silver<lb TEIform="lb"/> and grey, when
                    Nature seems asleep and man and beast<lb TEIform="lb"/> alike are inclined to
                    slumber.</p>
                <p TEIform="p">Towards evening, glorified by the warm lights, how<lb TEIform="lb"/>
                    rich in colour the scenery becomes! The western<lb TEIform="lb"/> banks, crowned
                    by dense masses of foliage, whose<lb TEIform="lb"/> green appears almost black
                    against the sunset, are reflected<lb TEIform="lb"/>
                    <pb TEIform="pb" id="p046" n="46"/>
                    <figure TEIform="figure" entity="KelPe_046" id="ill046"> </figure> in the water
                    below, its dark surface broken by<lb TEIform="lb"/> an occasional ripple and
                    little masses of foam which<lb TEIform="lb"/> have drifted down from the
                    cataract hundreds of miles<lb TEIform="lb"/> away. Beyond the belt of trees the
                    minarets of some<lb TEIform="lb"/> distant village are clear cut against the
                    sky, for the<lb TEIform="lb"/> air is so pure that distance seems to be
                        annihilated.<lb TEIform="lb"/> Looking east, the bold cliffs face the full
                    glory of the<lb TEIform="lb"/> sunset, and display a wonderful transformation
                        of<lb TEIform="lb"/> colour, as the white or biscuit-coloured rocks reflect
                        the<lb TEIform="lb"/> slowly changing colour of the light. They gradually<lb
                        TEIform="lb"/> become enveloped in a ruddy glow, in which the<lb
                        TEIform="lb"/> shadows of projections appear an aerial blue, and seem<lb
                        TEIform="lb"/> to melt imperceptibly into the glowing sky above<lb
                        TEIform="lb"/> them. Gradually a pearly shadow creeps along the<lb
                        TEIform="lb"/> base of the cliffs or covers the whole range, and one<lb
                        TEIform="lb"/> would suppose that the glory of the sunset was past.<lb
                        TEIform="lb"/> In about a quarter of an hour, however, commences<lb
                        TEIform="lb"/> the most beautiful transformation of all, and one which<lb
                        TEIform="lb"/> I think is peculiar to the Nile Valley, for a second<lb
                        TEIform="lb"/> glow, more beautiful and more ethereal than the first,<lb
                        TEIform="lb"/> overspreads the hills, which shine like things translucent<lb
                        TEIform="lb"/> against the purple earth-shadow which slowly mounts<lb
                        TEIform="lb"/> in the eastern sky. The sails of the boats on the river<lb
                        TEIform="lb"/> meanwhile have taken on a tint like old ivory, while<lb
                        TEIform="lb"/> perhaps a full moon appears above the hill-tops, and in<lb
                        TEIform="lb"/> twisting bars of silver is reflected in the gently moving<lb
                        TEIform="lb"/> water at your feet.</p>
                <p TEIform="p">The Nile is not always in so gentle a mood as this,<lb TEIform="lb"/>
                    however, for on most days a strong north wind<lb TEIform="lb"/> disturbs the
                    water, and changes the placid river into<lb TEIform="lb"/> one of sparkling
                    animation. The strong wind, meeting<lb TEIform="lb"/>
                    <pb TEIform="pb" id="p047" n="47"/>
                    <figure TEIform="figure" entity="KelPe_047" id="ill047"> </figure> the current
                    of the stream, breaks the water into waves<lb TEIform="lb"/> which are
                    foam-flecked and dash against the muddy<lb TEIform="lb"/> cliffs and sand-banks,
                    while the quickly sailing boats<lb TEIform="lb"/> bend to the wind, and from
                    their bluff and brightly-painted<lb TEIform="lb"/> bows toss the sprays high
                    into the air, or turn<lb TEIform="lb"/> the water from their sides in a creamy
                    cataract. The<lb TEIform="lb"/> sky also is flecked with rounded little
                        wind-clouds,<lb TEIform="lb"/> whose undersides are alternately grey or
                    orange as<lb TEIform="lb"/> they pass over the cultivated land or desert rock,
                        whose<lb TEIform="lb"/> colour they partially reflect. The colour of the
                        water<lb TEIform="lb"/> also becomes very varied, for the turn of each
                        wave<lb TEIform="lb"/> reflects something of the blue sky above, and the
                        sun<lb TEIform="lb"/> shines orange through the muddy water as it curls,<lb
                        TEIform="lb"/> while further variety of tint is given by the passing<lb
                        TEIform="lb"/> cloud-shadows and the intense blueness of the smoother<lb
                        TEIform="lb"/> patches which lie upon the partially covered sand-spits.<lb
                        TEIform="lb"/> This always forms a gay scene, for the river is crowded<lb
                        TEIform="lb"/> with vessels which sail quickly, and take every advantage<lb
                        TEIform="lb"/> of the favourable wind. Sometimes the north<lb TEIform="lb"/>
                    wind becomes dangerous in its energy, and wrecks are<lb TEIform="lb"/> not
                    infrequent, while from the south-west, at certain<lb TEIform="lb"/> periods of
                    the year, comes the hot “khamsīn” wind,<lb TEIform="lb"/> which, lashing the
                    water into fury, and filling the air with<lb TEIform="lb"/> dust, renders
                    navigation almost impossible.</p>
                <p TEIform="p">Some of the cargoes carried by these Nile boats are<lb TEIform="lb"/>
                    worth describing, and large numbers are employed in<lb TEIform="lb"/> carrying
                    “tibbin” from the farms to the larger towns.<lb TEIform="lb"/> “Tibbin” is the
                    chopped straw upon which horses and<lb TEIform="lb"/> cattle in the towns are
                    mainly fed, and it is loaded on<lb TEIform="lb"/> to the boats in a huge
                    pyramidical pile carried upon<lb TEIform="lb"/> planks which considerably
                    overhang the boat's sides.<lb TEIform="lb"/>
                    <pb TEIform="pb" id="p048" n="48"/>
                    <figure TEIform="figure" entity="KelPe_048" id="ill048"> </figure> The steersman
                    is placed upon the top of this stack, and<lb TEIform="lb"/> is enabled to guide
                    his vessel by a long pole lashed to<lb TEIform="lb"/> the tiller, and it is
                    curious to notice that the “tibbin,”<lb TEIform="lb"/> though finely chopped,
                    does not appear to blow away.</p>
                <p TEIform="p">In a somewhat similar manner the immense quantity<lb TEIform="lb"/>
                    of balass and other water-pots, which are manufactured<lb TEIform="lb"/> at
                    Girgeh, <name key="193455" type="place">Sohag</name>, and other places on the
                    Upper Nile,<lb TEIform="lb"/> are transported down-stream. In this case,
                        however,<lb TEIform="lb"/> large beams of wood are laid across the boats,
                    which are<lb TEIform="lb"/> often loaded in couples lashed together, and from
                        which<lb TEIform="lb"/> are slung nets upon which the water-pots are piled
                        to<lb TEIform="lb"/> the height of 10 or 12 feet, and one may often meet<lb
                        TEIform="lb"/> long processions of these boats slowly drifting down<lb
                        TEIform="lb"/> stream to <name key="142950" type="place">Assiut</name> or
                        <name key="147649" type="place">Cairo</name>.</p>
                <p TEIform="p">Another frequent cargo is sugar-cane, perhaps the<lb TEIform="lb"/>
                    greatest industry of the upper river, and at <name key="174467" type="place"
                        >Manfalut</name>,<lb TEIform="lb"/> Rhoda, Magaga, and many other places
                    large sugar<lb TEIform="lb"/> factories have sprung into existence of late
                    years. The<lb TEIform="lb"/> trade is a very profitable one for Egypt, but,
                        unfortunately,<lb TEIform="lb"/> their tall chimneys and ugly factories,<lb
                        TEIform="lb"/> which are always built close to the Nile bank, are doing<lb
                        TEIform="lb"/> much to spoil the beauties of the river, and, worst of<lb
                        TEIform="lb"/> all, noisy little steam tugs and huge iron barges are<lb
                        TEIform="lb"/> yearly becoming more numerous.</p>
                <p TEIform="p">Though, as we have seen, crocodiles have long ago<lb TEIform="lb"/>
                    left the Lower Nile, the river abounds in fish, and from<lb TEIform="lb"/> the
                    terraces of its banks one may constantly see fishermen<lb TEIform="lb"/>
                    throwing their hand-nets, while in the shallows and<lb TEIform="lb"/> backwaters
                    of the river, drag-nets are frequently employed.<lb TEIform="lb"/> I recently
                    watched the operation, which I will<lb TEIform="lb"/> describe. Beginning at the
                    lower end of the reach,<lb TEIform="lb"/>
                    <pb TEIform="pb" id="p048a"/>
                    <figure TEIform="figure" entity="KelPe_048a" id="ill048a">
                        <head TEIform="head"><name key="156499" type="place">FIRST CATARACT</name>
                            FROM <name key="150786" type="place">ELEPHANTINE ISLAND</name>. <hi
                                TEIform="hi" rend="italic">page 53</hi>.</head>
                    </figure>
                    <pb TEIform="pb" id="p048b"/>
                    <figure TEIform="figure" entity="KelPe_048b" id="ill048b"> </figure>
                    <pb TEIform="pb" id="p049" n="49"/>
                    <figure TEIform="figure" entity="KelPe_049" id="ill049"> </figure> seven men
                    were employed in working the net, three at<lb TEIform="lb"/> either end to haul
                    it, while another, wading in the<lb TEIform="lb"/> middle, supported it at the
                    centre. Meanwhile two<lb TEIform="lb"/> of their party had run far up the banks,
                    one on either<lb TEIform="lb"/> side, and then, entering the water, slowly
                        descended<lb TEIform="lb"/> towards the nets, shouting and beating the water
                        with<lb TEIform="lb"/> sticks, thus driving the fish towards the nets.
                        Usually<lb TEIform="lb"/> the fish so caught are small, or of only moderate
                        size,<lb TEIform="lb"/> though I have frequently seen exposed for sale in
                        the<lb TEIform="lb"/> markets fish weighing upwards of 300 pounds and<lb
                        TEIform="lb"/> 6 feet or more in length.</p>
                <p TEIform="p">The Nile Valley is comparatively wide for a considerable<lb
                        TEIform="lb"/> distance above <name key="147649" type="place">Cairo</name>,
                    and while the hills which<lb TEIform="lb"/> fringe the Lybian desert are
                    generally in view in the<lb TEIform="lb"/> distance, those on the eastern side
                    gradually close in<lb TEIform="lb"/> upon the river as we ascend, and in many
                    places, such<lb TEIform="lb"/> as Gibel Kasr-es-Saad, or “the castle of the
                        hunter,”<lb TEIform="lb"/> Feshun, or Gibel Abou Fedr, rise almost
                        perpendicularly<lb TEIform="lb"/> from the river to the height of 1,000 feet
                        or<lb TEIform="lb"/> more, and although considerable areas of cultivated
                        land<lb TEIform="lb"/> are to be found at intervals on the eastern side,
                        practically<lb TEIform="lb"/> all the agricultural land of <name
                        key="198457" type="place">Upper Egypt</name> lies on the<lb TEIform="lb"/>
                    western bank of the river.</p>
                <p TEIform="p">The rock of which the hills are formed is limestone,<lb TEIform="lb"
                    /> and it is a very dazzling sight as you pass some of these<lb TEIform="lb"/>
                    precipitous cliffs in the brilliant sunshine, especially<lb TEIform="lb"/> where
                    the quarrymen are working and the sunburnt<lb TEIform="lb"/> outside has been
                    removed, exposing the pure whiteness<lb TEIform="lb"/> of the stone.</p>
                <p TEIform="p">Along the narrow bank of shingle at the foot of the<lb TEIform="lb"/>
                    cliffs flocks of dark-coated sheep and goats wander<lb TEIform="lb"/>
                    <pb TEIform="pb" id="p050" n="50"/>
                    <figure TEIform="figure" entity="KelPe_050" id="ill050"> </figure> in search of
                    such scant herbage as may be found along<lb TEIform="lb"/> the water's edge, and
                    many native boats lie along the<lb TEIform="lb"/> banks loading the stone
                    extracted by the quarrymen,<lb TEIform="lb"/> who look like flies on the face of
                    the rock high above<lb TEIform="lb"/> you. Enormous quantities of stone are
                    required for<lb TEIform="lb"/> the building of the various dams and locks on the
                        river,<lb TEIform="lb"/> as well as for the making of embankments and
                        “spurs.”<lb TEIform="lb"/> These “spurs” are little embankments which
                        project<lb TEIform="lb"/> into the river at a slight angle pointing
                        down-stream,<lb TEIform="lb"/> and are made in order to turn the direction
                    of the<lb TEIform="lb"/> current towards the middle of the river, and so
                        protect<lb TEIform="lb"/> the banks from the scour of the water; for each
                        year<lb TEIform="lb"/> a portion of the banks is lost, and in many places
                        large<lb TEIform="lb"/> numbers of palm-trees and dwellings are swept
                        away,<lb TEIform="lb"/> for the native seems incapable of learning how
                    unwise it<lb TEIform="lb"/> is to build at the water's edge. Sometimes whole
                        fields<lb TEIform="lb"/> are washed away by the flood, and the soil,
                        carried<lb TEIform="lb"/> down-stream, forms a new island, or is perhaps
                        deposited<lb TEIform="lb"/> on the opposite side of the river many miles
                        below.<lb TEIform="lb"/> When this occurs, the new land so formed is held to
                        be<lb TEIform="lb"/> the property of the farmer or landowner who has<lb
                        TEIform="lb"/> suffered loss.</p>
                <p TEIform="p">These changes of the river-banks are often rapid.<lb TEIform="lb"/>
                    One year vessels may discharge their passengers or<lb TEIform="lb"/> cargoes
                    upon the bank whereon some town or village is<lb TEIform="lb"/> built, and which
                    the following year may be separated<lb TEIform="lb"/> from the river by fields
                    many acres in extent; and each<lb TEIform="lb"/> year in going up the Nile one
                    may notice striking<lb TEIform="lb"/> changes in this way.</p>
                <p TEIform="p">As the Nile winds in its course the rocky hills on<lb TEIform="lb"/>
                    either side alternately approach close to the river,<lb TEIform="lb"/>
                    <pb TEIform="pb" id="p051" n="51"/>
                    <figure TEIform="figure" entity="KelPe_051" id="ill051"> </figure> revealing a
                    succession of rock-hewn tombs or ancient<lb TEIform="lb"/> monasteries, or
                    recede far into the distance, half<lb TEIform="lb"/> hidden in the vegetation of
                    the arable land; but, speaking<lb TEIform="lb"/> generally, the river flows
                    principally on the eastern side<lb TEIform="lb"/> of the valley, while all the
                    large towns, such as <name key="199114" type="place">Wasta</name>,<lb
                        TEIform="lb"/> Minyeh, <name key="142950" type="place">Assiut</name>, or
                    Girgeh are built upon the western<lb TEIform="lb"/> bank, where the largest area
                    of fertility is situated.</p>
                <p TEIform="p">As we ascend the river the vegetation slowly changes;<lb TEIform="lb"
                    /> cotton and wheat, so freely grown in the Delta, give<lb TEIform="lb"/> place
                    to sugar-cane and Indian corn, and the feathery<lb TEIform="lb"/> foliage of the
                    sunt and mimosa trees is more in evidence<lb TEIform="lb"/> than the more richly
                    clad lebbek or sycamore. In<lb TEIform="lb"/> many places are fields of the
                    large-leaved castor-oil<lb TEIform="lb"/> plants, whose crimson flower contrasts
                    with the delicately<lb TEIform="lb"/> tinted blossoms of the poppies which, for
                    the sake of<lb TEIform="lb"/> their opium, are grown upon the shelving banks.
                        The<lb TEIform="lb"/> dôm palm also is a new growth, and denotes our<lb
                        TEIform="lb"/> approach to tropical regions, while the type and<lb
                        TEIform="lb"/> costume of the people have undergone a change, for they<lb
                        TEIform="lb"/> are darker and broader in feature than the people of<lb
                        TEIform="lb"/>
                    <name key="172871" type="place">Lower Egypt</name>, and the prevailing colour of
                    their clothing<lb TEIform="lb"/> is a dark brown, the natural colour of their
                    sheep, from<lb TEIform="lb"/> whose wool their heavy homespun cloth is made.</p>
                <p TEIform="p">The limestone hills which have been our companions<lb TEIform="lb"/>
                    since leaving <name key="147649" type="place">Cairo</name> also disappear, and a
                        little<lb TEIform="lb"/> way above <name key="172946" type="place"
                    >Luxor</name> low hills of sandstone closely confine<lb TEIform="lb"/> the river
                    in a very narrow channel. This is the Gibel<lb TEIform="lb"/> Silsileh, which
                    from the earliest times has supplied the<lb TEIform="lb"/> stone of which the
                    temples are built. These celebrated<lb TEIform="lb"/> quarries produce the
                    finest stone in the country, and<lb TEIform="lb"/> have always been worked in
                    the most scientific and<lb TEIform="lb"/>
                    <pb TEIform="pb" id="p052" n="52"/>
                    <figure TEIform="figure" entity="KelPe_052" id="ill052"> </figure> methodical
                    manner, deep cuttings following the veins<lb TEIform="lb"/> of good stone which
                    only was extracted, while the river<lb TEIform="lb"/> front has remained
                    practically untouched—a contrast<lb TEIform="lb"/> to the modern method of
                    quarrying, where the most<lb TEIform="lb"/> striking bluffs upon the Nile are
                    being recklessly<lb TEIform="lb"/> blown away, causing an enormous waste of
                    material as<lb TEIform="lb"/> well as seriously affecting the beauty of the
                    scenery.</p>
            </div1>
            <div1 TEIform="div1" n="7" org="uniform" part="N" sample="complete" type="chapter">
                <pb TEIform="pb" id="p053" n="53"/>
                <head TEIform="head">CHAPTER VII</head>
                <head TEIform="head" type="sub">THE NILE—III</head>
                <p TEIform="p">
                    <figure TEIform="figure" entity="KelPe_053" id="ill053"> </figure>
                </p>
                <p TEIform="p">A<hi TEIform="hi" rend="smallcaps">FTER</hi> a river journey of 583
                    miles from <name key="147649" type="place">Cairo</name>,<lb TEIform="lb"/>
                    <name key="142958" type="place">Assuan</name> is reached—limit of Egypt proper
                    and the<lb TEIform="lb"/> beginning of an entirely new phase of Nile scenery.<lb
                        TEIform="lb"/> Cultivation in any large sense has been left behind, and<lb
                        TEIform="lb"/> we are now in <name key="182035" type="place">Nubia</name>, a
                    land of rock and sand, sparsely<lb TEIform="lb"/> inhabited, and, excepting in
                    very small patches along<lb TEIform="lb"/> the water's edge, producing no crops.</p>
                <p TEIform="p">Built at the northern end of what is called the first<lb TEIform="lb"
                    /> cataract, <name key="142958" type="place">Assuan</name> is perhaps the most
                    interesting and<lb TEIform="lb"/> prettily-situated town in <name key="198457"
                        type="place">Upper Egypt</name>. Facing the<lb TEIform="lb"/>
                    <name key="158476" type="place">green island</name> of Elephantine and the
                    golden sand-drifts<lb TEIform="lb"/> which cover the low range of hills across
                    the river,<lb TEIform="lb"/>
                    <name key="142958" type="place">Assuan</name> stretches along the river-bank,
                    its white buildings<lb TEIform="lb"/> partly screened by the avenue of palms and
                        lebbek-trees<lb TEIform="lb"/> which shade its principal street, while to
                    the north<lb TEIform="lb"/> are dense groves of date-palms, past which the
                        Nile<lb TEIform="lb"/> sweeps in a splendid curve and is lost to sight
                        among<lb TEIform="lb"/> the hills. Behind, beyond its open-air markets and
                        the<lb TEIform="lb"/> picturesque camp of the Besharīn, the desert
                        stretches<lb TEIform="lb"/> unbroken to the shores of the <name key="132101"
                        type="place">Red Sea</name>.</p>
                <p TEIform="p">The bazaars of <name key="142958" type="place">Assuan</name> are
                    extremely picturesque,<lb TEIform="lb"/> and are covered almost throughout their
                    length; the<lb TEIform="lb"/> lanes which constitute them are narrow and
                        winding,<lb TEIform="lb"/>
                    <pb TEIform="pb" id="p054" n="54"/>
                    <figure TEIform="figure" entity="KelPe_054" id="ill054"> </figure> forming
                    enticing vistas whose distances are emphasized<lb TEIform="lb"/> by the
                    occasional glints of sunlight which break in<lb TEIform="lb"/> upon their
                    generally subdued light. In the shops are<lb TEIform="lb"/> exposed for sale all
                    those various goods and commodities<lb TEIform="lb"/> which native life demands;
                    but visitors are<lb TEIform="lb"/> mostly attracted by the stalls of the curio
                    sellers, who<lb TEIform="lb"/> display a strange medley of coloured beads and
                        baskets,<lb TEIform="lb"/> rich embroideries, stuffed animals, and large
                        quantities<lb TEIform="lb"/> of arms and armour, so-called trophies of the
                    wars in<lb TEIform="lb"/> the Sūdan. Though most of these relics are
                        spurious,<lb TEIform="lb"/> genuine helmets and coats of mail of old Persian
                        and<lb TEIform="lb"/> Saracenic times may occasionally be found, while
                        large<lb TEIform="lb"/> numbers of spears and swords are undoubtedly of<lb
                        TEIform="lb"/> Dervish manufacture.</p>
                <p TEIform="p">For most Englishmen <name key="142958" type="place">Assuan</name> has
                    also a tragic<lb TEIform="lb"/> interest in its association with the expedition
                    for the<lb TEIform="lb"/> relief of General Gordon, and the subsequent
                        Mahdist<lb TEIform="lb"/> wars, when regiment after regiment of British
                        soldiers<lb TEIform="lb"/> passed through her streets on their way towards
                        those<lb TEIform="lb"/> burning deserts from which so many of them were
                        destined<lb TEIform="lb"/> never to return. Those were exciting, if
                        anxious,<lb TEIform="lb"/> days for <name key="142958" type="place"
                    >Assuan</name>, and many visitors will remember how,<lb TEIform="lb"/> some
                    years ago, the presence of Dervish horsemen in<lb TEIform="lb"/> its immediate
                    vicinity rendered it unsafe for them to<lb TEIform="lb"/> venture outside the
                    town. Those days are happily over,<lb TEIform="lb"/> and there is now little use
                    for the Egyptian forts which<lb TEIform="lb"/> to the south and east guarded the
                    little frontier town.</p>
                <p TEIform="p">From a ruined Roman fort which crowns a low hill<lb TEIform="lb"/> at
                    the south end of the town we have our first view of<lb TEIform="lb"/> the
                    cataract, and the sudden change in the character<lb TEIform="lb"/> of the
                    scenery is remarkable.</p>
                <pb TEIform="pb" id="p055" n="55"/>
                <p TEIform="p">
                    <figure TEIform="figure" entity="KelPe_055" id="ill055"> </figure>
                </p>
                <p TEIform="p">In place of the broad fields and mountains to which<lb TEIform="lb"/>
                    we have been accustomed, the river here flows in a<lb TEIform="lb"/> basin
                    formed by low, precipitous hills, and is broken by<lb TEIform="lb"/> innumerable
                    rocky islets on different levels, which form<lb TEIform="lb"/> the series of
                    rapids and little cascades which give the<lb TEIform="lb"/> cataract its name.
                    These little islets are formed by a<lb TEIform="lb"/> collection of boulders of
                    red granite filled in with silt,<lb TEIform="lb"/> and have a very strange
                    effect, for the boulders are<lb TEIform="lb"/> rounded by the action of the
                    water, which, combined<lb TEIform="lb"/> with the effect of the hot sun, has
                    caused the red stone<lb TEIform="lb"/> to become coated with a hard skin, black
                    and smooth to<lb TEIform="lb"/> touch, just as though they had been
                    black-leaded.</p>
                <p TEIform="p">Many of the islets are simply rocks of curious shapes<lb TEIform="lb"
                    /> which jut out of the water; others are large enough to<lb TEIform="lb"/> be
                    partially cultivated, and their little patches of green<lb TEIform="lb"/> are
                    peculiarly vivid in contrast with the rock and sand<lb TEIform="lb"/> which form
                    their setting.</p>
                <p TEIform="p">The scenery is wildly fantastic, for while the rocks<lb TEIform="lb"
                    /> which form the western bank are almost entirely covered<lb TEIform="lb"/> by
                    the golden sand-drifts which pour over them, smooth<lb TEIform="lb"/> as satin,
                    to the water's edge, those on the east are sunbaked<lb TEIform="lb"/> and
                    forbidding, a huge agglomeration of boulders<lb TEIform="lb"/> piled one upon
                    the other and partially covered by shingle,<lb TEIform="lb"/> which crackle
                    under foot like clinkers; between are the<lb TEIform="lb"/> islands, many
                    crowned by a hut or pigeon-cote, and<lb TEIform="lb"/> with their greenery often
                    perfectly reflected in the<lb TEIform="lb"/> rapidly flowing water.</p>
                <p TEIform="p">Though navigation here is difficult, and a strong<lb TEIform="lb"/>
                    breeze is necessary to enable vessels to ascend the river,<lb TEIform="lb"/>
                    boat sailing is a popular feature of European life in<lb TEIform="lb"/>
                    <name key="142958" type="place">Assuan</name>, a special kind of sailing-boat
                    being kept for<lb TEIform="lb"/>
                    <pb TEIform="pb" id="p056" n="56"/>
                    <figure TEIform="figure" entity="KelPe_056" id="ill056"> </figure> visitors, who
                    organize regattas and enjoy many a<lb TEIform="lb"/> pleasant picnic beneath the
                    shade of the dôm palms or<lb TEIform="lb"/> mimosa-trees which grow among the
                    rocks.</p>
                <p TEIform="p">In the old days the great excursion from <name key="142958"
                        type="place">Assuan</name> was<lb TEIform="lb"/> by water to the “Great
                    Gate,” as the principal rapid<lb TEIform="lb"/> was called, often a difficult
                    matter to accomplish. Today<lb TEIform="lb"/> the great dam has replaced it as
                    the object of a sail.</p>
                <p TEIform="p">This is the greatest engineering work of the kind<lb TEIform="lb"/>
                    ever constructed, and spans the Nile Valley at the head<lb TEIform="lb"/> of the
                    cataract basin. It is a mile and a quarter in<lb TEIform="lb"/> length, and the
                    river, which is raised in level about<lb TEIform="lb"/> 66 feet, pours through a
                    great number of sluice-gates<lb TEIform="lb"/> which are opened or shut
                    according to the season of the<lb TEIform="lb"/> year and the necessities of
                    irrigation or navigation.</p>
                <p TEIform="p">Behind, the steep valley is filled, and forms a huge<lb TEIform="lb"
                    /> lake extending eighty miles to the south, and many<lb TEIform="lb"/> pretty
                    villages have been submerged, while of the date-groves<lb TEIform="lb"/> which
                    surrounded them the crests of the higher<lb TEIform="lb"/> trees alone appear
                    above water. The <name key="158476" type="place">green island</name> of<lb
                        TEIform="lb"/>
                    <name key="182540" type="place">Philae</name> also is engulfed, and of the
                    beautiful temple of<lb TEIform="lb"/> Isis built upon it only the upper portion
                    is visible.</p>
                <p TEIform="p">Below the dam activity of many kinds characterizes<lb TEIform="lb"/>
                    the Nile, as does the sound of rushing water the Cataract<lb TEIform="lb"/>
                    basin. Above, silence reigns, for the huge volume of<lb TEIform="lb"/> stored
                    water lies inert between its rugged banks.</p>
                <p TEIform="p">One's first thought is one of sadness, for everywhere<lb TEIform="lb"
                    /> the tree-tops, often barely showing above water, seem to<lb TEIform="lb"/>
                    mourn the little villages and graveyards which lie<lb TEIform="lb"/> below, and
                    as yet no fresh verdure has appeared to give<lb TEIform="lb"/> the banks the
                    life and beauty they formerly had.</p>
                <p TEIform="p">As at the cataract, here also the hills are simply<lb TEIform="lb"/>
                    <pb TEIform="pb" id="p056a"/>
                    <figure TEIform="figure" entity="KelPe_056a" id="ill056a"> </figure>
                    <pb TEIform="pb" id="p056b"/>
                    <figure TEIform="figure" entity="KelPe_056b" id="ill056b">
                        <head TEIform="head">THE <name key="158425" type="place">PYRAMIDS OF GIZEH</name> FROM THE DESERT.
                                <hi TEIform="hi" rend="italic">Page 61</hi>.</head>
                    </figure>
                    <pb TEIform="pb" id="p057" n="57"/>
                    <figure TEIform="figure" entity="KelPe_057" id="ill057"> </figure> jumbled heaps
                    of granite boulders, fantastically piled<lb TEIform="lb"/> one upon the other,
                    barren and naked, and without any<lb TEIform="lb"/> vegetable growth to soften
                    their forbidding wildness.</p>
                <p TEIform="p">On many rocky islands are the ruined mud buildings<lb TEIform="lb"/>
                    of the Romans, and more than one village, once<lb TEIform="lb"/> populous, lies
                    deserted and abandoned upon some<lb TEIform="lb"/> promontory which is now
                    surrounded by the flood.</p>
                <p TEIform="p">Though a general sense of mournfulness pervades it,<lb TEIform="lb"/>
                    the scenery has much variety and beauty, nor have all<lb TEIform="lb"/> the
                    villages been destroyed; many had already been<lb TEIform="lb"/> built far above
                    the present water-level, while others<lb TEIform="lb"/> have sprung up to take
                    the place of those submerged.<lb TEIform="lb"/> These again present new features
                    to the traveller, for,<lb TEIform="lb"/> unlike many we have seen below the
                    cataract, these<lb TEIform="lb"/> Nubian dwellings are well built, the mud walls
                        being<lb TEIform="lb"/> neatly smoothed and often painted. The roofs are<lb
                        TEIform="lb"/> peculiar, being in the form of well-constructed
                        semicircular<lb TEIform="lb"/> arches, all of mud, and in many cases the
                        tops<lb TEIform="lb"/> of the outside walls are adorned by a kind of
                        balustrade<lb TEIform="lb"/> of open brickwork.</p>
                <p TEIform="p">Half hidden among the rocks the native house has<lb TEIform="lb"/>
                    often the appearance of some temple pylon, and seems<lb TEIform="lb"/> to fit
                    the landscape in a peculiar way, for no form of<lb TEIform="lb"/> building
                    harmonizes so well with the Egyptian scenery<lb TEIform="lb"/> as the temple.
                    Whether or not the native unconsciously<lb TEIform="lb"/> copies the ancient
                    structure I cannot say, but<lb TEIform="lb"/> anyone visiting Egypt must often
                    be struck by the<lb TEIform="lb"/> resemblance, particularly when, as is often
                    the case, the<lb TEIform="lb"/> little house is surmounted by pigeon-cotes,
                    which in<lb TEIform="lb"/> form are so like the temple towers.</p>
                <p TEIform="p">Like their homes, the inhabitants of <name key="182035" type="place"
                        >Nubia</name> also differ<lb TEIform="lb"/>
                    <pb TEIform="pb" id="p058" n="58"/>
                    <figure TEIform="figure" entity="KelPe_058" id="ill058"> </figure> from those of
                    Egypt proper, for they are Berbers and<lb TEIform="lb"/> more of the Arab type,
                    handsome, and with regular<lb TEIform="lb"/> features and ruddy in complexion,
                    while many of the<lb TEIform="lb"/> small children, who, excepting for a few
                    strings of beads,<lb TEIform="lb"/> run about naked, are extremely beautiful.
                    There is<lb TEIform="lb"/> one curious fact about these villages which no one<lb
                        TEIform="lb"/> could fail to notice, for while there are always plenty of<lb
                        TEIform="lb"/> women and children to be seen, there are no <hi TEIform="hi"
                        rend="italic">men</hi>, and<lb TEIform="lb"/> though practically there is no
                    cultivation, food appears<lb TEIform="lb"/> to be abundant!</p>
                <p TEIform="p">The reason is that these people are so nice in<lb TEIform="lb"/>
                    character and generally so trustworthy, that the men<lb TEIform="lb"/> are all
                    employed in <name key="147649" type="place">Cairo</name> and elsewhere as
                        domestic<lb TEIform="lb"/> servants, or “syces,”<ref TEIform="ref"
                        id="ref7.1" rend="superscript" targOrder="U" target="n7.1">*</ref>
                    <note TEIform="note" anchored="yes" id="n7.1" place="foot" target="ref7.1"><hi
                            TEIform="hi" rend="superscript">*</hi>Grooms.</note> and though they
                    themselves may<lb TEIform="lb"/> not see their homes for years, their wages are
                        good,<lb TEIform="lb"/> and so they are able to send food and clothing in<lb
                        TEIform="lb"/> plenty to their families.</p>
                <p TEIform="p">As we ascend the river and approach the limit of the<lb TEIform="lb"
                    /> stored water, the banks again become fertile, for here<lb TEIform="lb"/> the
                    water is simply maintained at flood-level, and has<lb TEIform="lb"/> not had the
                    same disastrous effect as lower down the<lb TEIform="lb"/> valley. Here the
                    scenery is very striking; bold rocks<lb TEIform="lb"/> jut out from the
                    beautiful golden sand-drifts which<lb TEIform="lb"/> often pour into the river
                    itself, or in sharp contrast<lb TEIform="lb"/> terminate in the brilliant line
                    of green which fringes<lb TEIform="lb"/> the banks. All around, their ruggedness
                    softened in<lb TEIform="lb"/> the warm light, are the curious, conical mountains
                        of<lb TEIform="lb"/>
                    <name key="182035" type="place">Nubia</name>, and on the eastern side large
                    groves of palms,<lb TEIform="lb"/> green fields, and water-wheels make up as
                    pretty a<lb TEIform="lb"/> scene as any in Egypt; presently, no doubt,
                        cultivation<lb TEIform="lb"/>
                    <pb TEIform="pb" id="p059" n="59"/>
                    <figure TEIform="figure" entity="KelPe_059" id="ill059"> </figure> will again
                    appear on the barren margins of the lake<lb TEIform="lb"/> above the dam and
                    restore to it the touch of beauty it<lb TEIform="lb"/> formerly had.</p>
                <p TEIform="p">It is intended still further to raise the dam, and the<lb
                        TEIform="lb"/> higher level of water then maintained will not only
                        entirely<lb TEIform="lb"/> submerge <name key="182540" type="place"
                    >Philae</name>, but practically all the villages now<lb TEIform="lb"/> existing
                    on its banks, as well as partially inundating<lb TEIform="lb"/> many interesting
                    temples of Roman origin. It seems a<lb TEIform="lb"/> pity that so beautiful a
                    temple as <name key="182540" type="place">Philae</name> should be lost,<lb
                        TEIform="lb"/> and one feels sorry that the villages and palm-groves of<lb
                        TEIform="lb"/>
                    <name key="182035" type="place">Nubia</name> should be destroyed, but necessity
                    knows no<lb TEIform="lb"/> law, and each year water is required in greater
                        quantities,<lb TEIform="lb"/> as the area of cultivation below extends,
                    while the<lb TEIform="lb"/> villagers are amply compensated by the Government
                        for<lb TEIform="lb"/> their loss.</p>
                <p TEIform="p">It is interesting to stand upon the dam and see the<lb TEIform="lb"/>
                    pent-up water pour through the sluices to form huge<lb TEIform="lb"/> domes of
                    hissing water which toss their sprays high into<lb TEIform="lb"/> the air, and
                    whose roar may be heard many miles away,<lb TEIform="lb"/> while on the rocky
                    islands down-stream numbers of<lb TEIform="lb"/> natives are watching the
                    rushing stream, ready to dive<lb TEIform="lb"/> in and secure the numbers of
                    fish of various sizes which<lb TEIform="lb"/> are drawn through the sluice-gates
                    and are stunned or<lb TEIform="lb"/> killed under the great pressure of water.</p>
                <p TEIform="p">There are many other interests in <name key="142958" type="place"
                        >Assuan</name>, which is<lb TEIform="lb"/> a delightful place to visit. The
                    desert rides, the ancient<lb TEIform="lb"/> quarries where the temple obelisks
                    were hewn, the<lb TEIform="lb"/> camp of the beautiful Besharīn, and the weirdly
                        pictorial<lb TEIform="lb"/> Cufic cemetery which winds so far along the<lb
                        TEIform="lb"/> barren valley in which the river once flowed—each have<lb
                        TEIform="lb"/> their attraction, which varies with the changing light,<lb
                        TEIform="lb"/>
                    <pb TEIform="pb" id="p060" n="60"/>
                    <figure TEIform="figure" entity="KelPe_060" id="ill060"> </figure> while many a
                    happy hour may be spent in watching the<lb TEIform="lb"/> many coloured lizards
                    which play among the rocks, the<lb TEIform="lb"/> curious mantis and
                    twig-insects, and other strange<lb TEIform="lb"/> specimens of insect life which
                    abound here; while,<lb TEIform="lb"/> should you weary of sight-seeing and the
                    glare of light,<lb TEIform="lb"/> quietude and repose may be found among the
                        fruit-laden<lb TEIform="lb"/> fig-trees of <name key="171921" type="place"
                        >Kitchener's Island</name>, or in the shady<lb TEIform="lb"/> gardens of
                    Elephantine.</p>
                <p TEIform="p">Such in brief is the Nile from <name key="147649" type="place"
                    >Cairo</name> to the first<lb TEIform="lb"/> cataract, though a great deal more
                    might be written on<lb TEIform="lb"/> this subject. The various towns and
                    villages passed<lb TEIform="lb"/> are often very pretty, and some are of great
                    age, and<lb TEIform="lb"/> surrounded by very interesting remains. Then there<lb
                        TEIform="lb"/> is the enjoyment of the many excursions on donkey-back<lb
                        TEIform="lb"/> to visit some tomb or temple, the amusement of<lb
                        TEIform="lb"/> bargaining for trophies or curios at the various
                        landing-places,<lb TEIform="lb"/> and a host of other interests which go to
                        make<lb TEIform="lb"/> the trip up the Nile one of the most fascinating
                        possible,<lb TEIform="lb"/> and which prevent any weariness of mind in
                        the<lb TEIform="lb"/> passenger. But to write fully about all these things
                        is<lb TEIform="lb"/> beyond the scope of this small book, though some
                        day,<lb TEIform="lb"/> perhaps, many of my readers may have the
                        opportunity<lb TEIform="lb"/> of seeing it all for themselves, and so fill
                    in the spaces<lb TEIform="lb"/> my short narrative must necessarily leave.</p>
            </div1>
            <div1 TEIform="div1" n="8" org="uniform" part="N" sample="complete" type="chapter">
                <pb TEIform="pb" id="p061" n="61"/>
                <head TEIform="head">CHAPTER VIII</head>
                <head TEIform="head" type="sub">THE MONUMENTS</head>
                <p TEIform="p">
                    <figure TEIform="figure" entity="KelPe_061" id="ill061"> </figure>
                </p>
                <p TEIform="p">I<hi TEIform="hi" rend="smallcaps">F</hi> asked to name any one thing
                    which more than any<lb TEIform="lb"/> other typified Egypt, the average boy or
                    girl would at<lb TEIform="lb"/> once reply, “The pyramids,” and rightly, for
                        though<lb TEIform="lb"/> pyramids have been built in other countries, this
                        particular<lb TEIform="lb"/> form of structure has always been regarded
                        as<lb TEIform="lb"/> peculiarly Egyptian, and was selected by the
                        designers<lb TEIform="lb"/> of its first postage stamp as the emblem of the
                    country.</p>
                <p TEIform="p">In speaking of the pyramids it is always the pyramids<lb TEIform="lb"
                    /> of <name key="157888" type="place">Ghizeh</name> which are meant, for though
                    there are a<lb TEIform="lb"/> great many other pyramids in Egypt these are
                        the<lb TEIform="lb"/> largest, and being built upon the desert plateau,
                        form<lb TEIform="lb"/> such a commanding group that they dominate the<lb
                        TEIform="lb"/> landscape for miles around. All visitors to Egypt,<lb
                        TEIform="lb"/> moreover, are not able to go up the Nile or become<lb
                        TEIform="lb"/> acquainted with the temples, but everyone sees the<lb
                        TEIform="lb"/> pyramids and <name key="193503" type="place">sphinx</name>,
                    which are close to <name key="147649" type="place">Cairo</name>, and<lb
                        TEIform="lb"/> easily reached by electric car, so to the great majority<lb
                        TEIform="lb"/> of people who visit the country they represent not only<lb
                        TEIform="lb"/> the antiquity of Egypt, but of the world.</p>
                <p TEIform="p">The <name key="158471" type="place">great pyramid</name> of <name
                        key="147668" type="place">Cheops</name>, though commenced in<lb TEIform="lb"
                    /> 3733 <hi TEIform="hi" rend="smallcaps">B.C.</hi>, is not the oldest monument
                    in Egypt; the<lb TEIform="lb"/>
                    <name key="193515" type="place">step pyramid</name> of Sakkara is of earlier
                    date, while the<lb TEIform="lb"/> origin of the <name key="193503" type="place"
                        >sphinx</name> is lost in obscurity. The pyramid,<lb TEIform="lb"/>
                    <pb TEIform="pb" id="p062" n="62"/>
                    <figure TEIform="figure" entity="KelPe_062" id="ill062"> </figure> however, is
                    of immense size, and leaves an abiding impression<lb TEIform="lb"/> upon the
                    minds of everyone who has seen it,<lb TEIform="lb"/> or climbed its rugged
                    sides. Figures convey little, I<lb TEIform="lb"/> am afraid, but when I tell you
                    that each of its sides was<lb TEIform="lb"/> originally 755 feet in length and
                    its height 481 feet, or<lb TEIform="lb"/> 60 feet higher than the cross of St.
                    Paul's, and that<lb TEIform="lb"/> gangs of men, 100,000 in each, were engaged
                        for<lb TEIform="lb"/> twenty years in its construction, some idea of its
                        immensity<lb TEIform="lb"/> may be formed. At one time the pyramids<lb
                        TEIform="lb"/> were covered with polished stone, but this has all been<lb
                        TEIform="lb"/> removed and has been used in building the mosques of<lb
                        TEIform="lb"/>
                    <name key="147649" type="place">Cairo</name>, and to-day its exterior is a
                    series of steps, each<lb TEIform="lb"/> 4 to 6 feet in height, formed by the
                    enormous blocks<lb TEIform="lb"/> of limestone of which it is built.</p>
                <p TEIform="p">Designed as a tomb, it has various interior chambers<lb TEIform="lb"
                    /> and passages, but it was long ago ransacked by the<lb TEIform="lb"/>
                    Persians, and later by the Romans and Arabs, so that of<lb TEIform="lb"/>
                    whatever treasure it may once have contained, nothing<lb TEIform="lb"/> now
                    remains but the huge stone sarcophagus or coffin of<lb TEIform="lb"/> the King.</p>
                <p TEIform="p">The <name key="188166" type="place">second pyramid</name>, built by
                    Chephron 3666 <hi TEIform="hi" rend="smallcaps">B.C.</hi>, is<lb TEIform="lb"/>
                    little less in size, and still has a little of the outer covering<lb
                        TEIform="lb"/> at its apex. All around these two great pyramids<lb
                        TEIform="lb"/> are grouped a number of others, while the rock is<lb
                        TEIform="lb"/> honeycombed with tombs, and practically from here to<lb
                        TEIform="lb"/> the <name key="156499" type="place">first cataract</name> the
                    belt of rocky hills which rise so<lb TEIform="lb"/> abruptly from the Nile
                    Valley is one continuous cemetery,<lb TEIform="lb"/> only a small portion of
                    which has so far been<lb TEIform="lb"/> explored.</p>
                <p TEIform="p">Close by is the <name key="193503" type="place">sphinx</name>, the
                    oldest of known monuments.<lb TEIform="lb"/> Hewn out of the solid rock, its
                    enormous head<lb TEIform="lb"/>
                    <pb TEIform="pb" id="p063" n="63"/>
                    <figure TEIform="figure" entity="KelPe_063" id="ill063"> </figure> and shoulders
                    rise above the sand which periodically<lb TEIform="lb"/> buries it, and,
                    battered though it has been by Mohammed<lb TEIform="lb"/> Ali's artillery, the
                    expression of its face, as it gazes<lb TEIform="lb"/> across the fertile plain
                    towards the sunrise, is one of<lb TEIform="lb"/> calm inscrutability, difficult
                    to describe, but which fascinates<lb TEIform="lb"/> the beholder.</p>
                <p TEIform="p">From the plateau on which these pyramids are built<lb TEIform="lb"/>
                    may be seen successively the pyramids of Abousīr,<lb TEIform="lb"/> Sakkara, and
                    Darshūr, and far in the distance the<lb TEIform="lb"/> curious and lonely
                    pyramid of Medūm These are all<lb TEIform="lb"/> built on the edge of the
                    desert, which impinges on the<lb TEIform="lb"/> cultivated land so abruptly that
                    it is almost possible to<lb TEIform="lb"/> stand with one foot in the desert and
                    the other in the fields.</p>
                <p TEIform="p">In addition to the pyramids, Sakkara has many<lb TEIform="lb"/> tombs
                    of the greatest interest, two of which I will<lb TEIform="lb"/> describe.</p>
                <p TEIform="p">One is called the “<name key="188249" type="place">Serapeum</name>,”
                    or tomb of the bulls.<lb TEIform="lb"/> Here, each in its huge granite coffin,
                    the mummies of<lb TEIform="lb"/> the sacred bulls, for so long worshipped at
                        <name key="175896" type="place">Memphis</name>,<lb TEIform="lb"/> have been
                    buried.</p>
                <p TEIform="p">The tomb consists of a long gallery excavated in the<lb TEIform="lb"
                    /> rock below ground, on either side of which are recesses<lb TEIform="lb"/>
                    just large enough to contain the coffins, each of which is<lb TEIform="lb"/>
                    composed of a single block of stone 13 feet by 11 by 8, and<lb TEIform="lb"/>
                    which, with their contents, must have been of enormous<lb TEIform="lb"/> weight,
                    and yet they have been lowered into position<lb TEIform="lb"/> in the vaults
                    without damage. The tomb, however,<lb TEIform="lb"/> was rifled long ago, and
                    all the sarcophagi are now<lb TEIform="lb"/> empty. There is one very curious
                    fact about this tomb<lb TEIform="lb"/> which I must mention, for though below
                    ground it is<lb TEIform="lb"/>
                    <pb TEIform="pb" id="p064" n="64"/>
                    <figure TEIform="figure" entity="KelPe_064" id="ill064"> </figure> so intensely
                    hot that the heat and glare of the desert as<lb TEIform="lb"/> you emerge
                    appears relatively cool.</p>
                <p TEIform="p">While the <name key="188249" type="place">Serapeum</name> is a
                    triumph of engineering, the<lb TEIform="lb"/> neighbouring tomb of Thi is of
                    rare beauty, for though<lb TEIform="lb"/> its design is simple, the walls, which
                    are of fine limestone,<lb TEIform="lb"/> are covered by panels enclosing
                    carvings in low<lb TEIform="lb"/> relief, representing every kind of
                    agricultural pursuits,<lb TEIform="lb"/> as well as fishing and hunting scenes.
                    The carving is<lb TEIform="lb"/> exquisitely wrought, while the various animals
                        depicted<lb TEIform="lb"/> —wild fowl, buffaloes, antelopes, or geese—are
                        perfect<lb TEIform="lb"/> in drawing and true in action.</p>
                <p TEIform="p">Close to Sakkara are the dense palm-groves of<lb TEIform="lb"/>
                    Bedrashên, which surround and cover the site of<lb TEIform="lb"/> ancient <name
                        key="175896" type="place">Memphis</name>. At one time the most important
                        of<lb TEIform="lb"/> Egypt's capitals, <name key="175896" type="place"
                        >Memphis</name> has almost completely disappeared<lb TEIform="lb"/> into the
                    soft and yielding earth, and little<lb TEIform="lb"/> trace of the former city
                    now remains beyond a few<lb TEIform="lb"/> stones and the colossal statue of
                    Rameses II., one of the<lb TEIform="lb"/> oppressors of Israel, which now lies
                    prostrate and broken<lb TEIform="lb"/> on the ground.</p>
                <p TEIform="p">Though there have been many ancient cities in the<lb TEIform="lb"/>
                    Delta, little of them now remains to be seen, for the<lb TEIform="lb"/> land is
                    constantly under irrigation, and in course of<lb TEIform="lb"/> time most of
                    their heavy stone buildings have sunk<lb TEIform="lb"/> into the soft ground and
                    become completely covered by<lb TEIform="lb"/> deposits of mud. So, as at <name
                        key="175896" type="place">Memphis</name>, all that now<lb TEIform="lb"/>
                    remains of ancient <name key="35690" type="place">Heliopolis</name>, or On, is
                    one granite<lb TEIform="lb"/> obelisk, standing alone in the fields; while at
                        other<lb TEIform="lb"/> places, such as Tamai or Bête-el-Haga near
                        Mansūrah,<lb TEIform="lb"/> practically nothing now remains above ground.</p>
                <p TEIform="p">In <name key="198457" type="place">Upper Egypt</name>, where arable
                    land was scarce and<lb TEIform="lb"/>
                    <pb TEIform="pb" id="p064a"/>
                    <figure TEIform="figure" entity="KelPe_064a" id="ill064a">
                        <head TEIform="head">THE COLOSSI OF <name key="195430" type="place"
                            >THEBES</name>—MOONRISE. <hi TEIform="hi" rend="italic">Page
                        70</hi>.</head>
                    </figure>
                    <pb TEIform="pb" id="p064b"/>
                    <figure TEIform="figure" entity="KelPe_064b" id="ill064b"> </figure>
                    <pb TEIform="pb" id="p065" n="65"/>
                    <figure TEIform="figure" entity="KelPe_065" id="ill065"> </figure> the desert
                    close at hand, the temples have generally<lb TEIform="lb"/> been built on firmer
                    foundations, and many are still in<lb TEIform="lb"/> a very perfect state of
                    preservation, though the majority<lb TEIform="lb"/> were ruined by the great
                    earthquake of 27 <hi TEIform="hi" rend="smallcaps">B.C.</hi></p>
                <p TEIform="p">The first temple visited on the Nile trip is Dendereh,<lb
                        TEIform="lb"/> in itself perhaps not of the greatest historical value, as<lb
                        TEIform="lb"/> it is only about 2,000 years of age, which for Egypt is<lb
                        TEIform="lb"/> quite modern; but it has two points of interest for all.<lb
                        TEIform="lb"/> First, its association with Cleopatra, who, with her son,<lb
                        TEIform="lb"/> is depicted on the sculptured walls; and, secondly,<lb
                        TEIform="lb"/> because it is in such a fine state of preservation that
                        the<lb TEIform="lb"/> visitor receives a very real idea of what an
                        Egyptian<lb TEIform="lb"/> temple was like.</p>
                <p TEIform="p">First let me describe the general plan of a temple;<lb TEIform="lb"/>
                    it is usually approached by a series of gateways called<lb TEIform="lb"/> pylons
                    or pro-pylons, two lofty towers with overhanging<lb TEIform="lb"/> cornices,
                    between which is the gate itself, and by<lb TEIform="lb"/> whose terrace they
                    are connected. Between these<lb TEIform="lb"/> different pylons is generally a
                    pro-naos, or avenue of<lb TEIform="lb"/> sphinxes, which, on either side, face
                    the causeway which<lb TEIform="lb"/> leads to the final gate which gives
                    entrance to the<lb TEIform="lb"/> temple proper. In front of the pylons were
                        flag-staffs,<lb TEIform="lb"/> and the lofty obelisks (one of which now
                    adorns the<lb TEIform="lb"/> Thames Embankment) inscribed with deeply - cut<lb
                        TEIform="lb"/> hieroglyphic writing glorifying the King, whose colossal<lb
                        TEIform="lb"/> statues were often placed between them.</p>
                <p TEIform="p">Each of the gate ways, and the walls of the temple<lb TEIform="lb"/>
                    itself, are covered with inscriptions, which give it a very<lb TEIform="lb"/>
                    rich effect, their strong shadows and reflected lights<lb TEIform="lb"/>
                    breaking up the plain surface of the walls in a most<lb TEIform="lb"/>
                    decorative way, and giving colour to their otherwise<lb TEIform="lb"/>
                    <pb TEIform="pb" id="p066" n="66"/>
                    <figure TEIform="figure" entity="KelPe_066" id="ill066"> </figure> plain
                    exterior. Another point worth notice is that this<lb TEIform="lb"/> succession
                    of gateways becomes gradually larger and<lb TEIform="lb"/> more ornate, so that
                    those entering are impressed with<lb TEIform="lb"/> a growing sense of wonder
                    and admiration, which is not<lb TEIform="lb"/> lessened on their return when the
                    diminishing size of<lb TEIform="lb"/> the towers serves to accentuate the idea
                    of distance<lb TEIform="lb"/> and immensity.</p>
                <p TEIform="p">One of the striking features in the structure of these<lb
                        TEIform="lb"/> buildings is that while the inside walls of tower or<lb
                        TEIform="lb"/> temple are perpendicular, the outside walls are sloping.<lb
                        TEIform="lb"/> This was intended to give stability to the structure,<lb
                        TEIform="lb"/> which in modern buildings is imparted by their<lb
                        TEIform="lb"/> buttresses; but in the case of the temples it has a<lb
                        TEIform="lb"/> further value in that it adds greatly to the feeling of<lb
                        TEIform="lb"/> massive dignity which was the main principle of their<lb
                        TEIform="lb"/> design.</p>
                <p TEIform="p">Entering the temple we find an open courtyard<lb TEIform="lb"/>
                    surrounded by a covered colonnade, the pillars often<lb TEIform="lb"/> being
                    made in the form of statues of its founder. This<lb TEIform="lb"/> court, which
                    is usually large, and open to the sky, was<lb TEIform="lb"/> designed to
                    accommodate the large concourse of people<lb TEIform="lb"/> which would so often
                    assemble to witness some<lb TEIform="lb"/> gorgeous temple service, and beyond,
                    through the<lb TEIform="lb"/> gloomy but impressive hypostyle<ref TEIform="ref"
                        id="ref8.1" rend="superscript" targOrder="U" target="n8.1">*</ref>
                    <note TEIform="note" anchored="yes" id="n8.1" place="foot" target="ref8.1"><hi
                            TEIform="hi" rend="superscript">*</hi>One with a roof supported by
                        columns.</note> hall, lay the shrine<lb TEIform="lb"/> of the god or goddess
                    to whom the temple was dedicated<lb TEIform="lb"/> and the dark corridors and
                    chambers in which<lb TEIform="lb"/> the priests conducted their mystic rites.</p>
                <p TEIform="p">In a peculiar way the temple of Dendereh impresses<lb TEIform="lb"/>
                    with a sense of mystic dignity, for though the pylons<lb TEIform="lb"/> and
                    obelisks have gone, and its outside precincts are<lb TEIform="lb"/>
                    <pb TEIform="pb" id="p067" n="67"/>
                    <figure TEIform="figure" entity="KelPe_067" id="ill067"> </figure> smothered in
                    a mass of Roman débris, the hypostyle<lb TEIform="lb"/> hall which we enter is
                    perhaps more impressive than<lb TEIform="lb"/> any other interior in Egypt. The
                    massive stone roof,<lb TEIform="lb"/> decorated with illumination and its
                    celebrated zodiac, is<lb TEIform="lb"/> supported by eighteen huge columns, each
                    capped by<lb TEIform="lb"/> the head of the goddess Hathor, to whom the
                        temple<lb TEIform="lb"/> is dedicated, while columns and walls alike are
                        covered<lb TEIform="lb"/> with decorative inscriptions.</p>
                <p TEIform="p">Through the mysterious gloom we pass through<lb TEIform="lb"/> lofty
                    doorways, which lead to the shrine or the many<lb TEIform="lb"/> priests'
                    chambers, which, entirely dark, open from the<lb TEIform="lb"/> corridors.</p>
                <p TEIform="p">Though it has been partially buried for centuries, and<lb
                        TEIform="lb"/> the smoke of gipsy fires has blackened much of its<lb
                        TEIform="lb"/> illuminated vault, enough of the original colour by<lb
                        TEIform="lb"/> which columns and architraves were originally enriched<lb
                        TEIform="lb"/> still remains to show us how gorgeous a building it<lb
                        TEIform="lb"/> once had been. There are a great many temples in<lb
                        TEIform="lb"/> Egypt of greater importance than Dendereh, but though<lb
                        TEIform="lb"/>
                    <name key="149796" type="place">Edfu</name>, for example, is quite as perfect
                    and much larger,<lb TEIform="lb"/> it has not quite the same fascination. Others
                    are more<lb TEIform="lb"/> beautiful perhaps, and few Greek temples display<lb
                        TEIform="lb"/> more grace of ornament than <name key="172177" type="place"
                        >Kom Ombo</name> or submerged<lb TEIform="lb"/>
                    <name key="182540" type="place">Philae</name>, while the simple beauty of <name
                        key="172946" type="place">Luxor</name> or the<lb TEIform="lb"/> immensity of
                    the ruins of Karnac impress one in a<lb TEIform="lb"/> manner quite different
                    from the religious feeling inspired<lb TEIform="lb"/> by gloomy Dendereh.</p>
                <p TEIform="p">I have previously spoken of the hum of bees in the<lb TEIform="lb"/>
                    fields, but here we find their nests; for plastered over<lb TEIform="lb"/> the
                    cornice, and filling a large portion of the deeply-cut<lb TEIform="lb"/>
                    inscriptions, are the curious mud homes of the wild bees,<lb TEIform="lb"/>
                    <pb TEIform="pb" id="p068" n="68"/>
                    <figure TEIform="figure" entity="KelPe_068" id="ill068"> </figure> who work on
                    industriously, regardless of the attacks of<lb TEIform="lb"/> the hundreds of
                        bee-eaters<ref TEIform="ref" id="ref8.2" rend="superscript" targOrder="U"
                        target="n8.2">*</ref>
                    <note TEIform="note" anchored="yes" id="n8.2" place="foot" target="ref8.2"><hi
                            TEIform="hi" rend="superscript">*</hi>A small bird about the size of a
                        sparrow.</note> which feed upon them.<lb TEIform="lb"/> Bees are not the
                    only occupants of the temple, however<lb TEIform="lb"/> for swallows, pigeons,
                    and owls nest in their quiet<lb TEIform="lb"/> interiors, and the dark passages
                    and crypts are alive<lb TEIform="lb"/> with bats.</p>
                <p TEIform="p">There are many other temples in Egypt of which I<lb TEIform="lb"/>
                    would like to tell you had I room to do so, but you<lb TEIform="lb"/> may
                    presently read more about them in books specially<lb TEIform="lb"/> devoted to
                    this subject. At present I want to say a<lb TEIform="lb"/> few words about <hi
                        TEIform="hi" rend="italic">hieroglyphs</hi>, which I have frequently<lb
                        TEIform="lb"/> mentioned.</p>
                <p TEIform="p">Hieroglyphic writing is really <hi TEIform="hi" rend="italic"
                    >picture</hi> writing, and is<lb TEIform="lb"/> the oldest means man has
                    employed to enable him to<lb TEIform="lb"/> communicate with his fellows. We
                    find it in the<lb TEIform="lb"/> writing of the Chinese and Japanese, among the
                        cave-dwellers<lb TEIform="lb"/> of Mexico, and the Indian tribes of North<lb
                        TEIform="lb"/> America; but the hieroglyphs of ancient Egypt differed<lb
                        TEIform="lb"/> from the others in this respect, that they had <hi
                        TEIform="hi" rend="italic">two</hi><lb TEIform="lb"/> values, one the <hi
                        TEIform="hi" rend="italic">sound</hi> value of letters or syllables of<lb
                        TEIform="lb"/> which a word was composed, the other the <hi TEIform="hi"
                        rend="italic">picture</hi> value<lb TEIform="lb"/> which determined it; thus
                    we find the word “cat” or<lb TEIform="lb"/> “dog” spelled by two or three signs
                    which give the<lb TEIform="lb"/> letters, followed by a picture of the animal
                    itself, so<lb TEIform="lb"/> that there might be no doubt as to its meaning.
                        This<lb TEIform="lb"/> sounds quite simple, but the writing of the
                        ancient<lb TEIform="lb"/> Egyptians had developed into a grammatical system
                        so<lb TEIform="lb"/> difficult that it was only the discovery of the <name
                        key="185856" type="place">Rosetta</name><lb TEIform="lb"/> stone, which was
                    written in both hieroglyph and Greek,<lb TEIform="lb"/> that gave the scholars
                    of the world their first clue as to<lb TEIform="lb"/>
                    <pb TEIform="pb" id="p069" n="69"/>
                    <figure TEIform="figure" entity="KelPe_069" id="ill069"> </figure> its meaning,
                    and many years elapsed before the most<lb TEIform="lb"/> learned of them were
                    finally able to determine the<lb TEIform="lb"/> alphabet and grammar of the
                    early Egyptians.</p>
                <p TEIform="p">I have said nothing about the religion of the Egyptians,<lb
                        TEIform="lb"/> because there were so many different deities worshipped<lb
                        TEIform="lb"/> in different places and at different periods that<lb
                        TEIform="lb"/> the subject is a very confusing one, and is indeed the<lb
                        TEIform="lb"/> most difficult problem in Egyptology.</p>
                <p TEIform="p">Rā was the great god of the Egyptians, and regarded<lb TEIform="lb"/>
                    by them as the great Creator, is pictured as the sun, the<lb TEIform="lb"/>
                    life-giver; the other gods and goddesses were generally<lb TEIform="lb"/>
                    embodiments of his various attributes, or the eternal<lb TEIform="lb"/> laws of
                    nature; while some, like Osiris, were simply<lb TEIform="lb"/> deified human
                    beings. The different seats of the<lb TEIform="lb"/> dynasties also had their
                    various “triads,” or trinities, of<lb TEIform="lb"/> gods which they worshipped,
                    while bulls and hawks,<lb TEIform="lb"/> crocodiles and cats, have each in turn
                    been venerated<lb TEIform="lb"/> as emblems of some godlike or natural
                        function.<lb TEIform="lb"/> Thus the “scarab,” or beetle, is the emblem of
                        eternal<lb TEIform="lb"/> life, for the Egyptians believed in a future
                        state<lb TEIform="lb"/> where the souls of men existed in a state of
                        happiness<lb TEIform="lb"/> or woe, according as their lives had been good
                    or evil.<lb TEIform="lb"/> But, like the hieroglyphs, this also is a study for
                        scholars,<lb TEIform="lb"/> and the ordinary visitor is content to admire
                    the decorative<lb TEIform="lb"/> effect these inscriptions give to walls and
                        columns<lb TEIform="lb"/> otherwise bare of ornament.</p>
                <p TEIform="p">I must not close this slight sketch of its monuments<lb TEIform="lb"
                    /> without referring to the colossal statues so common in<lb TEIform="lb"/>
                    Egypt.</p>
                <p TEIform="p">Babylonia has its winged bulls and kings of heroic<lb TEIform="lb"/>
                    size, Burma its built effigies of Buddha, but no country<lb TEIform="lb"/>
                    <pb TEIform="pb" id="p070" n="70"/>
                    <figure TEIform="figure" entity="KelPe_070" id="ill070"> </figure> but Egypt has
                    ever produced such mighty images as<lb TEIform="lb"/> the monolith statues of
                    her kings which adorn her many<lb TEIform="lb"/> temples, and have their
                    greatest expression in the rock-hewn<lb TEIform="lb"/> temple of Abou Simbel and
                    the imposing colossi<lb TEIform="lb"/> of <name key="195430" type="place"
                    >Thebes</name>. In the case of Abou Simbel, the huge<lb TEIform="lb"/> figures
                    of Rameses II, which form the front of his<lb TEIform="lb"/> temple are hewn out
                    of the solid rock, and are 66 feet<lb TEIform="lb"/> in height, forming one of
                    the most impressive sights in<lb TEIform="lb"/> Egypt. Though 6 feet less in
                    height, the colossi of<lb TEIform="lb"/>
                    <name key="195430" type="place">Thebes</name> are even more striking, each
                    figure being carved<lb TEIform="lb"/> out of a single block of stone weighing
                    many hundreds<lb TEIform="lb"/> of tons, and which were transported from a great
                        distance<lb TEIform="lb"/> to be placed upon their pedestals in the plain
                        of<lb TEIform="lb"/>
                    <name key="195430" type="place">Thebes</name>.</p>
                <p TEIform="p">Surely in the old days of Egypt great ideas possessed<lb TEIform="lb"
                    /> the minds of men, and apart from the vastness<lb TEIform="lb"/> of their
                    other monuments, had ever kings before or<lb TEIform="lb"/> since such
                    impressive resting-places as the royal tombs<lb TEIform="lb"/> cut deep into the
                    bowels of the Theban hills, or the<lb TEIform="lb"/> stupendous pyramids of
                        <name key="157888" type="place">Ghizeh</name>!</p>
            </div1>
            <div1 TEIform="div1" n="9" org="uniform" part="N" sample="complete" type="chapter">
                <pb TEIform="pb" id="p071" n="71"/>
                <head TEIform="head">CHAPTER IX</head>
                <head TEIform="head" type="sub">THE PEOPLE</head>
                <p TEIform="p">
                    <figure TEIform="figure" entity="KelPe_071" id="ill071"> </figure>
                </p>
                <p TEIform="p">B<hi TEIform="hi" rend="smallcaps">EYOND</hi> everything else Egypt
                    is an agricultural country,<lb TEIform="lb"/> and the “fellahīn,” or
                    “soil-cutters,” as the word means,<lb TEIform="lb"/> its dominant type, and in
                    order to form any idea of<lb TEIform="lb"/> their character or mode of life, we
                    must leave the towns<lb TEIform="lb"/> behind and wander through the farm-lands
                    of the Delta.</p>
                <p TEIform="p">Trains are few, and hotels do not exist, and anyone<lb TEIform="lb"/>
                    wishing to see the people as they are must travel on<lb TEIform="lb"/>
                    horseback, and be content with such accommodation as<lb TEIform="lb"/> the
                    villages afford. The roads are the canal-banks, or<lb TEIform="lb"/> little
                    paths which wind among the fields; but, as we<lb TEIform="lb"/> have already
                    seen, the country has many beauties, and<lb TEIform="lb"/> the people are so
                    genuine in their simple hospitality<lb TEIform="lb"/> that the traveller has
                    many compensations for the<lb TEIform="lb"/> incidental hardships he may
                    undergo.</p>
                <p TEIform="p">What will perhaps first strike the traveller is the<lb TEIform="lb"/>
                    industry of the people. The luxuriant crops give<lb TEIform="lb"/> evidence of
                    their labour, and the fields are everywhere<lb TEIform="lb"/> alive. From dawn
                    to dark everyone is busily<lb TEIform="lb"/> employed, from the youngest child
                    who watches the<lb TEIform="lb"/> tethered cattle or brings water from the well,
                    to the old<lb TEIform="lb"/> man so soon to find his last resting-place in the
                        picturesque<lb TEIform="lb"/> “gabana”<ref TEIform="ref" id="ref9.1"
                        rend="superscript" targOrder="U" target="n9.1">*</ref>
                    <note TEIform="note" anchored="yes" id="n9.1" place="foot" target="ref9.1"><hi
                            TEIform="hi" rend="superscript">*</hi>Cemetery.</note> without the
                    village. Seed-time<lb TEIform="lb"/>
                    <pb TEIform="pb" id="p072" n="72"/>
                    <figure TEIform="figure" entity="KelPe_072" id="ill072"> </figure> and harvest
                    go side by side in Egypt, and one may<lb TEIform="lb"/> often witness every
                    operation of the farm, from ploughing<lb TEIform="lb"/> to threshing, going on
                    simultaneously. The people<lb TEIform="lb"/> seem contented as they work, for
                    whereas formerly<lb TEIform="lb"/> the fellahīn were cruelly oppressed by their
                    rulers, today,<lb TEIform="lb"/> under British guidance, they have become
                        independent<lb TEIform="lb"/> and prosperous, and secure in the enjoyment<lb
                        TEIform="lb"/> of the fruits of their labour.</p>
                <p TEIform="p">Another impression which the visitor will receive is<lb TEIform="lb"
                    /> the curiously Biblical character of their life, which constantly<lb
                        TEIform="lb"/> suggests the Old Testament stories; the shepherds<lb
                        TEIform="lb"/> watching their flocks, ring-streaked and speckled;<lb
                        TEIform="lb"/> the cattle ploughing in the fields; the women grinding<lb
                        TEIform="lb"/> at the handmill, or grouped about the village well, all<lb
                        TEIform="lb"/> recall incidents in the lives of Isaac and Rebekah, and<lb
                        TEIform="lb"/> episodes of patriarchal times. Their salutations and<lb
                        TEIform="lb"/> modes of speech are also Biblical, and lend a touch of<lb
                        TEIform="lb"/> poetry to their lives. “Turn in, my lord, turn in to<lb
                        TEIform="lb"/> me,” was Jael's greeting to flying Sisera, and
                        straight-way<lb TEIform="lb"/> she prepared for him “butter in a lordly
                        dish.”<lb TEIform="lb"/> So to-day hospitality is one of their cardinal
                        virtues,<lb TEIform="lb"/> and I have myself been chased by a horseman
                        who<lb TEIform="lb"/> rebuked me for having passed his home without
                    refreshment.</p>
                <p TEIform="p">Steam-pumps, cotton-mills, and railways may have<lb TEIform="lb"/>
                    slightly altered the aspect of the country, but to all<lb TEIform="lb"/> intents
                    and purposes, in habit of thought and speech, in<lb TEIform="lb"/> costume and
                    customs, the people remain to-day much<lb TEIform="lb"/> as they were in those
                    remote times pictured in the Book<lb TEIform="lb"/> of Genesis.</p>
                <p TEIform="p">Fresh fruit or coffee is frequently proffered to the<lb TEIform="lb"/>
                    <pb TEIform="pb" id="p072a"/>
                    <figure TEIform="figure" entity="KelPe_072a" id="ill072a"> </figure>
                    <pb TEIform="pb" id="p072b"/>
                    <figure TEIform="figure" entity="KelPe_072b" id="ill072b">
                        <head TEIform="head">A NILE VILLAGE.</head>
                    </figure>
                    <pb TEIform="pb" id="p073" n="73"/>
                    <figure TEIform="figure" entity="KelPe_073" id="ill073"> </figure> traveller on
                    his way, while his welcome at a village or<lb TEIform="lb"/> the house of some
                    landed proprietor is always sure.<lb TEIform="lb"/> On approaching a village,
                    which is often surrounded<lb TEIform="lb"/> by dense groves of date-palms, the
                    traveller will be met<lb TEIform="lb"/> by the head men, who, with many salaams,
                        conduct<lb TEIform="lb"/> him to the village “mandareh,” or rest-house, and
                    it is<lb TEIform="lb"/> only as such a guest, resident in a village, that one
                        can<lb TEIform="lb"/> form any idea of the home-life of the people.</p>
                <p TEIform="p">From the outside the village often has the appearance<lb TEIform="lb"
                    /> of some rude fortification, the houses practically joining<lb TEIform="lb"/>
                    each other and their mud-walls having few openings.<lb TEIform="lb"/> Within,
                    narrow and tortuous lanes form the only<lb TEIform="lb"/> thoroughfares, which
                    terminate in massive wooden doors,<lb TEIform="lb"/> which are closed at night
                    and guarded by the village<lb TEIform="lb"/> watchman. The huts—for they are
                    nothing else—<lb TEIform="lb"/> which compose the village are seldom of more
                        than<lb TEIform="lb"/> one storey, while in many cases their small
                        doorway<lb TEIform="lb"/> forms their only means of ventilation. Their roofs
                        are<lb TEIform="lb"/> covered with a pile of cotton-stalks and other
                        litter,<lb TEIform="lb"/> through which the pungent smoke of their dung
                        fires<lb TEIform="lb"/> slowly percolates, while fowls and goats, and the
                        inevitable<lb TEIform="lb"/> pariah dog roam about them at will.</p>
                <p TEIform="p">Windows, when they do occur, are merely slits in<lb TEIform="lb"/>
                    the mud wall, without glass or shutter, but often<lb TEIform="lb"/> ornamented
                    by a lattice of split palm-leaves. Light<lb TEIform="lb"/> and ventilation
                    practically do not exist, while a few<lb TEIform="lb"/> mats, waterpots, and
                    cooking utensils comprise the only<lb TEIform="lb"/> furniture; yet the people
                    are well-conditioned and<lb TEIform="lb"/> content, for their life is in the
                    fields, and their poor<lb TEIform="lb"/> dwellings are little used except at
                    meal-times or at night.</p>
                <p TEIform="p">The guest-house is little better than the huts, except<lb
                        TEIform="lb"/>
                    <pb TEIform="pb" id="p074" n="74"/>
                    <figure TEIform="figure" entity="KelPe_074" id="ill074"> </figure> that one side
                    is entirely open to the air; here at least<lb TEIform="lb"/> the visitor may <hi
                        TEIform="hi" rend="italic">breathe</hi>, even though his slumbers may<lb
                        TEIform="lb"/> be disturbed by the sheep and cattle which wander in<lb
                        TEIform="lb"/> the lanes. At night a fire of corn-cobs is lit, and while<lb
                        TEIform="lb"/> its smoke serves to drive away the swarms of mosquitoes<lb
                        TEIform="lb"/> and flies with which the village is usually infested,<lb
                        TEIform="lb"/> its warmth is grateful, for the nights are cold,<lb
                        TEIform="lb"/> and by its light, aided by a few dim lanterns, the<lb
                        TEIform="lb"/> simple evening meal is shared with the head men, who<lb
                        TEIform="lb"/> count it an honour to entertain a guest.</p>
                <p TEIform="p">I have described one of the poorest of the “fellah”<lb TEIform="lb"/>
                    villages, but the traveller is often more luxuriously<lb TEIform="lb"/> housed.
                    Many of the native landowners occupy roomy<lb TEIform="lb"/> and well-appointed
                    dwellings, often surrounded by<lb TEIform="lb"/> pretty and well-stocked
                    gardens, where one may rest<lb TEIform="lb"/> beneath the vines and fig-trees,
                    and enjoy the pomegranates,<lb TEIform="lb"/> apricots, and other fruity which
                    it supplies.<lb TEIform="lb"/> These houses are generally clean and
                        comfortably<lb TEIform="lb"/> furnished after the Turkish manner. The host,
                        prosperous-looking<lb TEIform="lb"/> and well clothed, meets his guest at
                        the<lb TEIform="lb"/> doorstep or assists him to dismount, when, with
                        many<lb TEIform="lb"/> compliments and expressions of delight at his visit,
                        he<lb TEIform="lb"/> is conducted to the guest-chamber. Coffee and sweet<lb
                        TEIform="lb"/> meats are then presented, a foretaste of the generous<lb
                        TEIform="lb"/> meal to follow, for in the homes of the well-to-do a<lb
                        TEIform="lb"/> feast is usually provided for an honoured guest.</p>
                <p TEIform="p">The food is served on the low “sahniyeh,” or tray,<lb TEIform="lb"/>
                    which forms the table, on which several flat loaves<lb TEIform="lb"/> surrounded
                    by little dishes of salad and other condiments,<lb TEIform="lb"/> mark the
                    places of the diners; but before eating,<lb TEIform="lb"/> each person present
                    ceremoniously washes his hands and<lb TEIform="lb"/>
                    <pb TEIform="pb" id="p075" n="75"/>
                    <figure TEIform="figure" entity="KelPe_075" id="ill075"> </figure> mouth, a
                    servant bringing in the copper “tisht wa<lb TEIform="lb"/> abrīk,” or jug and
                    basin, kept for that purpose.</p>
                <p TEIform="p">The meal always begins with soup, which, greasy to<lb TEIform="lb"/>
                    begin with, is rendered more so by the addition of a<lb TEIform="lb"/> bowl of
                    melted butter. This is eaten with a spoon, the<lb TEIform="lb"/> only utensil
                    provided, each person dipping into the<lb TEIform="lb"/> bowl, which is placed
                    in the centre of the table. The<lb TEIform="lb"/> rest of the meal, which
                    consists of fish, pigeons, and<lb TEIform="lb"/> various kinds of stews and
                    salads, is eaten with the<lb TEIform="lb"/> hands, the diners often presenting
                    each other with<lb TEIform="lb"/> choice morsels from their portion; a baked
                        turkey<lb TEIform="lb"/> stuffed with nuts, or on important occasions a
                        whole<lb TEIform="lb"/> sheep, forms the principal dish, which is cleverly
                        divided<lb TEIform="lb"/> by the host or principal guest without the aid of
                        knife<lb TEIform="lb"/> or fork. Water in porous jars, often flavoured
                        with<lb TEIform="lb"/> rose-leaves or verbena, is presented by servants as
                        the<lb TEIform="lb"/> meal proceeds. The final dish always consists of
                        boiled<lb TEIform="lb"/> rice and milk sweetened with honey, a delicious
                        dish,<lb TEIform="lb"/> which is eaten with the same spoon by which the
                        soup<lb TEIform="lb"/> was partaken of.</p>
                <p TEIform="p">Such fare as I have described is only for the wealthy.<lb
                        TEIform="lb"/> In general the “fellahīn” live on rice and wheaten<lb
                        TEIform="lb"/> bread, sugar-cane, and vegetables, with the occasional<lb
                        TEIform="lb"/> addition of a little meat, or such fish as may be caught<lb
                        TEIform="lb"/> in the canals. Their beverage is water, coffee being a<lb
                        TEIform="lb"/> luxury only occasionally indulged in, and their use of<lb
                        TEIform="lb"/> tobacco is infrequent.</p>
                <p TEIform="p">Theirs is a simple life whose daily round of labour is<lb
                        TEIform="lb"/> only broken by the occasional marriage feast, or village<lb
                        TEIform="lb"/> fair, or, in the more populous centres, by the periodic<lb
                        TEIform="lb"/> “Mūled,” or religious festival.</p>
                <pb TEIform="pb" id="p076" n="76"/>
                <p TEIform="p">
                    <figure TEIform="figure" entity="KelPe_076" id="ill076"> </figure>
                </p>
                <p TEIform="p">In <name key="147649" type="place">Cairo</name> and other large
                    cities, these “Muleds” are<lb TEIform="lb"/> very elaborate, and often last for
                    days together. Then<lb TEIform="lb"/> business is suspended, and, as at our
                        Christmas-time,<lb TEIform="lb"/> everyone gives himself up to enjoyment and
                    the effort<lb TEIform="lb"/> to make others happy. Gay booths are erected in
                        the<lb TEIform="lb"/> open spaces, in which is singing and the
                        performance<lb TEIform="lb"/> of strange Eastern dances. Mummers and
                        conjurers<lb TEIform="lb"/> perform in the streets, and merry-go-rounds and
                        swing-boats<lb TEIform="lb"/> amuse the youngsters, whose pleasure is
                        further<lb TEIform="lb"/> enhanced by the many stalls and barrows
                        displaying<lb TEIform="lb"/> toy balloons, dolls, and sweetmeats.</p>
                <p TEIform="p">All wear their gayest clothing, and at night illuminations<lb
                        TEIform="lb"/> delight the hearts of these simple people.</p>
                <p TEIform="p">The principal feasts are the “Mūled-en-Nebbi,” or<lb TEIform="lb"/>
                    birth of Mohammed, and “El Hussanên,” in memory<lb TEIform="lb"/> of the
                    martyred grandson of the Prophet, and although<lb TEIform="lb"/> they are
                    Mohammedans the “Eed-<name key="151534" type="place">el-Imam</name>,” or
                        birth<lb TEIform="lb"/> of Christ, takes a high place among their
                        religious<lb TEIform="lb"/> celebrations.</p>
                <p TEIform="p">But they have their fasts also, and Ramadan, which<lb TEIform="lb"/>
                    lasts for four weeks, is far more strictly observed than<lb TEIform="lb"/> Lent
                    among ourselves, for throughout that period, from<lb TEIform="lb"/> sunrise to
                    sunset, the Moslem abstains from food or<lb TEIform="lb"/> drink, except in the
                    case of the aged or infirm, or of<lb TEIform="lb"/> anyone engaged upon work so
                    arduous as to render<lb TEIform="lb"/> food necessary, for the Mohammedan does
                    not allow<lb TEIform="lb"/> his religion to interfere with his other duties in
                    life.</p>
                <p TEIform="p">On the last day of Ramadan occurs a pretty observance<lb TEIform="lb"
                    /> similar to that of All Souls' day in France; then<lb TEIform="lb"/> everyone
                    visits the tombs of their relatives, laying<lb TEIform="lb"/> garlands upon the
                    graves and often passing the night<lb TEIform="lb"/>
                    <pb TEIform="pb" id="p077" n="77"/>
                    <figure TEIform="figure" entity="KelPe_077" id="ill077"> </figure> in the
                    cemeteries in little booths made for the<lb TEIform="lb"/> purpose.</p>
                <p TEIform="p">You will have noticed how large a place <hi TEIform="hi"
                        rend="italic">religion</hi><lb TEIform="lb"/> takes in the life of the
                    people, and in their idle hours<lb TEIform="lb"/> no subject of conversation is
                    more common. To the<lb TEIform="lb"/> average Mohammedan his religion is a very
                    real matter<lb TEIform="lb"/> in which he fervently believes, and Allah is to
                    him a<lb TEIform="lb"/> very personal God, whom he may at all times approach<lb
                        TEIform="lb"/> in praise or prayer in the certain belief of His fatherly<lb
                        TEIform="lb"/> care. Nothing impresses a traveller more than this<lb
                        TEIform="lb"/> tremendous belief of the Mohammedans in their Deity<lb
                        TEIform="lb"/> and their religion; and though many people, probably<lb
                        TEIform="lb"/> from lack of knowledge, hold the view that the Moslem<lb
                        TEIform="lb"/> faith is a debased one, it is in reality a fine religion,<lb
                        TEIform="lb"/> teaching many wise and beautiful doctrines, and ennobling<lb
                        TEIform="lb"/> the lives of all who live up to the best that is<lb
                        TEIform="lb"/> in it.</p>
                <p TEIform="p">Unfortunately the teaching of Mohammedanism is<lb TEIform="lb"/> so
                    largely fatalistic that it tends to deprive the individual<lb TEIform="lb"/> of
                    personal initiative. “The Lord gave, and the<lb TEIform="lb"/> Lord hath taken
                    away, blessed be the name of the<lb TEIform="lb"/> Lord,” is a general attitude
                    of mind, and this, combined<lb TEIform="lb"/> with their long centuries of
                    servitude, has had so much<lb TEIform="lb"/> effect upon the national character
                    of the Egyptian that<lb TEIform="lb"/> they almost entirely lack those qualities
                    of alertness,<lb TEIform="lb"/> confidence, and sense of personal responsibility
                        without<lb TEIform="lb"/> which no race can become great or even, indeed,
                        be<lb TEIform="lb"/> self-respecting.</p>
                <p TEIform="p">The higher education now general in Egypt has<lb TEIform="lb"/>
                    already had its effect upon the present generation,<lb TEIform="lb"/> among
                    which a feeling of ambition and independence is<lb TEIform="lb"/>
                    <pb TEIform="pb" id="p078" n="78"/>
                    <figure TEIform="figure" entity="KelPe_078" id="ill078"> </figure> growing,
                    while the Egyptian army has shown what<lb TEIform="lb"/> wonders may be wrought,
                    even with the poorest<lb TEIform="lb"/> material, by sustained and honest effort
                    in the right<lb TEIform="lb"/> direction; and if the just and sympathetic
                        guidance<lb TEIform="lb"/> which it has enjoyed for now a quarter of a
                    century is<lb TEIform="lb"/> not too soon withdrawn, Egypt may once again
                        become<lb TEIform="lb"/> a nation.</p>
                <p TEIform="p">As it is, to-day the great mass of the people remain<lb TEIform="lb"
                    /> much as they have been for ages; a simple, kindly<lb TEIform="lb"/> people,
                    ignorant and often fanatical, but broadly good-humoured<lb TEIform="lb"/> and
                    keenly alive to a joke; fond of their<lb TEIform="lb"/> children, and showing
                    great consideration for age, they<lb TEIform="lb"/> have many traits which
                    endear them to those who have<lb TEIform="lb"/> lived among them, while their
                    faults are largely on the<lb TEIform="lb"/> surface, and due in some measure to
                    the centuries of<lb TEIform="lb"/> ignorance and slavery which has been their
                    lot.</p>
                <p TEIform="p">The greatest blot upon the Egyptian character is the<lb TEIform="lb"
                    /> position accorded to their women, who, as in all<lb TEIform="lb"/> Mohammedan
                    countries, are considered to be soulless.<lb TEIform="lb"/> From infancy
                    employed in the most menial occupations,<lb TEIform="lb"/> they are not even
                    permitted to enter the mosques at<lb TEIform="lb"/> prayer-time, and until
                    recently the scanty education<lb TEIform="lb"/> which the boys enjoyed was
                    denied to their sisters. It<lb TEIform="lb"/> is no wonder, therefore, that
                    these often beautiful girls<lb TEIform="lb"/> grow up much like graceful
                    animals, ignorant of the<lb TEIform="lb"/> higher duties of life, and exercising
                    none of that refining<lb TEIform="lb"/> and ennobling influence which have made
                    the Western<lb TEIform="lb"/> races what they are.</p>
            </div1>
            <div1 TEIform="div1" n="10" org="uniform" part="N" sample="complete" type="chapter">
                <pb TEIform="pb" id="p079" n="79"/>
                <head TEIform="head">CHAPTER X</head>
                <head TEIform="head" type="sub">THE DESERT</head>
                <p TEIform="p">
                    <figure TEIform="figure" entity="KelPe_079" id="ill079"> </figure>
                </p>
                <p TEIform="p">W<hi TEIform="hi" rend="smallcaps">HEN</hi> so much of geographical
                    Egypt consists<lb TEIform="lb"/> of desert, it would be interesting if I were to
                    tell you<lb TEIform="lb"/> something about it before closing this little
                        book.<lb TEIform="lb"/> Probably the first question my readers would ask<lb
                        TEIform="lb"/> would be, “What use is it?” Why does Nature create<lb
                        TEIform="lb"/> such vast wastes of land and rock which can be of little<lb
                        TEIform="lb"/> or no use to anybody?</p>
                <p TEIform="p">We cannot always follow the intentions of Nature,<lb TEIform="lb"/>
                    or see what may ultimately result, but so far as the<lb TEIform="lb"/> desert is
                    concerned we know of at least <hi TEIform="hi" rend="italic">one</hi> useful<lb
                        TEIform="lb"/> purpose it serves, and that is the making of <hi TEIform="hi"
                        rend="italic">climate.</hi></p>
                <p TEIform="p">Edinburgh and Moscow are in precisely the same<lb TEIform="lb"/>
                    latitudes, yet the one is equable in temperature while<lb TEIform="lb"/> the
                    other endures the rigours of an arctic winter. The<lb TEIform="lb"/> South of
                    Iceland also suffers less from cold than do the<lb TEIform="lb"/> great central
                    plains of Europe. And why? Simply<lb TEIform="lb"/> because their different
                    climates are the result of special<lb TEIform="lb"/> conditions or influences of
                    Nature, and what the Gulf<lb TEIform="lb"/> Stream does for the British Isles
                    the deserts of Africa<lb TEIform="lb"/> effect not only for Egypt, but for the
                    whole of Southern<lb TEIform="lb"/> Europe, whose genial climate is mainly
                    caused by the<lb TEIform="lb"/> warm air generated on these sun-baked barren
                    lands.</p>
                <pb TEIform="pb" id="p080" n="80"/>
                <p TEIform="p">
                    <figure TEIform="figure" entity="KelPe_080" id="ill080"> </figure>
                </p>
                <p TEIform="p">Now let us see what the desert is like in appearance.<lb TEIform="lb"
                    /> It is a very common impression that the desert is<lb TEIform="lb"/> simply a
                    flat expanse of sand, colourless and unbroken;<lb TEIform="lb"/> in reality it
                    is quite different, being full of variations,<lb TEIform="lb"/> which give it
                    much the same diversity of interest<lb TEIform="lb"/> as the ocean.</p>
                <p TEIform="p">The colour of the sand varies infinitely, according to<lb
                        TEIform="lb"/> its situation. Thus the desert which surrounds <name
                        key="142958" type="place">Assuan</name>,<lb TEIform="lb"/> which is composed
                    of decimated granite and Nile silt,<lb TEIform="lb"/> is generally grey; in
                        <name key="182035" type="place">Nubia</name> the sand is formed of<lb
                        TEIform="lb"/> powdered sandstone of a curiously golden tint, while<lb
                        TEIform="lb"/> the desert of <name key="193608" type="place">Suez</name>,
                    which abuts on <name key="147649" type="place">Cairo</name> and the Delta<lb
                        TEIform="lb"/> provinces, is generally white in tone, due to the
                        admixture<lb TEIform="lb"/> of limestone dust of which it is largely
                        composed.<lb TEIform="lb"/> The great <name key="55936" type="place"
                    >Sahara</name> also is no monotonous stretch of sand,<lb TEIform="lb"/> but is
                    to a great extent covered by wild herbs of many<lb TEIform="lb"/> kinds, which
                    often entirely screen the sand from view,<lb TEIform="lb"/> and give it the
                    appearance of a prairie.</p>
                <p TEIform="p">Nor is the desert always flat, for its huge undulations<lb
                        TEIform="lb"/> suggest ocean billows petrified into stillness, while
                        rocky<lb TEIform="lb"/> hills and earthquake-riven valleys give it a
                        fantastic<lb TEIform="lb"/> variety which is wildly picturesque.</p>
                <p TEIform="p">Though generally barren, the desert supports growths<lb TEIform="lb"
                    /> of many kinds; wild hyssop, thorns, the succulent ice-plant,<lb TEIform="lb"
                    /> and a great variety of other shrubs. Flowers<lb TEIform="lb"/> also abound,
                    and though they are usually small, I have<lb TEIform="lb"/> counted as many as
                    twenty varieties in an area of<lb TEIform="lb"/> as many feet, and in some of
                    the deep “wadis,” as the<lb TEIform="lb"/> mountain valleys are called, wild
                    plants grow in such<lb TEIform="lb"/> profusion as to give them the appearance
                    of rock<lb TEIform="lb"/> gardens.</p>
                <pb TEIform="pb" id="p080a"/>
                <p TEIform="p">
                    <figure TEIform="figure" entity="KelPe_080a" id="ill080a">
                        <head TEIform="head">DESERT ARABS.</head>
                    </figure>
                </p>
                <pb TEIform="pb" id="p080b"/>
                <p TEIform="p">
                    <figure TEIform="figure" entity="KelPe_080b" id="ill080b"> </figure>
                </p>
                <pb TEIform="pb" id="p081" n="81"/>
                <p TEIform="p">
                    <figure TEIform="figure" entity="KelPe_081" id="ill081"> </figure>
                </p>
                <p TEIform="p">In aspect the desert varies very much, according to<lb TEIform="lb"/>
                    the time of day or changing effect of light.</p>
                <p TEIform="p">At dawn a curious mauve tint suffuses it, and the sun<lb TEIform="lb"
                    /> rises sharp and clear above the horizon, which also<lb TEIform="lb"/> stands
                    out crisply against the sky, so pure is the air.<lb TEIform="lb"/> Presently, as
                    the sun slowly rises higher in the sky,<lb TEIform="lb"/> every shrub or stone
                    or little inequality of surface<lb TEIform="lb"/> is tipped with gold and throws
                    long blue shadows across<lb TEIform="lb"/> the sand. At midday a fierce glare
                    envelops it,<lb TEIform="lb"/> obliterating detail and colour, while by
                    moonlight it is<lb TEIform="lb"/> a fairyland of silver, solemn, still, and
                        mysterious.<lb TEIform="lb"/> Each phase has its special beauty, which
                    interests the<lb TEIform="lb"/> traveller and robs his journey of monotony.</p>
                <p TEIform="p">Scattered over the surface of the sand are innumerable<lb
                        TEIform="lb"/> pebbles of all sizes and colours—onyx, cornelian, agate,<lb
                        TEIform="lb"/> and many more, as well as sea fossils and other
                        petrifactions<lb TEIform="lb"/> which boys would love to collect. And it is
                        also<lb TEIform="lb"/> curious to notice that the rocks which crop up in<lb
                        TEIform="lb"/> all directions become <hi TEIform="hi" rend="italic"
                        >sunburnt,</hi> and limestone, naturally<lb TEIform="lb"/> of a dazzling
                    white, often assumes a variety of tints<lb TEIform="lb"/> under the influence of
                    the powerful sun, as may be seen<lb TEIform="lb"/> in the foreground of my
                    picture of the pyramids.</p>
                <p TEIform="p">Animal life also exists in profusion; every tuft<lb TEIform="lb"/> of
                    scrub supports a variety of insects upon which the<lb TEIform="lb"/> hunting
                    spider and desert lizard feed; the tracks<lb TEIform="lb"/> of giant beetles or
                    timid jerboa scour the sand in<lb TEIform="lb"/> all directions, and many
                    wild-birds make these wastes<lb TEIform="lb"/> their home. Prowling wolves and
                    foxes hunt the tiny<lb TEIform="lb"/> gazelle, while the rocky hills, in which
                    the wild goats<lb TEIform="lb"/> make their home, also give shelter to the
                    hyenas and<lb TEIform="lb"/> jackals, which haunt the caravan routes to feast
                        upon<lb TEIform="lb"/>
                    <pb TEIform="pb" id="p082" n="82"/>
                    <figure TEIform="figure" entity="KelPe_082" id="ill082"> </figure> the dying
                    animals which fall abandoned to their<lb TEIform="lb"/> fate.</p>
                <p TEIform="p">The life of the desert is not confined to the beasts,<lb TEIform="lb"
                    /> however, for many Bedawīn tribes roam about them in<lb TEIform="lb"/> search
                    of water or fodder for their animals, and of all<lb TEIform="lb"/> the Eastern
                    races I have met none are more interesting<lb TEIform="lb"/> than these desert
                    nomads.</p>
                <p TEIform="p">The wandering life of the Bedawīn makes it difficult<lb TEIform="lb"
                    /> for anyone to become acquainted with them, while their<lb TEIform="lb"/>
                    reputation for lawlessness is such that travellers on<lb TEIform="lb"/> desert
                    routes usually endeavour to avoid them. In<lb TEIform="lb"/> several parts of
                    the desert near Egypt, however, important<lb TEIform="lb"/> families of them
                    have settled so as to be near<lb TEIform="lb"/> the farm-lands granted to them
                    by Ismail Pasha many<lb TEIform="lb"/> years ago (nominally in return for
                    military services, but<lb TEIform="lb"/> in reality to keep them quiet), and I
                    have often visited<lb TEIform="lb"/> their camps at Beni Ayoub and Tel Bedawi,
                    to find<lb TEIform="lb"/> them courteous, hospitable, and in the best sense of
                        the<lb TEIform="lb"/> word, gentlemen.</p>
                <p TEIform="p">These camps are large, and the long lines of tents,<lb TEIform="lb"/>
                    pitched with military precision, shelter probably more<lb TEIform="lb"/> than
                    1,000 people, for though the head sheykh may<lb TEIform="lb"/> build a lodge of
                    stone in which to entertain his guests,<lb TEIform="lb"/> the Arab is a gipsy
                    who loves his tent.</p>
                <p TEIform="p">The tents, which are often very large, are formed of<lb TEIform="lb"
                    /> heavy cloths of goats'-hair woven in stripes of different<lb TEIform="lb"/>
                    colours, and supported by a large number of poles;<lb TEIform="lb"/> long
                    tassels hang from the seams, and other cloths are<lb TEIform="lb"/> often
                    attached to them so as to divide the tent into<lb TEIform="lb"/> different
                    apartments. Clean sand forms the floor,<lb TEIform="lb"/> on which at nightfall
                    a rug or carpet is spread to form<lb TEIform="lb"/>
                    <pb TEIform="pb" id="p083" n="83"/>
                    <figure TEIform="figure" entity="KelPe_083" id="ill083"> </figure> a bed. Round
                    the walls are the gay saddle-bags and<lb TEIform="lb"/> trappings of the camels
                    and horses, as well as many<lb TEIform="lb"/> boxes ornamented with tinsel and
                    painting, which<lb TEIform="lb"/> contain the wardrobes and other possessions of
                        the<lb TEIform="lb"/> inmates. At the tent-door, stuck upright in the
                        ground,<lb TEIform="lb"/> is the long spear of its occupant, and the large
                        earthen<lb TEIform="lb"/> pot which serves as fireplace, while in some
                        shady<lb TEIform="lb"/> corner a row of zīrs contain their supply of
                        drinking<lb TEIform="lb"/> water. Turkeys and fowl give a homely look to
                        the<lb TEIform="lb"/> premises, where perhaps a gentle-eyed gazelle is
                        playmate<lb TEIform="lb"/> to the rough-haired dogs few Bedawīn are<lb
                        TEIform="lb"/> without. Round about the tents children are playing,<lb
                        TEIform="lb"/> while their mothers are working at the hand-loom,<lb
                        TEIform="lb"/> or preparing the simple evening meal.</p>
                <p TEIform="p">In character the Bedawīn are dignified and reserved,<lb TEIform="lb"
                    /> and have a great contempt for the noisiness so characteristic<lb TEIform="lb"
                    /> of the Egyptians, but, like them, are passionately<lb TEIform="lb"/> fond of
                    their wives and children, and so highly prize<lb TEIform="lb"/> the various
                    articles of saddlery or apparel made by their<lb TEIform="lb"/> hands that no
                    money would buy them.</p>
                <p TEIform="p">The men are tall, with strong aquiline features and<lb TEIform="lb"/>
                    keen eyes, which look very piercing beneath the<lb TEIform="lb"/> “cufia,”<ref
                        TEIform="ref" id="ref10.1" rend="superscript" targOrder="U" target="n10.1">*</ref>
                    <note TEIform="note" anchored="yes" id="n10.1" place="foot" target="ref10.1"><hi
                            TEIform="hi" rend="superscript">*</hi>A square shawl of white or
                        coloured silk.</note> which is wrapped around their heads; their<lb
                        TEIform="lb"/> clothing is loose and flowing, a black “arbiyeh” being<lb
                        TEIform="lb"/> worn over the “khaftan,” or inner robe, of white or<lb
                        TEIform="lb"/> coloured stripes, and their boots are of soft leather.<lb
                        TEIform="lb"/> Though the traditional spear is still retained, all are<lb
                        TEIform="lb"/> armed with some firearm—ancient flint-locks of great<lb
                        TEIform="lb"/> length, or more commonly nowadays with a modern<lb
                        TEIform="lb"/> rifle, and many of the sheykhs wear a long, curved<lb
                        TEIform="lb"/>
                    <pb TEIform="pb" id="p084" n="84"/>
                    <figure TEIform="figure" entity="KelPe_084" id="ill084"> </figure> sword of
                    beautiful workmanship, which is slung across<lb TEIform="lb"/> their shoulders
                    by a silken cord. All have strong,<lb TEIform="lb"/> deep voices, and impress
                    you with the idea that these<lb TEIform="lb"/> are manly and courageous fellows,
                    and upright according<lb TEIform="lb"/> to their lights.</p>
                <p TEIform="p">The women also are clothed in loose draperies, the<lb TEIform="lb"/>
                    outer one of some rough material, which conceals<lb TEIform="lb"/> others of
                    daintier fabric and colour. Handsome in<lb TEIform="lb"/> feature, with glossy
                    blue-black hair, their dark gipsy<lb TEIform="lb"/> faces also wear that look of
                    sturdy independence which<lb TEIform="lb"/> so becomes the men.</p>
                <p TEIform="p">It may naturally be asked, “How do these people<lb TEIform="lb"/>
                    occupy their time?” First of all, they have large flocks,<lb TEIform="lb"/>
                    which must be fed and watered, and they are thus compelled<lb TEIform="lb"/> to
                    wander from well to well, or from one oasis to<lb TEIform="lb"/> another, and
                    they are also great breeders of horses,<lb TEIform="lb"/> which must be
                    carefully looked after, and from time to<lb TEIform="lb"/> time taken to some
                    far away fair for sale. Food and<lb TEIform="lb"/> water also have often to be
                    brought long distances to<lb TEIform="lb"/> their camps by the camel-men, while
                    the women are<lb TEIform="lb"/> occupied with their domestic duties and their
                    weaving.</p>
                <p TEIform="p">Naturally the Bedawīn are expert horsemen, and are<lb TEIform="lb"/>
                    very fond of equestrian sports. Some of their fancy<lb TEIform="lb"/> riding is
                    very clever, and great rivalry exists among<lb TEIform="lb"/> them, particularly
                    in their “jerīd,” or javelin, play,<lb TEIform="lb"/> when frequently several
                    hundreds of mounted men are<lb TEIform="lb"/> engaged in a mêlée, which, though
                    only intended to be<lb TEIform="lb"/> a friendly contest, often results in
                    serious injury or<lb TEIform="lb"/> death to many.</p>
                <p TEIform="p">The Arab is very fond of his horse, which he himself<lb TEIform="lb"
                    /> has bred and trained from a colt, and his affection is<lb TEIform="lb"/>
                    <pb TEIform="pb" id="p085" n="85"/>
                    <figure TEIform="figure" entity="KelPe_085" id="ill085"> </figure> amply
                    returned by his steed. They are beautiful<lb TEIform="lb"/> animals, strong and
                    fleet-footed, but often savage with<lb TEIform="lb"/> anyone but their master.</p>
                <p TEIform="p">Sport enters largely into the life of the Bedawīn, and<lb
                        TEIform="lb"/> many tribes train falcons, with which they hunt gazelles,<lb
                        TEIform="lb"/> and in the Lybian desert the “cheetah,” or hunting<lb
                        TEIform="lb"/> leopard, is tamed and used for the same purpose, and<lb
                        TEIform="lb"/> in this way the monotony of many a long desert march<lb
                        TEIform="lb"/> is relieved.</p>
                <p TEIform="p">When on a journey smaller tents than those which<lb TEIform="lb"/> I
                    have described are used, all the heavy baggage being<lb TEIform="lb"/> loaded on
                    to camels, upon which the women and<lb TEIform="lb"/> children also ride. Camels
                    have often been called the<lb TEIform="lb"/> “ships of the desert,” and they are
                    certainly the most<lb TEIform="lb"/> useful of all animals for such travelling,
                    for their broad<lb TEIform="lb"/> pads prevent their feet from sinking into the
                    soft sand,<lb TEIform="lb"/> and not only do they carry enormous loads, but
                        are<lb TEIform="lb"/> able for days together to go without food or water.<lb
                        TEIform="lb"/> When Abraham sent his servant to seek a wife for<lb
                        TEIform="lb"/> Isaac, it was on camels that he travelled, and shaded,<lb
                        TEIform="lb"/> no doubt, by her canopy of shawls, it was on camel-back<lb
                        TEIform="lb"/> that Rebekah returned with him to the tent of his<lb
                        TEIform="lb"/> master. So to-day we may often meet a similar party<lb
                        TEIform="lb"/> on their journey, the women seated beneath the<lb
                        TEIform="lb"/> “mahmal,” as the canopy is called, while the food and<lb
                        TEIform="lb"/> water for the journey is slung from the saddles of the<lb
                        TEIform="lb"/> camels ridden by the armed men who form their<lb TEIform="lb"
                    /> escort.</p>
                <p TEIform="p">Camels are of two kinds—the heavily-built beast,<lb TEIform="lb"/>
                    such as we see in Egypt, and which is used for baggage<lb TEIform="lb"/>
                    purposes, and the “hagīn,” or dromedary, used solely<lb TEIform="lb"/>
                    <pb TEIform="pb" id="p086" n="86"/>
                    <figure TEIform="figure" entity="KelPe_086" id="ill086"> </figure> for riding.
                    Lest any of my readers should fall into<lb TEIform="lb"/> the common error of
                    supposing that the dromedary has<lb TEIform="lb"/> two humps, let me say that
                    the only difference between<lb TEIform="lb"/> it and the ordinary camel is that
                    it is smaller and better<lb TEIform="lb"/> bred, just as our racehorses differ
                    from draught animals,<lb TEIform="lb"/> and must not be confounded with the
                    Bactrian or two-humped<lb TEIform="lb"/> camel of Asia. These hagīn are very
                        fleet,<lb TEIform="lb"/> and often cover great distances, and I have known
                        one<lb TEIform="lb"/> to travel as much as 100 miles between sunset and<lb
                        TEIform="lb"/> sunrise!</p>
                <p TEIform="p">On a journey the pace of a caravan is that of its<lb TEIform="lb"/>
                    slowest beast, and very arduous such journeys often are,<lb TEIform="lb"/> for
                    there is no shade, and the dust raised by the caravan<lb TEIform="lb"/> envelops
                    the slowly moving travellers, while the fierce<lb TEIform="lb"/> sun is
                    reflected from the rocks, which often become too<lb TEIform="lb"/> hot to touch.
                    On the other hand, the nights are often<lb TEIform="lb"/> bitterly cold, for the
                    sand is too loose to retain any of<lb TEIform="lb"/> its heat, while the salt
                    with which the desert is strongly<lb TEIform="lb"/> impregnated has a chilling
                    effect on the air. Most<lb TEIform="lb"/> trying of all, however, are the hot
                    desert winds, which<lb TEIform="lb"/> often last for days together, drying up
                    the water in the<lb TEIform="lb"/> skins, while the distressed travellers are
                    half suffocated<lb TEIform="lb"/> by the dust and flying sand which cut the skin
                        like<lb TEIform="lb"/> knives. Little wonder, therefore, if these hardy
                        desert<lb TEIform="lb"/> tribes are taciturn and reserved, for they see
                    nature in<lb TEIform="lb"/> its stern moods, and know little of that ease of
                        life<lb TEIform="lb"/> which may be experienced among the green crops and<lb
                        TEIform="lb"/> pastures of the Delta.</p>
                <p TEIform="p">It must not be supposed that the Bedawīn are<lb TEIform="lb"/>
                    morose, for beneath their outward severity lies a great<lb TEIform="lb"/> power
                    for sympathy and affection. The love of the<lb TEIform="lb"/>
                    <pb TEIform="pb" id="p087"/>
                    <figure TEIform="figure" entity="KelPe_087" id="ill087"> </figure> Arab for his
                    horse is proverbial, and his kindness to all<lb TEIform="lb"/> dumb animals is
                    remarkable.</p>
                <p TEIform="p">Like the Egyptian, family affection holds him<lb TEIform="lb"/>
                    strongly, and he has a keen appreciation of poetry and<lb TEIform="lb"/> music.
                    Hospitality is to him a law, and the guest is<lb TEIform="lb"/> always treated
                    with honour; it is pleasant also to see<lb TEIform="lb"/> the respect with which
                    the Bedawīn regard their women,<lb TEIform="lb"/> and the harmony which exists
                    between the members or<lb TEIform="lb"/> a tribe. Their government is
                    patriarchal, each tribe<lb TEIform="lb"/> being ruled by its sheykh, the “father
                    of his children,”<lb TEIform="lb"/> who administers their code of honour or
                    justice, and<lb TEIform="lb"/> whose decision is always implicitly obeyed.
                        Here,<lb TEIform="lb"/> again, we have another Biblical parallel, for, like
                        his<lb TEIform="lb"/> brother Mohammedan in Egypt, the life of the desert<lb
                        TEIform="lb"/> Arab, no less than the dwellers on the “black soil,”<lb
                        TEIform="lb"/> still preserves many of those poetical customs and<lb
                        TEIform="lb"/> characteristics which render the history of Abraham so<lb
                        TEIform="lb"/> attractive, and although these pages have only been<lb
                        TEIform="lb"/> able to give a partial picture of Egypt and its people,<lb
                        TEIform="lb"/> perhaps enough has been said to induce my readers to<lb
                        TEIform="lb"/> learn more about them, as well as to enable them a little<lb
                        TEIform="lb"/> more fully to realize how very real, and how very human,<lb
                        TEIform="lb"/> are the romantic stories of the Old Testament.</p>
                <trailer TEIform="trailer">THE END</trailer>
            </div1>
        </body>
        <back TEIform="back">
            <div1 TEIform="div1" org="uniform" part="N" sample="complete" type="backmatter">
                <pb TEIform="pb" id="pb001"/>
                <p TEIform="p">
                    <figure TEIform="figure" entity="KelPe_b001" id="illb001"> </figure>
                </p>
                <pb TEIform="pb" id="pb002"/>
                <p TEIform="p">
                    <figure TEIform="figure" entity="KelPe_b002" id="illb002"> </figure>
                </p>
                <pb TEIform="pb" id="pb003"/>
                <p TEIform="p">
                    <figure TEIform="figure" entity="KelPe_b003" id="illb003"> </figure>
                </p>
                <pb TEIform="pb" id="pb004"/>
                <p TEIform="p">
                    <figure TEIform="figure" entity="KelPe_b004" id="illb004"> </figure>
                </p>
            </div1>
            <div1 TEIform="div1" org="uniform" part="N" sample="complete" type="back cover">
                <pb TEIform="pb" id="pc03"/>
                <p TEIform="p">
                    <figure TEIform="figure" entity="KelPe_c03" id="illc03"/>
                </p>
            </div1>
        </back>
    </text>
</TEI.2>
